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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Monday, January 11, 2021

Some Post Holiday Thoughts

 


Not to flout the holiday season, I delayed this post for over a month but its been an interesting year all around and I've been reflecting on some long ago times with some old friends and distant memories. This lyric stanza from John Prine has crystalized my thoughts.


Your flag decal won't get you

Into Heaven any more.

They're already overcrowded

From you dirty little war.

Now Jesus don't like killin' 

No matter what the reason for,

And your flag decal won't get you

Into Heaven any more.



R.I.P. John Prine





Friday, June 06, 2014

a musical cul-de-sac (1)


Some of the greatest rock music over the years has been covered in some very interesting ways. I've been kicking around the idea of exploring some of the most delicious covers and bringing them to you in this little grey space. Today I begin with what I feel is one of the most beautiful renditions of a classic rock song - A Whiter Shade of Pale by Procol Harum.

Here's the original, in case you need to refresh your memory from 1967.

And here is the brilliant rendition by Annie Lennox. Another by Eric Clapton and final gripping version from Joe Cocker.

Monday, March 11, 2013

Rock Orchestrations



















I was just playing around one lazy afternoon and stumbled on an orchestration of Queen's Bohemian Rhapsody. Like any other internet rabbit hole when I came out several hours later I had several selections to recommend to you. Most are by the London Symphony Orchestra and most reflect my well worn prejudice to classic rock.

Bohemian Rhapsody arranged for a symphony orchestra. You'll want to give this one more than 2 1/2 minutes.

Beatles's Penny Lane. Found this favorite more than a few times but this one is by a small string orchestra.

Led Zeppelin. All of My Love. Might even be better than the original.

Eric Clapton's Layla. This one has also been done a lot but most are soft orchestrations that stick to the original Clapton tracks; LSO really takes the theme and runs with it here. 


A Whiter Shade Of Pale, Procol Harum LSO. One of my favorite songs.


Zeppelin - Stairway to Heaven. London Philharmonic Orchestra. The best of several tracks I found.

The Rolling Stones - Ruby Tuesday re-mixed & re-orchestrated by LSO.

The Beatles - Here Comes The Sun by The Wedding Players

Monday, June 04, 2012

In Honor of the Queen

In the States we don't have a truly moving national song. Oh I know some are inspired by the Anthem, which unfortunately is unsingable by most of us. American the Beautiful is really God Save the Queen. No, I am just not moved by what we have here in the U.S. in terms of inspirational tunes. Not like Oh Canada, Rule Britannia or even The Internationale.

But the true leader, in my very humble opinion, is the UK's Jerusalem. Many of my generation first encountered these William Blake lyrics when Emerson, Lake and Palmer recorded a rock version of the hymn in 1973 on their album Brain Salad Surgery. True the lyrics have huge Christian overtones but I have no trouble overlooking the implied message that Jesus may have stopped in England on his way to America to found the Mormon Church.

Just turn up the volume, click here and enjoy.
(the ELP version can be found here for old stoners)

Jerusalem Hymn


And did those feet in ancient time
Walk upon England's mountain green?
And was the holy Lamb of God
On England's pleasant pastures seen?


And did the countenance divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among those dark satanic mills?


Bring me my bow of burning gold
Bring me my arrows of desire
Bring me my spear O clouds, unfold
Bring me my chariot of fire


I will not cease from mental flight
Nor shall my sword sleep in my hand
Till we have built Jerusalem 
In England's green and pleasant land


                       -Lyrics by William Blake

Wednesday, August 17, 2011

Jerry Garcia

I was in San Francisco the other day, we stopped for lunch at Cha Cha Cha in my old neighborhood - the Upper Haight or as it is still called Haight-Ashbury. In the summer of 1995 I was living a couple of blocks from the corner of Haight & Ashbury in The City. On August 9th of that summer, Jerome John "Jerry" Garcia passed away of a heart attack while in a drug rehabilitation facility. He was 53.

Around 11 o'clock in the evening, I walked up to Haight Street to see what tributes there might be to the fallen leader of the Grateful Dead. The light poles at the corner of Haight and Ashbury were festooned with garlands. There were pictures of Jerry and the Dead on every stoop and curb. Candles glowed from windows. Lots of kids were sitting on the street listening to Dead tunes coming from a second story window.

