Ad Astra is a 2019 American psychological science fiction film produced, co-written, and directed by James Gray. Starring Brad Pitt (who also produced), Tommy Lee Jones, Ruth Negga, Liv Tyler, and Donald Sutherland, it follows an astronaut who ventures into space in search of his lost father, whose obsessive quest to discover intelligent alien life at all costs threatens the Solar System and all life on Earth. The project was announced in early 2016, with Gray saying he wanted to feature "the most realistic depiction of space travel that's been put in a movie". Pitt signed on to star in April 2017 and the rest of the cast joined later that year. Filming began around Los Angeles that August, lasting through October.
Ad Astra | |
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![]() Theatrical release poster | |
Directed by | James Gray |
Written by |
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Produced by |
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Starring | |
Cinematography | Hoyte van Hoytema |
Edited by |
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Music by | Max Richter |
Production companies |
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Distributed by | 20th Century Fox |
Release dates |
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Running time | 124 minutes[1] |
Country | United States |
Language | English |
Budget | $80–100 million[2] |
Box office | $135.4 million[3] |
Ad Astra premiered at the Venice Film Festival on August 29, 2019, and was theatrically released in the United States on September 20, 2019, by 20th Century Fox.[4][5] It received positive reviews from critics, with praise for Pitt's performance.[6] The film grossed $135 million worldwide against an $80–100 million budget. At the 92nd Academy Awards, it was nominated for Best Sound Mixing.
Plot
editIn the early 22nd century, mysterious power surges threaten to destabilize human civilization. Major Roy McBride is informed that the surges have been traced to the "Lima Project", a space station in orbit around Neptune, sent twenty-nine years earlier to search for intelligent life. Roy's father, H. Clifford McBride, was the project's leader. Roy agrees to travel to Mars in an effort to determine whether the station's crew are still alive.
En route to the SpaceCom base on the Moon's far side, a band of scavenger pirates ambush Roy and his colleague Pruitt, but they manage to fight them off. Pruitt then reveals to him that should he fail to prove that the crew survived, the Lima Project station will have to be destroyed. Roy obtains passage to Mars on the SpaceCom cruiser Cepheus.
Roy tells the captain of Cepheus, Tanner, to ignore a distress signal being emitted by a biomedical research station, but the captain replies that they are bound by protocol to investigate it. The two men access the station, only to be attacked by a laboratory baboon that has gone feral. Tanner is mauled to death before Roy kills the baboon by suffocating it in an airlock. Another surge hits as the Cepheus attempts to land on Mars. Roy assumes command and calmly lands the ship. After securing himself in the underground SpaceCom complex, Roy begins recording voice messages and transmitting them to the Lima Project in hopes that Clifford will respond. After numerous attempts, SpaceCom finally receives a response, but Roy is denied permission to accompany the search party.
Roy is visited by facility director Helen Lantos, who reveals that her parents were Lima Project team members. She shows him classified footage revealing that Clifford's team mutinied and attempted to return to Earth, causing him to shut off their life-support systems; her parents were among those killed. She also admits that the Cepheus has secret orders to destroy the Lima Project with a nuclear weapon; the search party is merely a formality to keep him quiet. They decide that Roy should confront Clifford, so Lantos advises him to stow away aboard the party's rocket as it departs.
Roy climbs aboard as the rocket takes off and is immediately discovered by the crew, who are unintentionally killed in the confrontation. During the 79-day journey to Neptune, a solitary Roy reflects on his relationship with his father and with his estranged wife, Eve. He finally arrives at the station and plants the nuclear bomb before encountering Clifford, the sole survivor of the Lima Project. Clifford explains that the surges are coming from the ship's malfunctioning antimatter power source, which was damaged in the mutiny. He also admits to Roy that he never really cared about his family and does not consider Earth his home.
Roy copies data gathered by the Lima Project team and persuades Clifford to accompany him back to Earth. He arms the bomb and they climb out on the station's outer hull to return to the Cepheus. Clifford suddenly launches them into space using his spacesuit's thrusters. The old man pleads for Roy to untether him so he can die amongst the stars; Roy reluctantly does so and watches his father drift away into space. He propels himself back to the Cepheus using his own spacesuit. Roy relies on the shock wave from the explosion of the bomb causing the annihilation of antimatter in the station to propel the Cepheus.
The data retrieved from the Lima Project base suggests that humans are the only intelligent life in the galaxy, but also contains a treasure trove of information on exoplanets, planetary systems, and other celestial bodies in the Milky Way that could potentially aid scientific and human colonization efforts. Roy returns to Earth with a newfound optimism, meeting with his estranged wife again.
