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Blindspot: A Novel (Random House Reader's Circle) Paperback – December 29, 2009
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Written with wit and exuberance by accomplished historians, Blindspot is an affectionate send-up of the best of eighteenth-century fiction. It celebrates the art of the Enlightenment and the passion of the American Revolution by telling stories of ordinary people caught up in an extraordinary time.
- Print length544 pages
- LanguageEnglish
- PublisherRandom House
- Publication dateDecember 29, 2009
- Dimensions5.24 x 1.15 x 7.92 inches
- ISBN-100385526202
- ISBN-13978-0385526203
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Editorial Reviews
Review
"An erudite and entertaining re-creation of colonial America on the brink of the Revolution."—New York Times Book Review
"Both frisky and learned . . . a treat."—Washington Post
"A rip-roaring yarn, a real romp . . . It's fantastic—the romance novel of your dreams."—Newsday
"A droll, edifying novel . . . Not since John Barth . . . has anyone rendered colonial America in such exquisite satirical strokes. Blindspot succeeds as raw entertainment; better, it soars as cunning academic revisionism."—Chicago Tribune
"A very smart book . . . [Blindspot] captures Colonial America's wit and vulgarity, its sensibility, sensuality and snobbery."—San Diego Union-Tribune
About the Author
Jill Lepore is the Kemper Professor of American History at Harvard University and a staff writer at The New Yorker.
Excerpt. © Reprinted by permission. All rights reserved.
bloody far?
Now begins a gentleman’s exile, and, with it, my tale.
You may wonder, dear Reader, dear, unfathomable Reader, why I have undertaken this voyage, why a man of parts, of fine parts, I may say, and education, better than most, would hazard a crossing and that, in April, the most treacherous of months—showers sweet turn to tempests bitter—and, worse, on a galleon with no berth for a gentleman but a bunk not fit for a dog, not even my mastiff, Gulliver—and I, though six foot tall, his Lilliputian—who, despite my best efforts, splays himself, fleas
and all, atop my moth- ridden blanket, with me huddled under it, as if I were a city and he a great army, equipped with cauldrons of drool, besieging me. While you wonder why I wander, know this: run I must.
Aye, I would have stayed home if I could. If I could. Instead, each day the winds blow me farther from the dales and vales of Jamesons past, clan of clans, men among men, though, truth be told—and here, dear Reader, it will be told, and without ornament—our tartan is sold by the yard at Covent Garden to every shaver, ever striver, every waster with twopence in his pocket and a plan to marry a merry widow with ten thousand a year and an estate in Derbyshire, with horses, comely, and tenants, timely in their rents. Had I ever come across such a lady—let us call her the Widow Bountiful—I would have wooed her with sighs enough to heat a stone- cold bed- chamber in the dead of winter. Perhaps she waits for me, my Widow B., somewhere on the other side of this
wretched sea. Hark, she pants for me. Or, no, ’tis only Gulliver, giant cur.
As a man of both sense and sincerity, I admit, freely, and with that same unsparing candor which you must henceforth expect of me, that I leave behind little but debt. Twould be an even greater sorrow to leave Edinburgh, that nursery of enlightened genius, did not each degree of longitude stretch the distance betwixt me and my creditors, to whom I owe so much gold, and so little gratitude, the brothers McGreevy, with their Monday duns, Tuesday threats, and Wednesday bludgeons. Suffice to say: I sailed on a Thursday, a day too late, with the scars to show for
it. Departed, the Sea- Serpent, April 5, 1764.
Sterner men on stouter ships have crossed this vast and furious ocean, training their hopeful gaze upon the horizon; I, ever squeamish, scan only the depths and see naught but gloom. I would blind myself—and spare you the sight—but I find, as ever, that I cannot close my painter’s eye. Here the blue sloshes into green, and there, gray, and just here, as I lean over the gunwales, lo but the ocean becomes a rainbow of muck, a palette of putrefaction. The lurching, the To and the Fro, are my twin tormentors; and the sea, my sewer and my jailer.