Later that night I wrote an email to my friends who could not be there that night. Those words are now long lost but one thing I vividly remember. I painted the picture of Haight-Ashbury 1995, the four corners reflected the changing face of The Haight. Sure there was still the same vintage clothing store on one corner and a t-shirt shoppe full of tie-dye on another; but the other two corners were a brand new Gap and a Ben & Jerry's Ice Cream Emporium.

I knew that ice cream shoppe or rather they knew me, I stopped there often enough that the evening crew recognized me. I had given a couple of the scoopers advice on community college classes. I poked my head in that night and one of them waved me over to the counter.

"I've worked here for two years," he said, "we've never run out of a flavor before."

I must have looked at him with a blank, unknowing expression because he continued: 

"Everybody's been buying Cherry Garcia, it's all gone."

There are tributes and there are tributes. I wonder do they still make Wavy Gravy?

Friday, May 13, 2011

Evocative Music or Not

"Music jerks you around to feel stuff 
you could better have left alone."


That quote comes from a good friend of mine. She said it sometime last year and like a diligent writer I jotted the words down for later use. Our conversation didn't stop with that line, she went on to say that feeling big emotions was just not worth it because the really bad ones are very painful even when evoked or relived via music. And, she continued, the good emotions that music pulls forth always end when the music ends and you lose them all over again.

Yes, that is a fairly dark view of music and perhaps of the world in general. It contrasts sharply with my own feelings about music and my personal worldview. Remembering even reliving long ago emotions is not only healthy; I believe it is healing and growth oriented. Yes, music can recall old hurts and stir dormant memories but catharsis is good for the soul. Stirring the pot brings all the flavors of wisdom to bear on our place in the present.

I let my friend know I was going to post this blog because I wanted to hear her say it out loud -

"You know I've started listening to music again."

Yes I did notice, which is how I knew it was time to share this nugget with my blog friends.


Wednesday, April 27, 2011

Favorite Bands/Favorite Songs

While listening to a rock&talk radio show on one of my drives around northern california, I heard a question that seemed too simple to have an easy answer:

"What is your favorite song by your favorite band?"

My thought, of course, was - can you actually have one favorite band? or one favorite song by that band? But lists can be fun, entertaining or revealing so I pose this question to you:

"Name your favorite song by your three favorite bands."

The comment section is open below, let's hear your choices. Here are mine in no particular order.

Yes, that's the Uncle John's Band up there at the top. My favorite Grateful Dead song is China Doll. Links are all to youtube versions of the songs.

I think it's fair in all musical comparison lists to put the Beatles into some sort of emeritus category and make other selections. But I left them in as one of my three and the song: A Day in the Life

My third band is Talking Heads and the song is Heaven.

Heaven, 
heaven is a place, 
a place where nothing, 
nothing ever happens

Your picks?

Wednesday, April 13, 2011

Who Do You Think You Are?


An unlikely source led to this recommendation. I just do not keep up with contemporary music, haven't in many years. Yes, I am stuck in the 60's & 70's. Then I get a musical suggestion from a friend who I never would have expected to be so current - except that his job has him hanging out with high school kids, so I guess the music would seep into him by proximity osmosis.

Anyway, for those who like me are not in synch with modern music, that's Christina Perri in the photograph. I have been sampling a wide range of her work and I strongly recommend the her video Jar of Hearts, not only do I like her voice but the lyrics are evocative and the imagery is wonderful. Watch carefully for the incremental theft of her soul and the final recovery.

Who do you think you are
Running round leaving scars
Collecting your jar of hearts
and tearing love apart
You're gonna catch a cold
from the ice inside your soul
Don't come back for me
Don't come back at all

Saturday, March 26, 2011

Recycled Political Observations

Someone said to me the other day: "Doesn't it frighten you that a major political party in the United States has been taken over my extremists."


I'm not proud of my answer, I think it was really low-hanging fruit but I couldn't resist. I, of course answered: "Which party?"


As expected he didn't think it was a particularly funny line and gave me an exasperated sigh coupled with a downturned slow shake of his head.