Cast
edit- Brad Pitt as Roy Richard McBride, a major in U.S. Space Command
- Tommy Lee Jones as H. Clifford McBride, Roy's father, and the Commander of the missing Lima Project
- Ruth Negga as Helen Lantos
- Liv Tyler as Eve McBride, Roy's wife
- Donald Sutherland as Colonel Thomas Pruitt
- John Ortiz as Lieutenant General Rivas
- Greg Bryk as Chip Garnes
- Loren Dean as Donald Stanford
- Natasha Lyonne as Tanya Pincus
- John Finn as Brigadier General Stroud
- Kimberly Elise as Lorraine Deavers
- Sean Blakemore as Willie Levant
- Bobby Nish as Franklin Yoshida
- LisaGay Hamilton as Adjutant General Amelia Vogel
- Donnie Keshawarz as Captain Lawrence Tanner
- Jamie Kennedy as Peter Bello
Production
editDevelopment
editDirector James Gray first confirmed his plans to write and direct Ad Astra on May 12, 2016, during the 2016 Cannes Film Festival.[7] In April 2017, while promoting The Lost City of Z, Gray compared the story of Ad Astra to Joseph Conrad's Heart of Darkness. Gray also mentioned that he intended for the film to feature "the most realistic depiction of space travel that's been put in a movie and to basically say, 'Space is awfully hostile to us'". Gray also confirmed that filming for Ad Astra would commence on July 17, 2017.[8]
Casting
editOn April 10, 2017, Gray confirmed that Brad Pitt would star in Ad Astra.[9] In June, Tommy Lee Jones joined the cast to portray Pitt's lost father.[10] In August, Ruth Negga, John Finn, and Donald Sutherland joined the cast.[11][12][13] Jamie Kennedy also joined the cast as Peter Bello.[14]
Filming
editPrincipal photography on the film began in mid-August 2017 in Santa Clarita, California, lasting 60 days.[15][16][17] Following poor initial test screenings, reshoots were conducted (although Pitt was unavailable), increasing the production budget from $80 million to over $100 million.[2] Charlie Kaufman provided an uncredited rewrite of the voice-over dialogue in the film.[18] Gray did not have control over the film's final cut, which he told The Hollywood Reporter was "as painful a thing as I have experienced outside the death of a loved one."[19]
The visual effects were by Moving Picture Company, Method Studios, Mr. X, Weta Digital, Brainstorm Digital, and Capital T, and supervised by Allen Maris, Christopher Downs, Guillaume Rocheron, Ryan Tudhope, Aidan Fraser, Olaf Wendt, Anders Langlands, Eran Dinur, Jamie Hallett, and Territory Studio.[20] Max Richter composed the film's score and recorded it at AIR Studios in London. Additionally, Lorne Balfe was asked to write additional music for the score. The orchestra and choir was then recorded at Synchron Stage Vienna.[21][22] James Gray consulted with experimental film scholars Gregory Zinman and Leo Goldsmith for inspiration on the visuals.[23]
Music
editRelease
editTheatrical
editAd Astra had its world premiere at the Venice Film Festival on August 29, 2019.[24][25] It was released on September 20, 2019, by 20th Century Fox.[5] It had previously been scheduled for January 11, 2019, and then for May 24 before being pushed back.[26]
Home media
editAd Astra was released on digital and Movies Anywhere by 20th Century Fox Home Entertainment on December 3, 2019, with Blu-ray, 4K Ultra HD, and DVD releases following on December 17.[27]
Reception
editBox office
editAd Astra grossed $50.2 million in the United States and Canada and $85.2 million in other territories, for a worldwide total of $135.4 million against an estimated production budget of $80 million.[3]
In the United States and Canada, the film was released alongside Downton Abbey and Rambo: Last Blood, and was projected to gross $15–20 million from 3,450 theaters in its opening weekend.[28][29] The film made $7.2 million on its first day, including $1.5 million from Thursday night previews. It went on to debut to $19 million, finishing second behind Downton Abbey.[30] The opening was compared to First Man (2018), another drama involving outer space which received high praise from critics but a lukewarm audience reception, resulting in a muted box office turnout despite its cast and budget. Deadline Hollywood deduced the film would lose $30 million off a projected $150 million final worldwide gross (a figure it would ultimately fall short of).[2] The film made $10.1 million in its second weekend and $4.4 million in its third, finishing fifth and sixth, respectively.[31][32]
Critical response
editOn Rotten Tomatoes, the film holds an approval rating of 83% based on 392 reviews, with an average rating of 7.5/10. The website's critical consensus reads, "Ad Astra takes a visually thrilling journey through the vast reaches of space while charting an ambitious course for the heart of the bond between parent and child."[33] On Metacritic, which uses a weighted average, the film has a score of 80 out of 100, based on 56 critics, indicating "generally favorable reviews".[34] Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale, while those surveyed at PostTrak gave it an average 2.5 out of 5 stars, with 40% saying they would definitely recommend it.[2]
