Buy new:
$12.49
FREE delivery Friday, July 19 on orders shipped by Amazon over $35
Ships from: Amazon
Sold by: lola's dream
Get Fast, Free Shipping with Amazon Prime FREE Returns
FREE delivery Friday, July 19 on orders shipped by Amazon over $35
Only 11 left in stock - order soon.
$$12.49 () Includes selected options. Includes initial monthly payment and selected options. Details
Price
Subtotal
$$12.49
Subtotal
Initial payment breakdown
Shipping cost, delivery date, and order total (including tax) shown at checkout.
Ships from
Amazon
Ships from
Amazon
Sold by
Sold by
Returns
Eligible for Return, Refund or Replacement within 30 days of receipt
Eligible for Return, Refund or Replacement within 30 days of receipt
This item can be returned in its original condition for a full refund or replacement within 30 days of receipt.
Returns
Eligible for Return, Refund or Replacement within 30 days of receipt
This item can be returned in its original condition for a full refund or replacement within 30 days of receipt.
Payment
Secure transaction
Your transaction is secure
We work hard to protect your security and privacy. Our payment security system encrypts your information during transmission. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Learn more
Payment
Secure transaction
We work hard to protect your security and privacy. Our payment security system encrypts your information during transmission. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Learn more
Get Fast, Free Shipping with Amazon Prime FREE Returns
100% satisfaction guaranteed. Ships direct from Amazon.
FREE delivery Wednesday, July 17 on orders shipped by Amazon over $35. Order within 3 hrs 7 mins
Only 1 left in stock - order soon.
$$12.49 () Includes selected options. Includes initial monthly payment and selected options. Details
Price
Subtotal
$$12.49
Subtotal
Initial payment breakdown
Shipping cost, delivery date, and order total (including tax) shown at checkout.

Kisses on the Bottom

4.5 4.5 out of 5 stars 1,150 ratings

$12.49 with 11 percent savings
List Price: $13.98

The List Price is the suggested retail price of a new product as provided by a manufacturer, supplier, or seller. Except for books, Amazon will display a List Price if the product was purchased by customers on Amazon or offered by other retailers at or above the List Price in at least the past 90 days. List prices may not necessarily reflect the product's prevailing market price.
Learn more
Get Fast, Free Shipping with Amazon Prime
FREE Returns
See all 10 formats and editions Hide other formats and editions
Listen Now with Amazon Music
Kisses On The Bottom Amazon Music Unlimited
Price
New from Used from
Audio CD, February 7, 2012
$12.49
$7.68 $2.99
Vinyl, February 7, 2012
Available at a lower price from other sellers that may not offer free Prime shipping.

Frequently bought together

$12.49
Get it as soon as Friday, Jul 19
Only 11 left in stock - order soon.
Sold by lola's dream and ships from Amazon Fulfillment.
+
$16.80
Get it as soon as Wednesday, Jul 17
Only 1 left in stock - order soon.
Sold by RapidPrimePros and ships from Amazon Fulfillment.
+
$9.99
Get it as soon as Wednesday, Jul 17
Only 4 left in stock - order soon.
Sold by megahitrecords and ships from Amazon Fulfillment.
Total price:
To see our price, add these items to your cart.
Details
Added to Cart
spCSRF_Control
Some of these items ship sooner than the others.
Choose items to buy together.

Track Listings

1 I'm Gonna Sit Right Down And Write Myself A Letter
2 Home [When Shadows Fall]
3 It's Only A Paper Moon
4 More I Cannot Wish You
5 The Glory Of Love
6 We Three [My Echo, My Shadow And Me]
7 Ac-Cent-Tchu-Ate The Positive
8 My Valentine
9 Always
10 My Very Good Friend The Milkman
11 Bye Bye Blackbird
12 Get Yourself Another Fool
13 The Inch Worm
14 Only Our Hearts

Editorial Reviews

Kisses On The Bottom is a collection of standards Paul grew up listening to in his childhood as well as the two new McCartney compositions "My Valentine" and "Only Our Hearts." With the help of Grammy Award-winning producer Tommy LiPuma and Diana Krall and her band--as well as guest appearances from Eric Clapton and Stevie Wonder, McCartney's new album is a deeply personal journey through classic American compositions that, in some cases, a young Paul first heard his father perform on piano at home. The full track listing reveals that Paul has been both reverent and adventurous in his song choices.

The phrase `Kisses On The Bottom,' comes from the album's opener `I'm Gonna Sit Right Down And Write Myself A Letter'. Originally made a big hit by Fats Waller in 1935, the song opens with the lines
"I'm gonna sit right down and write myself a letter and make believe it came from you. I'm gonna write words oh so sweet. They're gonna knock me off of my feet. A lot of kisses on the bottom, I'll be glad I got `em."