"No really, which party." OK, I was just rubbing it in at this point. Later and away from my much too seriously middle of the road lefty friend, I remembered that I had blogged about this back somewhere in the past. Today I recycle that post, in the hope that no one ever again attempts to draw me into a serious discussion about the merits of the two party system in this country.

                                                     

Paranoia strikes deep
Into your life it will creep
It starts when you're always afraid
-Buffalo Springfield

For What It's Worth is the song by Messrs. Neil Young, Stephen Stills, Richie Furay, Jim Messina and perhaps Dewey Martin and/or Bruce Palmer depending on the version you listen to and who was caught up in the last drug bust.

Just a small digression, when Buffalo Springfield broke up after about two years of revolving bass players and the aforementioned drug busts---Stephen Still hooked up with Graham Nash of the Hollies and David Crosby from the Byrds and formed a little band, they took in Neil Young and played some music. Jim Messina and Richie Furay joined forces and formed Poco. Jim Messina eventually teamed up with Kenny Loggins.

Meanwhile back at the topic of this here post: Paranoia Strikes Deep. That was the tagline for a Nov. 9 (2009) opinion piece in the NYTimes. The paranoia being discussed is that the Republican Party has or will be taken over by an extremist right wing. Whether this has or hasn't happened yet depends on just how left or right you already are and in particular (here comes the point) how paranoid you are about such a possibility. The article can be summarized with it's last two lines:

"The point is that the takeover of the Republican Party by the irrational right is no laughing matter. Something unprecedented is happening here--and it's very bad for America."

In case you missed it, the lyrics from Buffalo Springfield are:

"Something's happening here, what it is ain't exactly clear. There's a man with a gun over there, telling me I got to beware."

The cultural distortion is that you can't tell if the guy with the gun is an extreme conservative, a paranoid libertarian or a fearful liberal who has decided to defend his turf. That it ain't exactly clear is why paranoia strikes deep but it starts when you're always afraid.

Tuesday, March 15, 2011

Tune Stuck in My Head

From the moment I could talk
I was ordered to listen.
-Cat Stevens

For three days those lyrics were stuck in my head. They come from an old Cat Stevens song called Father and Son. I checked the lyrics, they have nothing to do with why I the tune kept going round and round in my brain. No, I hadn't heard the song on an old oldies station. Sure I knew the song, I liked Cat Stevens back before he found his own fundamental way to the divine.

And I wasn't hearing the whole song, at times not even the music, just those eleven words. Was I silenced as a child - absolutely not. I, we were all encouraged to be vocal. I also learned early to watch, listen and observe before I acted or spoke.

I had two older brothers and growing up I got to observe them getting into all sorts of trouble. My oft learned lesson was - well don't do that or at least don't do it that way. I was always a good student of staying out of trouble. Which brings me to today's story, which has nothing to do with those lyrics.

I suppose I was about nine or ten; it was a Sunday afternoon, I came downstairs heading for the bathroom. I know it was a Sunday afternoon because my father was home. He was never home during the week, he was always at the pharmacy, which was only half a mile away but he was never actually home, except on Sunday afternoons. He was sitting in his chair with the Sunday Detroit Times unfurled in his hands.

As I passed the kitchen, my mother came out and said something to me; I have no idea what she said but I am reminded of a cartoon character who opens her mouth and some off key trombone notes come out - you know just noize. It probably began: "Timothy, why didn't you do this" or "Have you done that." It was mean, she was being a nag and I didn't deserve it. I don't know if my parents were having a little tiff or if she was just looking for a target to bitch at. But I was in the line of fire.

Problem was, without thinking I said: "Don't you snap at me! I got all A's on my report card."

Now, nothing wrong with that response but the way I said it - it came out way too sassy. We did not use that tone with adults. Talking back to adults was a mortal sin in our house. I wanted to swallow the words as soon as they came out. My content was fine. My delivery, however, had just turned this into a potential shit storm for me and all I had been doing was just walking by.

There was a long moment of silence, a long moment. Then my father brought the two sides of his paper together, turned the edge of the next page and open it up again and kept on reading without saying a word. My mother stared at him, turned with the loudest silence I had ever heard and headed back into the kitchen.

As it turned out I had invoked the magic words - good grades and not just good grades - perfect grades. All three of us knew my mother was just bitching to bitch, but she had picked the wrong target and my father was not going to take the bait and deflect her foul mood onto me. I was just passing through on the way to the bathroom.

