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Introduction
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Writing is the act of creating a persistent representation of human language. A writing system uses a set of symbols and rules to encode aspects of spoken language, such as its lexicon and syntax. However, written language may take on characteristics distinct from those of any spoken language.
Writing is a cognitive and social activity involving neuropsychological and physical processes. The outcome of this activity, also called "writing", and sometimes a "text", is a series of physically inscribed, mechanically transferred, or digitally represented symbols. The interpreter or activator of a text is called a "reader".
In general, writing systems do not constitute languages in and of themselves, but rather a means of encoding language such that it can be read by others across time and space. While not all languages use a writing system, those that do can complement and extend the capacities of spoken language by creating durable forms of language that can be transmitted across space (e.g. written correspondence) and stored over time (e.g. libraries or other public records). Writing can also have knowledge-transforming effects, since it allows humans to externalize their thinking in forms that are easier to reflect on, elaborate on, reconsider, and revise. (Full article...)
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Modernist poetry is a mode of writing that is characterized by two main features. The first is technical innovation in the writing through the extensive use of free verse. The second is a move away from the Romantic idea of an unproblematic poetic 'self' directly addressing an equally unproblematic ideal reader or audience.
Modernist poetry in English is generally considered to have emerged in the early years of the 20th century with the appearance of the Imagist poets. In common with many other modernists, these poets were writing in reaction to what they saw as the excesses of Victorian poetry, with its emphasis on traditional formalism and overly flowery poetic diction. In many respects, their criticism of contemporary poetry echoes what William Wordsworth wrote in the Preface to Lyrical Ballads to instigate the Romantic movement in British poetry over a century earlier.
In general, the modernists saw themselves as looking back to the best practices of poets in earlier periods and other cultures. Their models included ancient Greek literature, Chinese and Japanese poetry, the troubadours, Dante and the medieval Italian philosophical poets (such as Guido Cavalcanti), and the English Metaphysical poets.
Much of the early poetry produced by these writers took the form of short, compact lyrics. However, as modernist poetry in English developed, longer poems came to the fore. These long poems represent the main contribution of the modernist movement to the 20th century English poetic canon. (Full article...)
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Andrew Robinson was educated at the Dragon School, Eton College where he was a King's Scholar, University College, Oxford where he read Chemistry and finally the School of Oriental and African Studies in London. He is the son of Neville Robinson, an Oxford physicist. He is based in London and is currently a full-time writer.
Robinson has written several books about the history of writing, including:
- The Story of Writing: Alphabets, Hieroglyphs and Pictograms. Thames and Hudson (2000). ISBN 0-500-28156-4.[4]
- Lost Languages: The Enigma of the World's Great Undeciphered Scripts. McGraw-Hill (2002). ISBN 0-07-135743-2.[5][6]
- Writing and Script. Oxford University Press (2009). ISBN 9780199567782.[3][7][8] (Full article...)
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Writing • Calligraphy • Penmanship • Writing implements • Inks • Alphabetic writing systems • Abjad • Abugida • Kanji • Logographic writing systems • Writing systems • Cyrillic alphabets • Hellenic scripts • Script typefaces
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References
- ^ Andrew Robinson (1), LibraryThing.
- ^ Books by Andrew Robinson, Alibris.
- ^ a b Mark Twaite, Interview with Andrew Robinson, The Book Depository, 2009.
- ^ Andrew Robinson, Andrew Robinson on the story of writing. The Times, 29 September 2007.
- ^ James McConnachie, Lost Languages: The Enigma of the World's Undeciphered Scripts by Andrew Robinson. The Sunday Times, 8 March 2009.
- ^ Andrew Robinson, Decoding antiquity: Eight scripts that still can't be read. New Scientist, 27 May 2009.
- ^ Steven Poole, Writing and Script by Andrew Robinson. The Guardian, 19 September 2009.
- ^ Greg Neale, "Book reviews: Writing and Script". Oxford Today, 22(2):37, 2010.