Paul Kohner (May 29, 1902 – March 16, 1988)[3] was an Austrian-American talent agent and producer who managed the careers of many stars and others—like Ingrid Bergman, Maurice Chevalier, Marlene Dietrich, Greta Garbo, John Huston, Liv Ullmann and Billy Wilder—of the golden age of Hollywood, especially those who came from Europe before World War II.[4] He was married to the Mexican-American actress, Lupita Tovar. His brother was Frederick Kohner, a novelist and screenwriter, his daughter was the actress Susan Kohner.[5] His grandsons are the filmmakers Chris Weitz and Paul Weitz.[6][7]
Paul Kohner | |
---|---|
Born | |
Died | March 16, 1988 Los Angeles, California, U.S. | (aged 85)
Citizenship | Austria-Hungary, American[1][2] |
Occupation(s) | Producer Talent agent |
Years active | 1927–1988 |
Spouse | |
Partner | Mary Philbin (1923–1927) |
Children | 2, including Susan Kohner |
Relatives | Frederick Kohner (brother) Kathy Kohner-Zuckerman (niece) John Weitz (son-in-law) Paul Weitz (grandson) Chris Weitz (grandson) |
Early life
editKohner was born to a Jewish family[8][9] in Teplitz-Schönau, Austria-Hungary (now Teplice, Czech Republic).[10] His father was Julius "Kino" Kohner,[11] who managed the local movie theater and published a film industry newspaper, and his mother was Helene Kohner (née Beamt).[12] He had two brothers, Friedrich "Frederick" Kohner, a film and TV writer who created the character Gidget (based on his daughter, Kathy), and Walter Kohner,[13] a Hollywood agent whose wife, Hanna Kohner, in May 1953, was the first non-celebrity featured on the television show, This Is Your Life, where she was the first Holocaust survivor to talk about her experiences in concentration and death camps on television.[14][15]
Career
editProducer
editAs a young man, Kohner worked as a news reporter at his father's magazine Internationale Filmschau, which focused on the film industry. He met Carl Laemmle during an interview in Karlovy Vary in 1920.[16] Laemmle was impressed by 18-year old Kohner and offered him a job.[17][18][19] Kohner decided to move to the United States.[20] Kohner started out as an office errand boy at Laemmle's company, Universal Pictures, in New York. There, he became friends with another young émigré working for Universal, William Wyler. He moved to Hollywood and worked his way up the studio system, working in positions at Universal like unit production supervisor as well as casting director. Because of his knowledge of film production and background in Germany, Kohner went on to head Universal Pictures' European production offices located in Berlin, Germany in the late 1920s.[5][10] Kohner moved back to the United States in the early 1930s.[21] He worked as a producer, responsible for shepherding many Universal Pictures films like the Lon Chaney version of The Hunchback of Notre Dame, William Wyler's A House Divided that starred Walter Huston, among others.[5]
Kohner produced many alternate language versions of films that were often shot simultaneously with their English-language counterparts, sometimes shooting at night on the same sets, but with Spanish casts of actors and different costumes. Kohner's wife, Lupita Tovar, starred in some of these Spanish language film versions, including Drácula (1931).
Talent agent
editIn 1938, Kohner founded the Paul Kohner Talent Agency and managed the careers of Marlene Dietrich, Greta Garbo, Dolores del Río, Maurice Chevalier, Billy Wilder, Henry Fonda, David Niven, Erich von Stroheim, Ingmar Bergman, Lana Turner, Liv Ullmann, and others. Many of his clients had left war-torn Europe, fleeing Nazi Germany.[5] John Huston was Kohner's client for over forty years.[5][22] The company was in business from 1935 to 1988.[23]
Paul Kohner's office was on the Sunset Strip in a building owned by a partner of his, Stanley Bergerman, who was Carl Laemmle's son-in-law. The facade of the building, located across the street from the now-defunct restaurant, the Cock and Bull, can be glimpsed in the film The Strip (1951) starring Mickey Rooney.