So maybe there is a little something there from the Cat Stevens' song. The lyrics tell a story of a father giving advice to his son; advice the son is not going to take. Well I heard my father's unspoken advice that day; I heard it and I remembered it.

If you're doing your job and getting it right, don't take shit from anyone that isn't yours to begin with. I didn't and I don't. Thanks Dad.

Sunday, January 23, 2011

My Alice's Restaurant


I wonder what is the subset of poor souls who read my blog but have not heard nor seen Alice's Restaurant? If by any chance you, by some freak of history, are such a person; I would strongly suggest you have missed one of the great culture experiences of our time, nay of any time and you should endeavor to hear and see AR as soon as possible. You may immediately hear a contemporary rendition with film clips by clicking on that there link. Doing so will delay your enjoyment of my words by about 18 minutes but will be well worth the journey. In the alternative you will, even without the clip, be able to follow my story below but perhaps not catch all of the whitful nuance. 

My story, much like the original is not about Alice's Restaurant, which is not the name of the restaurant anyway. No, my story is about the draft, which by no small coincidence is what Alice's Restaurant is about. You may remember this exchange from about midway in the song and the movie.

"Kid, see the psychiatrist, room 604."

And I went up there, I said, "Shrink, I want to kill. I mean, I wanna, I wanna kill. Kill. I wanna, I wanna see, I wanna se blood and gore and guts and veins in my teeth. Eat dead burnt bodies, I mean kill, Kill, Kill, Kill." And I started jumpin' up and down yelling, "KILL, KILL," and he started jumpin' up and down with me and we was both jumping up and down yelling, "KILL, KILL." And the sergeant came over, pinned a medal on me, said, "You're our boy." 

Now that's not my favorite exchange in the tale, story, movie or song; no that comes much earlier and goes like this: Twenty-seven eight-by-ten color glossy pictures with the circles and arrows and a paragraph on the back of each one explaining what each one was to be used in as evidence against us. But like I said this is a story about the draft, my personal story about being nearly drafted and not as you might have thought a story about Alice or the restaurant, so I should probably get to my story. But you can still chose to hear the whole original AR with that link up there or you could read the lyrics or even come back later and do both. In any case I should get on with My Alice's Restaurant Story. 



Back in the late fall of 1967 I dropped out of college. I left college on a Thursday, I remember this because on the following Wednesday, a mere six days later, I received a notice to report for my draft physical. Back in those days there was a lot of political pressure not to allow college students to avoid the draft my hanging around a campus without actually advancing towards a degree. Many college registrars felt compelled to vigorously inform the selective service of any change in student status and many recruiting centers acted with haste to fill their body quota.

So this is the story of one cold December 22nd, 1967; when I was selected to have my classifying pre-induction general physical and screening at the army's Fort Wayne facility in Detroit, Michigan. The bus was scheduled to leave the Ann Arbor bus station promptly at 7 a.m. on one amazingly cold winter morning. A snow storm two days before had left piles of now plowed snow all along the roads from my home nine miles away, the dark morning had shards of icy snow whipping on the wind.

Our bus was full but just as it started to roll there was a thump on the door, the driver let one more passenger/victim/future cannon fodder on and said:

"Find a seat somewhere, we're full up today."

The slight and clearly confused new arrival wore a huge winter parka with a wildly fur-lined hood. He took a quick glance down the four rows of faces and sat down on the steps by the door.

"Suit yourself," said the driver and we were off into the still dark morning heading for Detroit an hour away.

Slowly we all warmed up and woke up and conversations began. As it turned out only about half of the bus were there for our first physical. Others were being called back because they failed previously and as many as ten or twelve were there to actually be inducted into the military, they would not be returning with us to Ann Arbor that evening. No, they were off to war. Vietnam did come up in conversation and several of our crew were eager to get there, the dissenting opinion was not aired in the early morning light. Our last minute arrival stayed fully cocooned in his ginormous parka and did not participate in the chatter.