Wheel of Fortune, pray, turn: let some young Bluebeard take the Sea-Serpent as his prize. Let his pirates throw me overboard. Let them haul me ’neath the keel and drown me. Sweet Jesus, just get me off this ship. Captain Pumble, a bulge- eyed, blotchy frog of a man, hops about the deck, uncloaked, even against the fearsome wind, as I, shivering, lean over the rails once again. He tells me that Boston will be temperate by the time we dock.
“Yar, ’twill be blooming in the city,” croaks he, clapping me on the back, as jolly as if we were sat in a tavern, instead of steering through a storm. “Ladies walking about without shawls. And a dandy, and a Scots gent, no less, will be most welcome by the lasses. Or is it the gents you
favor, Jameson?”
Between you and me, Reader: this Pumble has not entirely earned my affection.
“At the moment, Captain,” I manage to reply. “I favor deep pockets. Deep pockets, and solid ground.”
It is customary, at this point in a narrative of a gentleman’s adventures in the world, be he knave or rogue, to offer a pedigree. So be it.
The brown hound that whelped my Gulliver belonged to a butcher who cut meat for the Laird of Firth, a corpulent and stingy man—for I find that podginess and parsimony generally travel together—who claimed that his mastiffs were descended from the kennel of the Kubla Khan, brought West by Marco Polo, and on down, across the generations, to the court of Henry VIII and his bloody Mary, and thence to Scotland. In Firth, the Laird fed his dogs better than most gentlemen feed their valets. But the old miser—too cheap to pay for the meat—instead gave the butcher his best bitch, her belly swollen with pups who, once weaned, nearly ate the butcher out of his shop. Cheated and bested, he returned the litter to the Laird. Twas then came I to town, to paint a portrait of the Laird and his favorite dog, a beast as big as himself, with teeth a sailor might scrimshaw. The subject would have defeated even my friend Gainsborough. My portrait, a study in Venetian red, caught the Laird’s greed in his ruddy cheeks, his bleary eyes, his dog’s great maw. Alas, rarely does a man love his true self. Seeing his and his mascot’s likeness so well captured displeased this gentleman, who refused to pay the balance of my fee, instead tendering a black- and- white pup, the runt of the litter, though as tall at the withers as a lad of ten. And so was I saddled
with Gulliver, sired by gullibility, son of a butcher’s bitch.
A devil’s bargain, you might think, Reader: ’twas either the cur, or naught. Would you deny me the dog’s company? Surely my exile would be even lonelier had I forfeited my fee. And be forewarned: I have made worse bargains.
chap t e r 2
In Which Our Author Secures a
Situation in a City on a Hill
As Pumble navigated the Sea- Serpent through the harbor—I craving land more than poor, scurvy Magellan ever did, and Gulliver, galumphing about deck, in a frenzy of anticipation—we sailed past a
chain of small islands, perfect refuges for pirates.
“Are you quite sure we won’t run aground, Captain?” I ventured, for, though the day was clear and the water calm, we tacked perilous close to the isles.
“I could put you at the helm, if you like, Jameson. Got the sea in your blood, eh?” he smirked. But then he softened, slightly. “No, you sorry Scot. Rest easy. I won’t smash her to bits. Though this shallow harbor has wrecked many a ship, I don’t mind saying.”
“Shallow, Captain?” I asked nervously.
“Yar, she’s deep enough for the Sea- Serpent, but New York, where I’m bound, has deeper. Which is why that city builds banking houses, while this here Boston builds churches.” He nodded toward the town—cut against the sky, as if in silhouette—and pointed out the North Church, with its proud wooden spire, the tallest among a thicket of steeples. Prim, pious, and provincial. Trim, trim, and tidy, all.
“Ah, well then,” I answered, brightening. “Tis proved: a merchant measures his prospects by a port’s fathoms and not by its people’s piety, just as a whore measures a man’s parts by the bulge of his purse and not of his breeches.”