Brian Tallerico, writing for RogerEbert.com, gave the film four out of four stars, writing that "This is rare, nuanced storytelling, anchored by one of Brad Pitt's career-best performances and remarkable technical elements on every level." Richard Roeper of the Chicago Sun-Times gave the film 3.5 out of 4 stars, writing, "In the hands of director and co-writer James Gray, Ad Astra is one of the most beautiful films of the year, even when it makes little sense and even when Brad Pitt's performance veers between one of his all-time best and one of his all-time not-best."[35] David Ehrlich of IndieWire gave the film an "A" and said, "Ad Astra is one of the most ruminative, withdrawn, and curiously optimistic space epics this side of Solaris. It's also one of the best."[36] Similarly, Xan Brooks of The Guardian gave the film five out of five stars, called it a "superb space-opera", and praised Pitt's performance, saying, "Pitt embodies McBride with a series of deft gestures and a minimum of fuss. His performance is so understated it hardly looks like acting at all."[37] Variety critic Owen Gleiberman praised Pitt's performance, explaining, "Gray proves beyond measure that he's got the chops to make a movie like this. He also has a vision, of sorts – one that's expressed, nearly inadvertently, in the metaphor of that space antenna."[4] Peter Travers of Rolling Stone rated the film four out of five stars and referred to it as "absolutely enthralling" and praised Gray for his direction and his unique approach to the science fiction genre, as well as the cinematography and Pitt's performance (whom he referred to as "marvel of nuanced feeling"). He also drew comparisons of the film's tone and themes to other notable films set in space, particularly 2001: A Space Odyssey (1968), Solaris (1972), Gravity (2013), and Interstellar (2014).[38]
Critic Kurt Loder praised the visual effects but criticized the lack of originality and the patchwork style of the script.[39] Adam Graham writing for The Detroit News found problems with the film, giving it a "C" rating: "This is slow, obtuse film-making with little emotional connection."[40]
Accolades
editAward | Date of ceremony | Category | Recipients | Result | Ref. |
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Academy Awards | February 9, 2020 | Best Sound Mixing | Gary Rydstrom, Tom Johnson and Mark Ulano | Nominated | [41] |
Art Directors Guild Awards | February 1, 2020 | Excellence in Production Design for a Fantasy Film | Kevin Thompson | Nominated | [42] |
Austin Film Critics Association | January 22, 2019 | Best Cinematography | Hoyte van Hoytema | Nominated | |
Awards Circuit Community Awards | 2020 | Best Sound | Grant Elder, Gary Rydstrom, Tom Johnson and Mark Ulano (Sound) | Nominated | |
Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Won | |||
Broadcast Film Critics Association Awards | 2020 | Best Sci-Fi/Horror Movie | Ad Astra | Nominated | |
Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Nominated | |||
Central Ohio Film Critics Association | January 2, 2020 | Actor of the Year | Brad Pitt | Nominated | |
Best Cinematography | Hoyte van Hoytema | Nominated | |||
Chicago Film Critics Association Awards | December 14, 2019 | Best Use of Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Nominated | |
Chicago Independent Film Critics Circle Awards | January 4, 2020 | Best Cinematography | Hoyte van Hoytema | Nominated | |
Best Production Design | Kevin Thompson | Nominated | |||
Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Nominated | |||
CinEuphoria Awards | December 3, 2019 | Best Actor -International Competition | Brad Pitt | Nominated | |
Club Média Ciné | January 8, 2020 | Best Foreign Film | James Gray | Nominated | |
Critics' Choice Movie Awards | January 12, 2020 | Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Nominated | [43] |
Best Sci-Fi/Horror Movie | Ad Astra | Nominated | |||
Denver Film Critics Society | January 6, 2020 | Best Science-Fiction/Horror Film | Ad Astra | Nominated | |
DiscussingFilm Critics Awards | December 27, 2019 | Best Motion Picture | Ad Astra | Nominated | |
Best Film Actor | Brad Pitt | Nominated | |||
Dragon Awards | 2020 | Best Science Fiction or Fantasy Movie | Ad Astra | Nominated | |
Dublin Film Critics Circle Awards | December 19, 2019 | Best Cinematography | Hoyte van Hoytema | Nominated | |
Best Actor | Brad Pitt | 7th Place | |||
Florida Film Critics Circle Awards | December 23, 2019 | Best Film | Ad Astra | Nominated | |
Best Cinematography | Hoyte van Hoytema | Nominated | |||
Best Score | Max Richter | Nominated | |||
Best Production Design | Kevin Thompson, Kevin Constant, Christa Munro, Alison Sadler, David Scott and Gary Warshaw | Nominated | |||
Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Nominated | |||
Georgia Film Critics Association | January 10, 2020 | Best Cinematography | Hoyte van Hoytema | Nominated | |
Gold Derby Awards | February 4, 2020 | Sound | Grant Elder, Gary Rydstrom, Tom Johnson and Mark Ulano | Nominated | |
Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Nominated | |||
Golden Schmoes Awards | 2019 | Best Sci-Fi Movie of the Year | Ad Astra | Nominated | |
Most Underrated Movie of the Year | Ad Astra | Nominated | |||
Grammy Awards | March 14, 2021 | Best Score Soundtrack for Visual Media | Ad Astra – Max Richter | Nominated | [44] |
Greater Western New York Film Critics Association Awards | November 10, 2019 | Best Picture | Ad Astra | Nominated | |
Best Director | James Gray | Nominated | |||
Best Actor | Brad Pitt | Nominated | |||
Best Cinematography | Hoyte van Hoytema | Nominated | |||
Best Score | Max Richter | Nominated | |||
Hawaii Film Critics Society | January 13, 2020 | Best Sci-Fi Film | Ad Astra | Nominated | |
Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Nominated | |||
Hollywood Critics Association | January 9, 2020 | Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Nominated | [45] |
Houston Film Critics Society Awards | January 2, 2020 | Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Nominated | |
Indiewire Critics' Poll | December 16, 2019 | Best Lead Actor | Brad Pitt | Nominated | |
International Online Cinema Awards | September 20, 2020 | Best Actor | Brad Pitt | Nominated | |
Jupiter Awards | August 29, 2020 | Best International Film | Ad Astra | Nominated | |
Latino Entertainment Journalists Association Film Awards | January 20, 2020 | Sound | Grant Elder, Gary Rydstrom, Tom Johnson and Mark Ulano | Nominated | |
Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Nominated | |||
London Film Critics Circle Awards 2019 | January 30, 2020 | Technical Achievement of the Year | Allen Maris (Visual Effects) | Nominated | |
Motion Picture Sound Editors | January 19, 2020 | Outstanding Achievement in Sound Editing – Music Score for Feature Film | Jason Ruder, Katrina Schiller, Lena Glikson, Terry Wilson, Will Kaplan, Philip Tallman, Darrell Hall, Sam Zeines and Richard Ziegler | Nominated | |
North Carolina Film Critics Association | January 3, 2020 | Best Cinematography | Hoyte van Hoytema | Nominated | |
Best Special Effects | Nominated | ||||
North Texas Film Critics Association | December 16, 2019 | Best Cinematography | Hoyte van Hoytema | Nominated | |
Oklahoma Film Critics Circle Awards | December 15, 2019 | Best Body of Work | Brad Pitt | Nominated | |
Online Association of Female Film Critics | December 23, 2019 | Best Cinematography | Hoyte van Hoytema | Nominated | |
Online Film & Television Association | February 2, 2020 | Best Sound Effects Editing | Gary Rydstrom and Brad Semenoff | Nominated | |
Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Nominated | |||
Online Film Critics Society Awards | January 6, 2020 | Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Won | |
Phoenix Critics Circle | December 14, 2019 | Best Science Fiction Film | Ad Astra | Won | |
Saturn Awards | October 26, 2021 | Best Science Fiction Film Release | Ad Astra | Nominated | [46] |
Best Costume Design | Albert Wolsky | Nominated | |||
Best Film Special / Visual Effects | Scott R. Fisher and Allen Maris | Nominated | |||
San Diego Film Critics Society | December 9, 2019 | Best Cinematography | Hoyte van Hoytema | Nominated | [47] |
Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Won | |||
Sant Jordi Awards | April 23, 2020 | Best Actor in a Foreign Film | Brad Pitt | Won | |
Seattle Film Critics Society | December 16, 2019 | Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Won | [48] |
St. Louis Film Critics Association | December 15, 2019 | Best Visual Effects | Allen Maris, Jedediah Smith, Guillaume Rocheron and Scott R. Fisher | Runner Up | |
Best Score | Max Richter | Nominated | |||
Venice Film Festival | September 7, 2019 | Golden Lion | Ad Astra | Nominated | [45] |
World Stunt Awards | December 15, 2019 | Best High Work | Stunt Team of Ad Astra | Nominated |
References
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- ^ Lang, Brent (May 12, 2016). "Cannes: James Gray Making Sci-Fi Epic 'Ad Astra'". Variety. Variety Media, LLC. Archived from the original on June 27, 2017. Retrieved June 24, 2017.
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- ^ "Jamie Kennedy Joins James Gray's 'Ad Astra' (Exclusive)". The Hollywood Reporter. Retrieved August 11, 2024.
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- ^ "James Gray's 'Ad Astra' to Feature Music by Lorne Balfe". Film Music Reporter. August 23, 2019. Archived from the original on August 27, 2019. Retrieved September 19, 2019.
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