In 1976, Kohner partnered with agent Michael Levy to form the Paul Kohner-Michael Levy Agency.[24]
European Film Fund
editIn 1938, Kohner co-founded the European Film Fund with Ernst Lubitsch, and Universal Pictures studio head, Carl Laemmle.[25] From 1938 to 1948, during World War II, the Fund worked in an effort to provide assistance to émigrés trying to relocate to America.[5]
Personal life
editFrom 1923 to 1927, Kohner was in a relationship with Mary Philbin. They became engaged in 1926, but never married due to the disapproval of Philbin's parents. It was rumored they were going to marry in June 1929, but it did not happen.[26] When Kohner died, he still had love letters Philbin had written to him in his possession. She had also kept his.[27][28] Kohner and actress Lupita Tovar were married in Czechoslovakia on October 30, 1932, at Kohner's parents' home by a rabbi.[29]: 226–227
In 1936, the couple had a daughter, Susan Kohner, a film and television actress, and, in 1939, a son, Paul Julius "Pancho" Kohner Jr., later a director and producer.[30][31] The family lived for many years in the Bel Air neighborhood of Los Angeles, California, near filmmaker Alexander Korda.[32][33] Their grandsons, Chris and Paul Weitz, are successful film directors. Kohner spoke six languages.[4]
In 1988, Kohner died of a heart attack in Los Angeles, California.[3][5]
His wife, the Mexican-born film actress Lupita Tovar, died at age 106 on November 12, 2016.
Honors
edit- April 1997: "Hollywood's Gentleman Agent: Paul Kohner." Exhibit curated by Goethe-Institut Los Angeles and Stifting Deutsche Kinemathek.[34]
Filmography
edit- 1927: Surrender (Universal) – Supervisor
- 1927: The Cat and the Canary (Universal) – Supervising producer (uncredited)
- 1927: Love Me and the World Is Mine (Universal) (based on the book The Affairs of Hannerl) – Supervising producer; Writer, scenario[35]
- 1927: A Man's Past (Universal) – Supervising producer (uncredited); Writer, adaptation
- 1928: The Man Who Laughs (Universal) – Production supervisor
- 1929: The Brandenburg Arch (Deutsche Universal-Film) – Producer
- 1929: Rustle of Spring German: Frühlingsrauschen (Deutsche Universal-Film) – Producer
- 1929: White Hell of Pitz Palu (Universal) (1930 sound film version in English, released by Universal internationally) – Associate producer
- 1929: Die seltsame Vergangenheit der Thea Carter (English title: The Unusual Past of Thea Carter) (Deutsche Universal-Film) – producer
- 1930: Ludwig der Zweite, König von Bayern (Deutsche Universal-Film) (English title: Ludwig II, King of Bavaria) – Producer
- 1930: La Voluntad del Muerto (Universal) (Spanish language version of The Cat Creeps) – Producer
- 1930: Oriente es Occidente (Universal) (Spanish language version of East Is West) – Producer
- 1931: Don Juan Diplomático (Universal) (Spanish language version of the English and French films, The Boudoir Diplomat and Boudoir Diplomatique) – Production supervisor
- 1931: Liebe auf Befehl (Universal) (German language version of the English and French films, The Boudoir Diplomat and Boudoir Diplomatique) – Production manager
- 1931: Resurrección (Mexican) (Spanish language version of A Woman's Resurrection) – Production supervisor
- 1931: El Tenorio del Harem (Universal) (Spanish language version of Arabian Knights) – Production supervisor
- 1931: Drácula (Universal) (Spanish language version of Dracula) – Associate producer
- 1931: East of Borneo (Universal) – Associate producer
- 1931: A House Divided (Universal) – Associate producer
- 1932: Doomed Battalion (Universal) – Associate producer
- 1932: Der Rebell (Deutsche Universal-Film) (German language version of The Rebel) – Producer
- 1933: The Rebel (Deutsche Universal-Film) – Producer
- 1933: S.O.S. Eisberg (Deutsche Universal-Film) (German language version of S.O.S. Iceberg) – Associate producer
- 1933: S.O.S. Iceberg (Universal Pictures) – Associate producer
- 1934: Der Verlorene Sohn (Deutsche Universal-Film) (English title: The Prodigal Son) – Producer
- 1935: Alas sobre El Chaco (Universal) (Spanish language version of Storm Over the Andes) – Producer
- 1935: East of Java (Universal) – Producer
- 1936: Next Time We Love (Universal) – Producer
- 1978: Erich von Stroheim – Der Mann mit dem bösen Blick (TV movie) – Participation
- 1986: Fast ein Jahrhundert – Luis Trenker – Participation
- 1989: Wer war Arnold Fanck? – Participation
See also
editReferences
edit- ^ "Paul Kohner - California, Southern District Court (Central) Naturalization Index (1 of 2)". FamilySearch. Retrieved 2 September 2015.
