THE WIDOW
FEFF26_2024
92 min
Genere: Thriller, Dramma, Azione
Lingua: COREANO con sottotitoli in ITA/ENG
Età 6
Regia: Park Nam Ok
Con: Lee Min Ja, Seong Ju Lee, Lee Tak Kyun, Ae Shim Na, Dong Hun Sin, Yeong Suk Park, No Kang, Young Ja Bang, Jeong Shik Kim, Cho...
Trama
The Widow (1955) è il primo film coreano diretto da una donna. Park Nam-ok, che lavorava nel cinema coreano come sceneggiatrice, lo realizzò coraggiosamente in mezzo alle difficoltà (non potendo permettersi una balia, portava sulla schiena la figlia di un anno sul set). È uno sguardo acuto e realistico sulla psicologia della donna del dopoguerra, con una protagonista divisa fra amore e maternità. Purtroppo l’ultima scena del film è andata perduta.
The Widow (1955) was the first Korean film to be directed by a woman. Screenwriter Park Nam-ok courageously managed to make it despite many hardships (unable to afford a nanny, she carried her one-year-old daughter on her back to the set). It is an insightful and realistic look at the psychology of post-war Korean women, with a protagonist who is torn between love and motherhood. Unfortunately the final scene of the film has been lost.
The Widow (1955) was the first Korean film to be directed by a woman. Screenwriter Park Nam-ok courageously managed to make it despite many hardships (unable to afford a nanny, she carried her one-year-old daughter on her back to the set). It is an insightful and realistic look at the psychology of post-war Korean women, with a protagonist who is torn between love and motherhood. Unfortunately the final scene of the film has been lost.
Info
92 min
Genere: Thriller, Dramma, Azione
Lingua: COREANO con sottotitoli in ITA/ENG
Età 6
Regia: Park Nam Ok
Con: Lee Min Ja, Seong Ju Lee, Lee Tak Kyun, Ae Shim Na, Dong Hun Sin, Yeong Suk P...
Trama
The Widow (1955) è il primo film coreano diretto da una donna. Park Nam-ok, che lavorava nel cinema coreano come sceneggiatrice, lo realizzò coraggiosamente in mezzo alle difficoltà (non potendo permettersi una balia, portava sulla schiena la figlia di un anno sul set). È uno sguardo acuto e realistico sulla psicologia della donna del dopoguerra, con una protagonista divisa fra amore e maternità. Purtroppo l’ultima scena del film è andata perduta.
The Widow (1955) was the first Korean film to be directed by a woman. Screenwriter Park Nam-ok courageously managed to make it despite many hardships (unable to afford a nanny, she carried her one-year-old daughter on her back to the set). It is an insightful and realistic look at the psychology of post-war Korean women, with a protagonist who is torn between love and motherhood. Unfortunately the final scene of the film has been lost.
The Widow (1955) was the first Korean film to be directed by a woman. Screenwriter Park Nam-ok courageously managed to make it despite many hardships (unable to afford a nanny, she carried her one-year-old daughter on her back to the set). It is an insightful and realistic look at the psychology of post-war Korean women, with a protagonist who is torn between love and motherhood. Unfortunately the final scene of the film has been lost.
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