Pumble rewarded me with no more than a mincing smile.
Mark me, dear Reader: bidding my captain farewell will not break my heart.
Closer to shore, I spied people bustling about—along streets riddled with ruts and gutters of mud and manure whose stench reached us even before we docked—everyone hurrying, but at a trot and not a gallop. Here is no London, where men race as foxes chased by hounds. Here is
a place where, pray God, I can stand still.
I put on my hat, left my bags on board, and stepped ashore. Stumbling about the dock, my spirits soon improved, and my gut seemed to slow and finally halt its orbit round my middle. Along what is called the Long Wharf, I found a tavern, the Blue Herring, and I quaffed. Say I: there is fine beer here, brewed, I am told, by a man named Adams, in barrels built of the pine woods of New Hampshire. Steadied, fortified, I took a brief tour of the waterfront, and report, also, this: if there is nothing elevated and fine in the town of Boston, there is little to be found that is particularly unpleasant, save the restraint of the townspeople, who stare at strangers—even at a tall, brass- buttoned Scottish gentleman, and likelier than most—with a coldness that runs to cruelty.
I next made my way west along King Street, cluttered with shops, though whether this ambitious avenue is a credit to our third George in this, the fifth year of his reign, I could not claim. The trade seemed lackluster at best. Along a street called Corn- hill, I saw an utter desolation: the ruins of dwelling- houses, stores, and shops, burned in a fire that looked to have raged some winters ago, in a city too straitened to rebuild.
Just in front of a brick building called the Town House, which sits in the very middle of King Street, I found a spindle- shanked boy, no more than ten, peddling salted cod wrapped in old newspaper.
“I’m afraid I can’t stomach the fish, lad,” I said to him. “But be so good as to tell me where I might find fresher news than what’s printed in your wrappers.”
He directed me up an alley dubbed Crooked Lane—though all the streets here would equally well bear that name—to a dark, cluttered print shop whose stink made my eyes to tear ere I crossed the threshold. (My father had once wanted to apprentice me to an engraver, Reader, but I forswore the trade just as soon as I learned that every printer washes his plates in his own water. I would not toil in a piss- house.)
Behind the counter, tinkering with types, stood a man of about my own age, wise- eyed and wigless, his face as flat and round as the moon, his ginger hair tied back. From this gentleman, Mr. Benjamin Edes, I purchased a deck of cards, a map, and, for five shillings, a rather windy history of the
town, written by one Thomas Newcombe, wherein I have since read that Boston’s founder, a proper Puritan named John Winthrop, proclaimed to his followers in 1630, as they neared shore: “We shall be as a City upon a Hill, the eyes of all people are upon us; so that if we shall deal falsely with
our God, we shall be made a story and a byword through the world.”
Now, careful Reader, I ask you this: From such a lofty start, can any city do less than fall? Tis a small port, and charming enough. But it does not content itself with its smallness, its slack bustle, its less- thanprofound harbor. Nay, ’twould be Jerusalem. Here is a town that, by pretending to be more than it is, makes itself less. I had rather not draw an overhasty conclusion. But I have to wonder whether this is what hobbles Boston: its oversized ambition. The very opposite of what hobbles me.
While the printer tallied my items in his ledger, I picked up a copy of his twice- weekly newspaper, the Boston Gazette, and flipped to its back pages, filled with advertisements: “A fine Negro Male Child to be given away. It has been kept remote from the Small- Pox.” “To be SOLD: The very Best Vinegar for Pickles.” “RAN AWAY from his Master: A stout Irish servant.”
“Are you looking for something else, sir?” Edes asked.
“Aye. My bearings.”
“Just landed, I take it? If you don’t mind my saying, sir, you’re still a bit green about the gills.”
“Green’s an improvement, I assure you,” was my smiling reply. “Aye, I’m just in, from Edinburgh.”
