Svoboda | Graniru | BBC Russia | Golosameriki | Facebook

To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

From Wikipedia, the free encyclopedia

Rachel Concho (born 1936) is a Native American artist and potter of the Acoma Pueblo. She is best known for her painted seed jars: small circular pots, nearly closed except for a small hole at the top, used for storing seeds from one harvest for planting in the next. She draws inspiration from ancient designs of the Acoma Pueblo including from shards associated with the Mimbres culture, which flourished in what is now New Mexico and Arizona from about 200 CE to the Spanish conquests of the sixteenth century.[1][2] Concho has won many prizes for her work, including "Best in Show" at the Santa Fe Indian Market of 2000. Her seed jars have entered the permanent collections of several museums, including the Smithsonian Institution.[3]

Family, career, and accolades

Rachel Concho's family belongs to the Roadrunner Clan of the Acoma Pueblo. Her mother, Santana Cerno, taught her the art of pottery. Her brother, Joseph Cerno, and her daughter-in-law, Carolyn Lewis-Concho, are also artists.[4]

While most of Concho's designs follow traditional patterns, she has also created designs that are not in the Acoma tradition, including one based on spiders.[4]

In the book Southwestern Pottery: Anasazi to Zuni, Allan Hayes and John Blom included Rachel Concho among the "stars and superstars" of late twentieth-century Acoma ceramicists, and featured her seed jars as examples of work by "members of the elite corps" of this artistic community.[5]

Collections

Her works have entered the permanent collections of several museums. These include the Smithsonian National Museum of the American Indian, in Washington, DC;[6] the Grice Collection of Native American Art of the Mint Museum in Charlotte, North Carolina;[7] and the Krannert Art Museum of the University of Illinois at Urbana-Champaign.[8]

References

  1. ^ "Rachel Concho | Native American Pottery". www.eyesofthepot.com. Retrieved 2021-08-12.
  2. ^ "The Mimbres Culture | Native American Pottery". www.eyesofthepot.com. Retrieved 2021-08-12.
  3. ^ Concho, Rachel. "Seed jar | National Museum of the American Indian". americanindian.si.edu. Retrieved 2021-08-12.
  4. ^ a b "Collector's Corner". ATADA News. 23 (3): 13–14. Summer 2013.
  5. ^ Hayes, Allan; Blom, John (1996). Southwestern Pottery: Anasazi to Zuni. Flagstaff, Arizona: Northland Publishing. pp. 52–53. ISBN 0873586638.
  6. ^ "Seed Jar |". americanindian.si.edu. Retrieved 2021-10-07.
  7. ^ "Passionate Journey: The Grice Collection of Native American Art". www.tfaoi.com. Retrieved 2021-10-07.
  8. ^ "Krannert Art Museum - Miniature Black-on-white Seed Jar". collection.kam.illinois.edu. Retrieved 2021-10-07.
This page was last edited on 21 April 2024, at 15:58
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.