We arrived at Fort Wayne and entered under an newly installed archway that read: "Induction Center". I felt somehow that the day would not go well. Our busload was moved to a classroom to take a screening test prior to our physical. A sergeant stood at the podium and instructed each entering group to find seats and fill out the basic information on the form with the pencil provided. Then we were to color in the dots beneath the letters and numbers. These instructions were repeated each time a new group entered the room and a immediately dislikable private strode about the room in his pressed green uniform and checked our work.

I was in my second year of college, so under years of education I had put 14. The private glanced at my info. sheet and said:

"Fourteen, you know that means you've had two years of college."

I decided at that point I would go with silence as my default mode when dealing with anyone in uniform.

"What you couldn't keep your grades up even to avoid vietnam?"

Nope, I was going with silence. He moved on. Seated two seats in front of me was the parka wearing introvert and he was clearly struggling with the concept of coloring in the boxes under the letters of his name. The private prick in green pounced. He berated the kid and it became obvious fairly quickly the kid was not faking it. He either had taken one too many tabs of acid this morning or he was just not right in the head. In any case he was  a helpless target for the asshole in green and the sergeant, not twenty feet away, showed no interest in ending the torment.

I briefly considered intervening but we were in land of the military. We had already been told several times that they could keep us overnight for any reason at any time, we would be told that at least a dozen times during the course the day. I decided that hero was not the wisest course of action while inside of a military induction center. We took our test. The tests were immediately graded, the 90%+ who passed were moved out to begin our physicals and the remaining group, including parka boy, were told they would now take another test and if they were trying to fake a failing grade they would be discovered and kept overnight. The last I saw of parka boy, he was being taunted again by the evil green private.

The details of the next five hours spent in shoes, socks and underwear are a story for another time. I'll make a note to put that story in the queue, it's funny but distracting from todays Alice's Restaurant theme. You basically process through 22 physical stations and get a check mark at each one. Near the end your file gets reviewed and you are sent to a final guy who tells you your immediate fate. Mine was to get dressed and follow the signs.

I got dressed, checked the boarding board and discovered my bus was 1-2 hours from departure. So I followed the signs for the lunch room. I found myself walking down a long hallway, near the far end were a couple of people I could not make out until I got closer. Facing me was parka boy now moaning, crying and shaking violently; with his back to me was the same private prick still berating and taunting the kid. I look behind me and saw no one, I was alone in his massively long hallway with parka boy and the evil green military incarnate.

Now remember I am nineteen at this time and had just been poked, prodded, injected, selected and rejected for five hours. I made a somewhat irrational decision, I was now ten feet from the evil green tyrant, I raised my left arm to throw a forearm shiver at the private's head. I figured that between my arm and the concrete wall, he was going down and out. What would happen next, well I hadn't worked that part out. My adrenaline spiked and ...

At that moment a large dark green uniform pushed past me, I had not heard him coming and only had an instant to notice a lot of scrambled egg yellow on his shoulder. He spun the private around with one hand and with the other he grabbed his name tag and ripped it and half of the front of his shirt off. The major or general or whatever put his arm around parka boy and took him through a nearby door. The whole scene took less than twenty seconds.

I was now alone with the private who had turned as white as his cotton t-shirt that was exposed through the huge hole that the officer had torn in his shirt. He was using the wall for support or he would have been curled up in a ball on the floor. I leaned in close to his ear and whispered three syllables very slowly: Vi - et - nam.

Now that is a great finish to the story I know but there was one more scene. When our bus was finally loaded several hours later, as we pulled away from the induction center into the dark winter evening, I looked up to a second floor window and there brightly illuminated was parka boy standing on an exam table with three white coated doctors around him. He was waving his arms and jumping up and down; and although I couldn't hear him, I was was sure he was shouting: "I wanna kill! Kill! Kill!"


"You can get anything you want at Alice's Restaurant, excepting Alice."

Friday, October 08, 2010

Imagine All the People

Tomorrow -- Saturday October 9, 2010 is John Lennon's 70th birthday. If you use Google today or tomorrow you will see their tribute to him, actually there are several, this one is animated. Push the red arrow and turn up the sound slider.

My own personal meander through the history of the Fab Four continues but I have extended it to cover several more months, can't afford to get involved in something so complex while I am engaged in my current writing project. So expect several Beatles' posts over the remainder of the year. Until then,

"They may say I'm a dreamer, but I'm not the only one." 

