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Ivan Stevovic
  • Department of Art History
    Faculty of Philosophy
    University of Belgrade
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U radu se razmatra sadržaj napisa o stanju istorije umetnosti u Srbiji, koji je kao dekan Tehničkog fakulteta u Beogradu za potrebe Srpskog civilnog/kulturnog plana krajem 1942. godine sastavio arhitekta, slikar i likovni kritičar Branko... more
U radu se razmatra sadržaj napisa o stanju istorije umetnosti u Srbiji, koji je kao dekan Tehničkog fakulteta u Beogradu za potrebe Srpskog civilnog/kulturnog plana krajem 1942. godine sastavio arhitekta, slikar i likovni kritičar Branko Popović. Na osnovu sadržaja dokumenta ustanovljavaju se sistematičnost i širina Popovićevog pokušaja da i u vremenima krize konsoliduje ovu naučnu disciplinu nezavisno od bilo kakve ideološke matrice. Popovićevo smaknuće posle oslobođenja Beograda u jesen 1944. godine najverovatnije da je značajno umanjilo dalje napore u pokušajima institucionalizacije istorijskoumetničkih pregnuća u posleratnoj Srbiji.
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... Sveti Andreja u kotorskom natpisu ANDREE SCI AD HONOREM SOCIORVMQ. MAIOREM.Stevović Ivan. nema. Sažetak. ... Paris. KoBSON. Karaman, Lj. (1925) Sarkofag Ivana Ravenjanina u Splitu i rano sredovječna pleterna ornamentika u Dalmaciji.... more
... Sveti Andreja u kotorskom natpisu ANDREE SCI AD HONOREM SOCIORVMQ. MAIOREM.Stevović Ivan. nema. Sažetak. ... Paris. KoBSON. Karaman, Lj. (1925) Sarkofag Ivana Ravenjanina u Splitu i rano sredovječna pleterna ornamentika u Dalmaciji. Starinar, Beograd, III, str. ...
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Based on data contained in Constantine Porphyrogenitus' De Administrando Imperio, local written sources, and fragments with inscriptions, the article offers new insight about the original position of the relics of St. Tryphon, the patron... more
Based on data contained in Constantine Porphyrogenitus' De Administrando Imperio, local written sources, and fragments with inscriptions, the article offers new insight about the original position of the relics of St. Tryphon, the patron saint of Kotor from the first decades of the 9 th century. Also, the foundations of a church with a cross-in-square plan, erected in the same period and discovered below the city's cathedral, can be seen as an early and important example of the dispersion of this architectural type in lands that belonged to the Byzantine cultural sphere.
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That is the final program for the 2017 conference, commented with the participants. It contains only the schedule for the Old Art Module.
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