“It’s as well you ain’t come from London, sir, else you’d bring bad tidings, sure.”
I gave him a puzzled expression.
“You wouldn’t have heard, sir, if you’ve been at sea these last two months. Parliament voted as you set sail, and the news washed up on our shores the day before you did. I’m just now setting the type to put it in Thursday’s edition. Bastards mean to tax us to pay for their war, what’s ended not a twelvemonth ago, with the French and the Indians. Tax our sugar, they will. Worse: we ain’t allowed to pay with our own paper money. Coin of the realm, it has to be. I ask you, sir, who has hard money in these hard times? And mind, they promise, next, to tax with stamps our every piece of paper!”
“I’m sorry to hear it,” I offered, and sincerely. I liked this plainspoken printer, and admired his argument, for the town looked poor enough already.
“Not so sorry as you’ll be when the shops start closing, for ain’t we struggling, after seven years of war? But I suppose I needn’t tell a Scotsman about English wars and English taxes.”
“Aye, that you don’t,” I agreed. “My grandfather fell at Culloden. But I trust you colonials will protest these measures. For as I always say, an empty stomach has a loud mouth.”
“Ain’t heard that one afore, sir, and ’tis true enough,” he said, flashing a smile. “But we won’t be laughing when the King sends over his redcoats, those lobsterbacked sons of bitches! Their fingers will be in our purses soon enough. There’s only so much a free people will bear, I tell you, and only so far the hand of tyranny can stretch, ere its reach exceeds its grasp.”
I shook my head, and pushed back my hat.
“Edes, your metaphors alarm me. Many’s the hand I would welcome in my pocket,” I said with a wink. “But not the hand of tyranny.”
Now did the printer laugh, easy, warm, and unrestrained.
“Say, Edes, do you get any Scottish papers here?”
“Indeed, sir. When traveling gentlemen bring them by. You’ll have no trouble hearing news from home. Old news, mind, but news just the same.”
Reader, this news of news is good and bad. Maybe I haven’t fled far enough.
Product details
- Publisher : Random House; Reprint edition (December 29, 2009)
- Language : English
- Paperback : 544 pages
- ISBN-10 : 0385526202
- ISBN-13 : 978-0385526203
- Item Weight : 15 ounces
- Dimensions : 5.24 x 1.15 x 7.92 inches
- Best Sellers Rank: #615,740 in Books (See Top 100 in Books)
- #4,588 in Historical Thrillers (Books)
- #5,581 in Contemporary Literature & Fiction
- #9,036 in Murder Thrillers
- Customer Reviews:
About the authors
Jill Lepore is the David Woods Kemper '41 Professor of American History at Harvard University and a staff writer at The New Yorker. She received her Ph.D. in American Studies from Yale in 1995. Her first book, "The Name of War," won the Bancroft Prize; her 2005 book, "New York Burning," was a finalist for the Pulitzer Prize. In 2008 she published "Blindspot," a mock eighteenth-century novel, jointly written with Jane Kamensky. Lepore's most recent book, "The Whites of Their Eyes," is a New York Times Book Review Editors' Choice.
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Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
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Learn more how customers reviews work on AmazonCustomers say
Customers say they enjoy the read, with well-developed characters and a concept of redemption and triumph. They also praise the writing style as great and lively. Readers describe the premise as surprisingly engaging and set in Boston in 1764.
AI-generated from the text of customer reviews
Customers find the book an enjoyable read, featuring an escape to another time, place, and spicey romance. They also mention that the book has redemption and triumph.
"...Blindspot is a delightful and historically authentic visit to Colonial Boston, best enjoyed with a cup of (duty free) tea." Read more
"...Fortunately, it really was tremendous fun and I enjoyed the book even more than I anticipated I would...." Read more
"...A fun read for lovers of historical fiction, indeed!" Read more
"...the the language and the structure of the narration I thoroughly enjoyed the whole package and was thoroughly entertained as well as illuminated...." Read more
Customers find the characters well developed and entertaining.