As authentic and daring a musical statement as he could make, this is the album Paul has been thinking about making for more than 20 years - and probably the last thing his fans are expecting. "In the end it was 'Look, if I don't do it now, I'll never do it'," he says. In short, Paul believes it is about time "the songs me and John based quite a few of our things on" received the recognition they deserve. Moreover, the record also features a couple of new original McCartney compositions in the spirit of those classics.

"When I kind of got into songwriting, I realized how well structured these songs were and I think I took a lot of my lessons from them," Paul explains. "I always thought artists like Fred Astaire were very cool. Writers like Harold Arlen, Cole Porter, all of those guys - I just thought the songs were magical. And then, as I got to be a songwriter I thought it's beautiful, the way they made those songs."

Determined to approach the record in a new and unique manner, Paul enlisted the help of LiPuma and Krall and her band-who delivered ultra-high quality musicianship and were completely in tune with Paul's restraint and feel for the music. In the studio, the recording of this album was also a new challenge for Paul who, for the first time ever, performed exclusively in the vocal booth without an instrument - no guitar, no bass, no piano - which led to a vocal performance like no other in his career.

He adds, "It was very spontaneous, kind of organic, which then reminded me of the way we'd work with The Beatles. We'd bring a song in, kick it around, when we found a way to do it we'd say 'Okay, let's do a take now' and by the time everyone kind of had an idea of what they were doing, we'd learnt the song. So that's what we did, we did the take live in the studio."

"It was important for me to keep away from the more obvious song choices so, many of the classic standards will be unfamiliar to some people. I hope they are in for a pleasant surprise."

The album was recorded at the legendary Capitol Studios in Los Angeles, New York and London throughout 2011.

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 5.55 x 5.04 x 0.24 inches; 2.33 ounces
  • Manufacturer ‏ : ‎ Hear Music
  • Item model number ‏ : ‎ 6 3 07233369
  • Original Release Date ‏ : ‎ 2012
  • Date First Available ‏ : ‎ December 20, 2011
  • Label ‏ : ‎ Hear Music
  • ASIN ‏ : ‎ B006OAB3ME
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.5 4.5 out of 5 stars 1,150 ratings

Customer reviews

4.5 out of 5 stars
4.5 out of 5
1,150 global ratings

Top reviews from the United States

Reviewed in the United States on March 6, 2012
LISTENING TO THIS ALBUM PUTS A SMILE ON MY FACE:

This review is a copy of a reply to a comment I made to another comment within another review. The comment I responded to was to someone criticising and questioning why McCartney would make such an album and used the "relatively" commercially UNsuccessful Ringo Starr album 
Sentimental Journey  as a comparison.

I don't think one can make a fair comparison of any singer/musician performing covers of "oldies" unless the songs they've recorded are the same.

From my own personal opinion about this album I initially found myself asking why did Paul do this. I'm 57 years old and have followed all the Beatles closely from the very beginning of their American launch on the Ed Sullivan Show. Like many of you who are reading this I am and always will be a "Beatle Maniac". We all, or at least should, know that McCartney and Lennon wrote 90+ percent of the Beatles Music and if one examines the songs that Paul primarily wrote as opposed to the ones that John penned, and also examines all the four Beatles separate careers and public personas I think one would deduce that Paul was/is the most sentimental of the Beatles WITH RESPECT TO HIS SONGWRITING. I am in no way suggesting that he was "deeper" than Lennon, Harrison, or Ringo; quite the contrary in fact. I think every one of them were and are incredibly complex and sensitive people and musicians and the legacy of all of their music they've left for us is a testament to that. The vast percentage of Ballads and love type songs the Beatles recorded though were written by Paul.

What we have here I think is simply a 70 year old man who's had a most incredible life and, as with many of us as we age we reflect on much of our lives and certainly our childhood. McCartney has very naturally done that and he is in the enviable position of being able to record an album of songs that meant something to him personally from his childhood. Some people write memoirs, some sing and/or compose music and songs to express and expose their lives. I don't think he cares if this album is a commercial success or not. Nor do I think he's one bit concerned about the reviews it will get. Let's face it, this man simply loves music and he loves playing and singing. If he didn't, he would have quit decades ago. If anyone has seen him perform live over the past ten years then you've walked away realizing you've seen an artist who just loves what he does.

I don't think this album is about whether or not Paul sings these songs well or not. To me, it's something that gives me additional insight into why and how this man wrote beautiful songs such as Yesterday and Michelle to just note the very tip of the iceberg of Paul's incredible opus.