- ^ "Paul Kohner - California, Southern District Court (Central) Naturalization Index (2 of 2)". FamilySearch. Retrieved 2 September 2015.
- ^ a b "Paul Kohner - United States Social Security Death Index". FamilySearch. Retrieved 2 September 2015.
- ^ a b Muir, Frederick M. (18 March 1988). "Paul Kohner, 85; Agent to Legendary Hollywood Stars". Los Angeles Times. Retrieved 2 September 2015.
- ^ a b c d e f g Yarrow, Andrew (19 March 1988). "Paul Kohner, Hollywood Agent And Film Producer, Is Dead at 85". The New York Times. Retrieved 2 September 2015.
- ^ Holson, Laura M. (6 August 2015). "The Weitz Brothers Help Each Other Through Hollywood Hits and Misses". The New York Times. Retrieved 26 August 2015.
- ^ Malanowski, Jamie (19 May 2002). "Film; Filmmaking as a Family Affair". The New York Times. Retrieved 2 September 2015.
- ^ Florido, Adrian (November 15, 2016). "Mexican Film Actress Lupita Tovar Dies At 106". National Public Radio. Retrieved April 24, 2018.
- ^ Bach, Steven (February 12, 2008). Leni: The Life and Work of Leni Riefenstahl. Vintage; Reprint edition. p. 107. ISBN 9780307387752.
- ^ a b Paul Kohner Agency records, 1935-1988: Biography/History. Los Angeles, CA: Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. 1988. OCLC 801267898. Retrieved 2 September 2015.
- ^ Horak, Jan-Christopher (2005). "Sauerkraut & Sausages with a Little Goulash: Germans in Hollywood, 1927". Film History: An International Journal. 17 (2): 241–260. doi:10.1353/fih.2005.0022. ISSN 0892-2160. OCLC 4647515787. S2CID 194080567.
- ^ "Paul Kohner - California Death Index". FamilySearch. Retrieved 2 September 2015.
- ^ Kohner, Hanna; Kohner, Walter; Kohner, Frederick (1984). Hanna and Walter: A Love Story (2008 ed.). New York: iUniverse. ISBN 978-0-595-46598-9. OCLC 745168573.
- ^ Rubin, Debra (14 April 2009). "This was her life: When a survivor told her tale. Los Angeles author remembers the night her mom was on TV". The New Jersey Jewish News. Retrieved 2 September 2015.
- ^ Lipman, Steve (18 March 2013). "Giving The Holocaust A Human Face". The Jewish Week. Retrieved 2 September 2015.
- ^ Kohner, Pancho (2011). Lupita Tovar "the Sweetheart of México". Xlibris Corporation. p. 40. ISBN 9781456877354.
- ^ "Record: Kohner, Paul; Passenger ID 100287010043; La Savoie; Le Havre to New York". Statue of Liberty-Ellis Island Foundation. 25 October 1920. p. Line 13. Retrieved 2 September 2015.
- ^ "Ship Manifest - Page 1 of 2: Kohner, Paul; Passenger ID 100287010043; La Savoie; Le Havre to New York". Statue of Liberty-Ellis Island Foundation. 25 October 1920. p. Line 13. Retrieved 2 September 2015.
