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Ice Cream Jubilee: A Not So Sweet Treat
By Leah Cohen, Hoya Staff Writer
• March 20, 2024
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‘Damsel’ Leaves Me Wondering What Could Have Been
By Ethan Hill, Hoya Staff Writer
• March 20, 2024
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Move Over ‘Star Wars,’ ‘Dune: Part Two’ Has Arrived
By Andre Albrecht, Hoya Staff Writer
• March 13, 2024
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Netflix’s ‘Avatar: The Last Airbender’ Fails to Capture the Magic of the Original
By Tanvi Gorripati, Hoya Staff Writer
• March 13, 2024
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Kung Fu Panda 4 Is More Of The Same, Yet Surprisingly Good
By Ethan Hill, Hoya Staff Writer
• March 13, 2024
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‘Bob Marley: One Love’ Is The Quintessential Formulaic Biopic
By Ethan Hill, Hoya Staff Writer
• February 28, 2024
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Hasan Minhaj Gets Out the Gloves in ‘Off With His Head’
By Saachi Baldwa, Special to The Hoya
• February 28, 2024
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‘My Neighbor Totoro’: An Ode to Childhood
By Iris Fan, Special to The Hoya
• February 21, 2024
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‘Howl’s Moving Castle’ Is Nothing to Howl About
By Tanvi Gorripati, Hoya Staff Writer
• February 21, 2024
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‘Princess Mononoke’ Is a Multilayered Miyazaki Masterpiece
By Pria Gadkari, Hoya Staff Writer
• February 21, 2024
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‘Porco Rosso’ Is an Underrated Member of the Ghibli Pantheon
By William McCall, Senior Guide Editor
• February 21, 2024
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‘Grave of the Fireflies’ Meshes Beautiful Animation with Solemn Story of War and Loss
By Mahika Sharma, Hoya Staff Writer
• February 21, 2024
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