Musician's like Paul McCartney are incredibly rare, having had a successful career spanning literally FIFTY YEARS, and are a gift to all of us who, as fans, have watched his career and public life evolve and in many cases affect our own lives on very deep levels. I don't think this album, and certainly not Paul himself, should receive any negative criticism whatsoever and I think that those who do critique it are missing the point and more importantly the whole picture. If you're not interested in listening to this music you don't have to buy it and if you've bought it you don't have to listen to it. But please, before criticizing any recording this man puts out at this stage of his life, think long and hard about the bigger picture (i.e., what this man has given to us) and at the very least, don't try to compare him to ANY other singer; former Beatle or otherwise.

I think it's safe to say that whatever Paul chooses to do musically is, and has been for a very long time, a labor of love. It's not about money or commercial success to him; of that I am highly confident. Whether or not these are the "greatest" recordings of these individual songs or not is not the point. Indeed, I should think that Paul himself would tell you they're not. They're songs that he loves and clearly, he's shown us he loves to sing. I think that's really all there is to this and intensely critiquing this effort is just wrong.

On November 8, 1975 I saw the legendary pianist Arthur Rubinstein perform two concertos with the Los Angeles Philharmonic Orchestra under the baton of Zubin Mehta. Afterward, he played six or seven solo encores. Not only is it unheard of to attend a concert and hear TWO piano concertos in one evening by the same pianist but at the time this took place Maestro Rubinstein was EIGHTY-EIGHT YEARS OLD. As is the case with any concert, classical or otherwise, there will be all kinds of people in the audience. Some of those people will be familiar with the music being performed, others will not, and a few will know it so well and have such well-trained ears, that they'll be able to pick out every missed or dropped note or mistake. Now Rubinstein dropped some notes here and there but I don't think anybody cared. That this man, who had been playing piano for people for seventy-five years or so was not criticized for his dropped notes or mistakes, nor should he have been. What Rubinstein gave to the world of music and to those who followed his career and life was nothing short of a blessing. To criticize him for doing something that less than 0.25% of the world population could come close to doing would simply be wrong.

Although McCartney's not a classical musician, I think the analogy is still a fair one to make. Paul's given us too much for too long; he has nothing to prove. The man is seventy years old and I think that at this point nothing even remotely negative should be said about what he records. Negative words and thoughts about his music or singing are best kept as thoughts. They ad nothing of value to anyone to be written in public reviews. There are very few entertainers in this world who by virtue of their tremendously great careers, simply shouldn't be criticized negatively; unless of course they turn out to be serial killers or something. IMHO Paul McCartney falls into that category. Don't like the music, don't buy or listen to it but regardless, before you consider yourself worthy of criticizing Paul's artistic output at this stage of his career and life I suggest you first compare your own life to his before you knock him.

I'm listening to the album right now and each and every song puts a smile on my face. I can tell, he had the time of his life producing this and the musicians accompanying him are superb!
15 people found this helpful
Report
Reviewed in the United States on February 11, 2012
I have to admit that I vacillated on buying this CD. I did not like what I heard in the snippets. Mr. McCartney does not have the same voice he had 30 years ago, and it really didn't seem suited to this type of music. What tipped me over the edge was listening to My Valentine on youtube (the complete song). He still sounded old, but the haunting melody captured me - I had to own a copy. It arrived and I listened to the whole CD straight through, and could see some merits right away: great musicians (I am a Diana Krall fan, BTW), beautiful arrangements, and superb recording (I also consider myself an audiophile). Oh, and the melodies on every one of the songs are captivating. By now I've listened to it about 10 times, and I am absolutely in love with it! After getting familiar with it, I see that Paul's voice works quite well on these songs - adding great character to the songs, and he really does sing with oodles of emotion. My advice: forget it's Paul when you listen, or at least don't be looking for the singer of Yesterday or Hey Jude. This is absolutely not the Paul McCartney you know. It's just this old jazz man singing his heart out. Buy it, but be patient with it. Let it grow on you.

Now, the songs...