"...The two main characters seem real and genuine, including true voice and self awareness projected in the language of colonial Boston...." Read more
"...There are many colorful characters and the reader benefits from the practiced eye of the artist, who also narrates most of the tale...." Read more
"...authors wield words with uncompromising skill, the voices of the characters are believable and lively...." Read more
"...The two main characters are interestingly damaged and the banter between them is clever...." Read more
Customers find the writing style great, particularly enjoyable, and lively. They also appreciate the vernacular, rhythm, and cadence of the language.
"...uncompromising skill, the voices of the characters are believable and lively. A fun read for lovers of historical fiction, indeed!" Read more
"Good novel! Readable, well written, poignant." Read more
"The writing is masterful! The rhythm and cadence of the language, the florid vocabulary, and the 18th century syntax are perfectly executed...." Read more
"...Well researched by its scholar-author and skillfully told by the perfect reader." Read more
Customers find the premise of the book surprisingly engaging, with an intriguing concept and well-developed characters. They also say it's a reliable Revolutionary War era history with a satisfying murder mystery and compelling romance.
"...Blindspot is a delightful and historically authentic visit to Colonial Boston, best enjoyed with a cup of (duty free) tea." Read more
"...However, overall, it was a well-paced narrative at a very intriguing time in American history with many hints of strong women!" Read more
"Intriguing concept and well developed characters. A wonderful read." Read more
"Reliable Revolutionary War era history with satisfying murder mystery and compelling romance..." Read more
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Set in the decade prior to the American Revolution, Blindspot leads one through the seedlings of the distinct American point of view that ripened to independence. You can feel the ambivalence towards slavery among Bostonians of the time and the tension arising as the rationale for liberty from the crown resounds so well with colonials, yet the same logic if applied to personal freedom invalidates any and all rationale for slavery.
Blindspot is a delightful and historically authentic visit to Colonial Boston, best enjoyed with a cup of (duty free) tea.
Given my predilections, I knew that I would enjoy the book even if it was not so great. Fortunately, it really was tremendous fun and I enjoyed the book even more than I anticipated I would. From my perspective, the book is a lark and can therefore be forgiven some of the shortcomings in weightiness that some other reviewers have objected to. While it touches upon some complex themes from American history (slavery, class, disempowerment of women), the novel does not set out to change the world or even to offer serious food for thought on these issues, which provide a context for the main story line rather than a foundation for it. Rather, the novel is primarily a love story, and this love story, in the best Shakespearian tradition, features cross dressing and mistaken identity. The most enjoyable part of the book is the cat-and-mouse play between the disguised woman and her libertine love interest before her true identity is revealed. Because he swings both ways and she makes a comely lad, he is burning with desire for her even as she lusts after him. Needless to say, this ardent desire is teased out in a number of steamy scenes before climax is finally reached.
Like some other reviewers, I found the unveiling of the solution to the murder mystery to be somewhat strained and the character of the cross-dresser's father to be rather inexplicable. On the whole, though, I was absorbed by the book as I read and will remember the experience fondly. I suppose the book is not for everyone, but if you have a soft spot for 18th-century ribaldry, this novel will not let you down.
Set in colonial Boston at the time the infamous Stamp Act was being passed, a talented painter close to a life in debtor’s prison in England, finds a new life in Boston. He acquires a talented young “lad” to serve as his apprentice. He soon realizes that the apprentice is also quite talented as a “face painter.” He is totally unaware that his young apprentice is actually a young lady who keeps him fooled as, together, they establish a functioning portrait business. The mystery begins when a champion of anti-slavery sentiment is murdered and the perverted justice system punishes a innocent slave. There are many colorful characters and the reader benefits from the practiced eye of the artist, who also narrates most of the tale. The young apprentice, through letters to a childhood friend narrates other parts of the story. A scholarly effort not diminished by the few typos noted.