Variety.com

The new legal procedural is essentially “How to Get Away With Murder” without Viola Davis, which is about as disappointing as it sounds.

Twenty-nine years after its debut, the working-class sitcom returns to ABC to confront the same harsh realities.

For all its flaws — and “Rise” has a number of them — when these kids open their mouths to sing, the NBC drama is nearly irresistible.

The landmark singing competition show returns on a new network with a sunnier, schmaltzier bent.

To the delight of her fans at the Harmonia Gardens, Bernadette Peters puts the “doll” back in “Hello, Dolly!”

In this farce by the writer-director of “Three Billboards Outside Ebbing, Missouri,” the ensemble work is slickly well-oiled.

This solo show is the actor’s party piece, an intimate evening of storytelling and personal memoir.

In the Broadway smash’s first outing beyond American soil, there’s a lot riding on the West End transfer of Lin-Manuel Miranda’s hit.

Aside from “Havana,” there aren’t many other flourishes from the land of Cabello’s birth on “Camila,” her first solo album.

Lo Moon’s self-titled debut shows a rare balance of pop-inflected songwriting and dense atmospherics that complement rather than clash.

Justin Timberlake’s funk-filled “Man of the Woods” isn’t not so rootsy after all, except for the homey lyrics about his wife and child.

Fall Out Boy have turned into more of a pop band with “MANIA,” which makes for an interesting blend with their anxiety themes.