1. I'm Going to Sit Right Down and Write Myself a Letter - a bouncy track to start the show a real catchy tune. Paul is the star, but Diana Krall's combo also stands out. To a large extent, this is a Diana Krall album - albeit with a different vocalist than she normally uses.
2. Home (When Shadows Fall) - A bit more syrupy (and I mean that in a good way), a sleek, romantic song with a modest use of strings in the background.
3. Paper Moon - Although this is perhaps my least favorite track, it's still a pleasure to hear this catchy tune. Simple arrangement with guitar, Mrs. Costello's piano work and a fiddle standing out.
4. More I Cannot Wish You - Very romantic and pretty.
5. The Glory of Love - A very slow rendition of this familiar tune, sung with sweet emotion. Paul makes it his own with his own unique interpretation. By now, there's no doubt that Paul knows what he's doing. Paul overdubs a harmony to his melody toward the end - subtle, as befits the song. Among the best tracks in the collection.
6. We Three (My Echo, My Shadow, and Me) - Another cute song with a pretty melody.
7. Ac-Cent-Tchu-Ate the Positive - An uptempo number, which fits Paul's voice and style perfectly. His best vocal on the album from a technical perspective (although I prefer the more emotional vocals, such as on the next two tracks). A bit more use of overdubbed harmony (two Paul's are better than one, now aren't they?) He doesn't sound his age on this track.
8. My Valentine - One of two original compositions by McCartney on the album. Absolutely beautiful melody, among the best he's ever written. Paul sings it in a very heartfelt manner; clearly it was written for his bride. Eric Clapton plays his guitar on this track, and he does a fine job playing in the background, and with a brief solo. I'll be surprised if this song isn't re-recorded by many others over the years ahead.
9. Always - My absolute favorite track. Paul's best vocal, dripping with emotion - and infectious. It almost makes me cry (the thought occurs to me: Paul and I are both getting up in years, but I'll be loving Paul, always). The arrangement includes strings that reinforce the sentimental mood set by Paul's singing. Worth the price of the CD all by itself.
10. My Very Good Friend The Milkman - a happy, fun song. The whole tone is happy, from Paul's whistling to the bouncy melody. Paul has always been adept at laying out the sequence of tracks and the happy tone of this song works out as a welcome respite after the heavy emotion of the prior to tracks, and the one that follows. (BTW, he laid out the track sequencing on that little known album called Sgt. something-or-other).
11. Bye Bye Blackbird - My second favorite track. This is a slow, emotional version of this song. Everyone's heard this song before, but it's nearly always a fast, snappy version. Paul provides a unique interpretation, happy/sad and slow- his voice full of meaning. I particularly like Paul's singing on the last few bars; very pretty. What is it about this guy and Blackbirds?
12. Get Yourself Another Fool - The bluesiest song on the album. I envision Paul singing this in a smoke-filled bar, leaning over Diana's piano - drink in hand.
13. The Inch Worm - A pretty little song. Not a real standout, but nicely done.
14. Only Our Hearts - The other original McCartney composition. The lyrics are a bit bland for my taste, but the melody is pretty. I actually think the strings are a little overdone here. Stevie Wonder does a very nice job on harmonica.
6 people found this helpful
Report

Top reviews from other countries

Translate all reviews to English
Antonella I.
5.0 out of 5 stars È un disco
Reviewed in Italy on September 3, 2023
Non poteva che essere un disco piacevole da ascoltare.
R H M
5.0 out of 5 stars Delightful
Reviewed in Canada on February 11, 2019
As a lover of the American Songbook I enjoyed every syllable, sung clearly and gently. Surprisingly I tired of the CD quicker than others of a similar nature such as Rod Stewart's albums.
Humberto I
5.0 out of 5 stars Paul dando aun señales de creatividad
Reviewed in Mexico on August 24, 2017
Sí, muchos dirán que ya no es lo que fue, pero a sus entonces casi 70 años, sigue creando música.. casi 7 décadas de creatividad!!!! Bien por Paul, que decidió por lanzar un álbum a la Tony Bennet (bueno, es mi idea). La edición en vinilo es doble y te regala el disco en mp3, así, que no está mal para alguien que puede ser tu abuelo.
hotaru_chan
5.0 out of 5 stars 予想以上の美品
Reviewed in Japan on June 10, 2022
お手頃価格な上、迅速な対応で大変満足しました。勿論、作品の内容は言わずもがなです。
D. V. Lawson
5.0 out of 5 stars An album of old "photos"
Reviewed in the United Kingdom on September 1, 2013
A recent visit to Liverpool which included the un-missable National Trust tour of John and Paul's homes has had me looking through and listening to a lot of Beatle music but it was the chance viewing of some of the video of this album on TV that reminded me that I had bought it and not really played it. I now realise that this was a glaring oversight. Of course it is a sentimental journey through songs that Paul would have heard in his childhood probably played and sung by his Dad on their upright piano but I certainly have room in my life for that along with much more contemporary music being of a similar age to Paul. Unlike Rod Stewart who seemed to decide to make a new career as a crooner Paul was just opening an old album of "photos". It is lovely and highly recommended.