Thursday, September 16, 2010

Lyrical Nostalgia

But wait you say! You can't possibly be a Michael Jackson fan. Right you are astute readers. But on a long drive the other day I heard my favorite set of Beatles tunes and decided it had been too long. So today seven remastered Beatles CDs arrived and I shall be indulging in the Fab Four for some weeks or months and of course blogging about it. But why then Michael Jackson? Well he (and a division of Sony Music Inc.) own the Beatles library, well I guess it would be his estate but no matter, the MJ art is also social commentary, if you don't quite see it, try this larger version.

Also I promised I was going to wallow and float in nostalgia this month but I got a bit sidetracked with some favorite quotes and though the quotations are nostalgic for me, the prose I attached to them has not been conveying the lightness, wonder and remembrance of things past.

So I shall be interspersing the boys from Liverpool in order to pave the way down penny lane. I won't keep you speculating, my "favorite set" of Beatles tunes come from Abbey Road. I will be writing about why later but just as a taste -- John-to-Paul-to-George-to-Ringo they are: Here Comes the Sun, Because, You Never Give Me Your Money, Sun King, Mean Mr Mustard, Polythene Pam, She Came In Through the Bathroom Window, Golden Slumbers, Carry That Weight and The End.

Here is a little taste for you -- musical link

Monday, February 22, 2010

Time, Time, Time

One of my bestest friends on the entire planet has an incredibly terrible sense of time. She believes it will take her an hour to do what anyone else will give themselves a day to accomplish. She has practically no sense about a day having 24 hours and some of them you might want to allocate to sleep. And she still hasn't mastered the time zones, even though I explain to her that they actually don't change twice a year.

I bring up her temporal dyslexia because I am experiencing something like it myself. I know I have a finite task in front of me. I can see, smell, taste and touch what needs to be done but somehow the more I work the slower the progress. This is not a writing project where I could blame excessive editing or flights of the muse for the pace. Nope, this be a real in-the-world labor with things and items and stuff.

Some evil imp is clearly adding work from the bottom of the pile. It could be a loaves and fishes thing, perhaps some manifesting algorithm is in play. Whatever the explanation, I am not going to succumb to the inferior explanation that I just allocated less time than the task required. No there is some nefarious collision of universes here, I will accept no lesser explantion.

In the meantime, I will be late for all engagements and quickly looking around often in an attempt to spot the metaphysical gamin, gnome or gremlin which is clearly vexing my path forward. My kingdom for a 196 hour week and more mothballs.


Tuesday, November 17, 2009

Paranoia Strikes Deep


Paranoia strikes deep
Into your life it will creep
It starts when you're always afraid
-Buffalo Springfield

For What It's Worth is the song by Messrs. Neil Young, Stephen Stills, Richie Furay, Jim Messina and perhaps Dewey Martin and/or Bruce Palmer depending on the version you listen to and who was caught up in the last drug bust.

Just a small digression, when Buffalo Springfield broke up after about two years of revolving bass players and the aforementioned drug busts---Stephen Still hooked up with Graham Nash of the Hollies and David Crosby from the Byrds and formed a little band, they took in Neil Young and played some music. Jim Messina and Richie Furay hooked up to form Poco. Jim Messina eventually teamed up with Kenny Loggins.

Meanwhile back at the topic of this here post: Paranoia Strikes Deep. That was the tagline for a Nov. 9 opinion piece in the NYTimes. The paranoia is either that the Republican Party has or will be taken over by the extremist right wing. Whether this has or hasn't happened yet depends on just how left or right you already are and (here comes the point) how paranoid you are about such a possibility. The article can be summarized with it's last two lines:

"The point is that the takeover of the Republican Party by the irrational right is no laughing matter. Something unprecedented is happening here--and it's very bad for America."

In case you missed it, the lines from Buffalo Springfield are:

Something's happening here, what it is ain't exactly clear. There's a man with a gun over there, telling me I got to beware.

The problem is that you can't tell if the guy with the gun is an extreme conservative, a paranoid libertarian or a fearful liberal who has decided to defend his turf. That it ain't exactly clear is why paranoia strikes deep.
---
photo credit: ethiosun.com

Friday, October 30, 2009

Tenebrous Audio

I have to thank my good friend David for this dark musical interlude. This CD compilation is justly called Going Down. I offered them as my penultimate wrap to this dark week (w/ appropriate videos where available).