- ^ "Ship Manifest - Page 2 of 2: Kohner, Paul; Passenger ID 100287010043; La Savoie; Le Havre to New York". Statue of Liberty-Ellis Island Foundation. 25 October 1920. p. Line 13. Retrieved 2 September 2015.
- ^ "Paul Kohner - New York, Passenger Arrival Lists (Ellis Island)". FamilySearch. Retrieved 2 September 2015.
- ^ "Paul Kohner - United States Census, 1930". FamilySearch. Retrieved 2 September 2015.
- ^ "Huston is Signed for 5-Film Deal" (PDF). The New York Times. 28 July 1958. Retrieved 2 September 2015.
- ^ Paul Kohner Agency records, 1935-1988. Los Angeles, CA: Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. 1988. OCLC 801267898. Retrieved 2 September 2015.
- ^ "Company News; CBS Widening the Role of its Feature-Film Unit". The New York Times. 10 March 1981. Retrieved 2 September 2015.
- ^ Hoffman, Allison (20 February 2013). "Hollywood's Unknown Rescuer". Tablet. Retrieved 2 September 2015.
- ^ "Motion Picture". 1929.
- ^ "Films in Review". 1970.
- ^ Lamparski, Richard (1989). Whatever Became Of-- ? All New Eleventh Series: 100 Profiles of the Most-asked-about Movie, TV, and Media Personalities, Hundreds of Never-before-published Facts, Dates, Etc. On Celebrities, 227 Then-and-now Photographs. Crown Publishers. ISBN 9780517571507.
- ^ Ankerich, Michael G. (2011). The Sound of Silence: Conversations with 16 Film and Stage Personalities Who Bridged the Gap between Silents and Talkies (Reprinted. ed.). Jefferson, N.C.: McFarland & Co. ISBN 978-0-786-46383-1. OCLC 743217471. Retrieved 29 August 2015.
- ^ "Susanna Kohner - California Birth Index". FamilySearch. Retrieved 2 September 2015.
- ^ "Paul Julius Kohner - California Birth Index". FamilySearch. Retrieved 2 September 2015.
- ^ "Paul Kohner - United States Census, 1940". FamilySearch. Retrieved 2 September 2015.
- ^ "Paul Kohner - United States Census, 1940 - Image". FamilySearch. 4 April 1940. Retrieved 2 September 2015.
- ^ Klady, Leonard (9 April 1997). "'Gentleman Agent' exhibit hails Kohner". Variety. Retrieved 2 September 2015.
- ^ "Vienna Lives Again" (PDF). The New York Times. 5 February 1928. p. 111. Retrieved 2 September 2015.
Further reading
edit- Kohner, Frederick. Der Zauberer vom Sunset Boulevard: ein Leben zwischen Film und Wirklichkeit. München, Zürich: Droemer-Knaur, 1974. ISBN 978-3-426-05592-2 OCLC 707505221—Original publication in German
- Kohner, Paul. "Paul Kohner Interview: Interview with agent and studio executive Paul Kohner." Hollywood (Television Program). Unedited Footage. Record date: October 7, 1976. OCLC 423000459
- Kohner, Frederick. The Magician of Sunset Boulevard: The Improbable Life of Paul Kohner, Hollywood Agent. Palos Verdes, CA: Morgan Press, 1977. ISBN 978-0-894-30004-2 OCLC 3508212
- Asper, Helmut G. Filmexilanten im Universal Studio: 1933–1960. Berlin: Bertz + Fischer, 2005. ISBN 978-3-865-05163-9 OCLC 871361979
- Kohner, Paul, and Heike Klapdor. Ich bin ein unheilbarer Europäer: Briefe aus dem Exil. Berlin: Aufbau, 2007. Heike Klapdor im Auftrag der Deutschen Kinemathek – Museum für Film und Fernsehen. ISBN 978-3-351-02655-4 OCLC 873634691