-when I saw the opening song, I knew this was going to be a great mix
2. Moody Blues Melancholy Man
-the standard rendition with some uplifting but dark winter scenes for mood(y)
3. Three Dog Night Easy To Be Hard
-1970 version with long hair and no smoothed out big band trappings
4. Police King Of Pain
-reunion tour version from Rio 2007
5. Van Morrison Melancholia
-a real hidden gem but hard to find on the net, only a thirty second snippet
6. M*A*S*H Theme Suicide Is Painless
-video is the funeral scene from the movie
7. Steppenwolf Desperation
-from the album Rest In Piece
8. Natalie Merchant Break Your Heart
-I know that it will hurt, I know that it will break your heart
-with apologies, but the video is nearly the point of no return Otis
10. Sting Fragile
-listening to Sting and watching him are different experiences colored by gender
11. Peter Gabriel Don't Give Up
-if he had never left Genesis, you wouldn't know who Phil Collins is
12. The Who Behind Blue Eyes
-for something a little different, the Limp Bizkit cover
13. Van Morrison Underlying Depression
-the best I can do is the lyrics; too bad because the two Morrison songs on this list are brilliant
-a truly great cover by Annie Lennox
15. The Doors The End
-from the iconic opening of Apocalypse Now
---
photo credit: archives


Main Entry: ten·e·brous
Function: adjective
Etymology: Middle English, from Anglo-French tenebreus, from Latin tenebrosus, from tenebrae
Date: 15th century
1 : shut off from the light : dark, murky
2 : hard to understand : obscure
3 : causing gloom

Tuesday, October 27, 2009

Days of Future Passed Revisited

Sometimes the darkness is all in our heads or our fogged memories.

I came across the lyrics to the Moody Blues Days of Future Passed and found the opening spoken verses tinged darkness. When the album first came out (1967-68) I do not remember it being so dark, but then again, darkness and light, indeed darkness and love were a swirling mix in those years; at least where I was hanging my psyche.

Cold hearted orb that rules the night
Removes the colours from out sight
Red is gray and yellow, white
But we decide which is right
And which is an illusion

Pinprick holes in a colourless sky
Let insipid figures of light pass by
The mighty light of ten thousand suns
Challenges infinity and is soon gone
Night time, to some a brief interlude
To others the fear of solitude

I began to wonder if Days of Future Passed was indeed as dark as my memory hinted or was this another case of time and place where lyrics were refocused by the listener. Would this be an appropriate offering for Halloween week or another muddled memory. You decide which is right, but I would offer than this feeling does justice to the dark week.

First, I read the lyrics for the entire album and discovered that I had never done that before. I wondered why such a seminal album that had a huge impact when it was released never got a liner notes read from me. Most albums back then certainly were so inspected and resurrected. It turns out that it may have been the orchestration that had the impact and not the words.

This from CDUniverse.com:

Days of Future Passed is the Moody Blues' true contribution to rock history: the most cohesive integration of rock songs with orchestral music ever produced. Asked by Deram Records to create a rock reworking of Dvorak's "New World" Symphony, the Moodies instead wrote their own symphony, a song cycle that describes the emotions that accompany each part of the day, from dawn ("Dawn Is A Feeling") to night (the classic "Nights In White Satin"). The songs are connected by lush orchestral passages in which the basic musical themes are reworked.

The Moody Blues: Justin Hayward (vocals, guitar); Ray Thomas (flute, harmonica); Mike Pinder (keyboards); John Lodge (bass); Graeme Edge (drums). Additional personnel: London Festival Orchestra. Peter Knight (conductor).

Not so dark, these many years later. It was interesting to me to discover that the album really didn't hit big time until five years after its release (1967-1972). My memories are of a dark, rainy night on Lovell Street. Warm and snug in the attic with the album, several joints and fine friends from days of future past.

Maybe I should have gone with Slippin' Into Darkness as the anthem for this week, but you gotta remember, Timothy Leary's dead. He's outside looking in. All of these thoughts on a Tuesday Afternoon.
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Original Album Art