I first met Simon Hacker more than a decade ago when I was teaching at the School of Visual Arts in New York and Simon was a film student. He stuck out as someone who responded to what most people… Read more
If you’re considering a career in film or television, it’s important to understand that there are many different roles in the field, so there are lots of opportunities where your interests and skills can be a good fit. Perhaps you… Read more
After the sudden death of her best friend and roommate Izzy (Sofia Dobrushin), Anna (Grace Glowicki) starts to act strange. At first, her odd behavior seems easily attributable to intense grief, but soon she begins to recognize physical abnormalities she… Read more
If you’ve ever wondered, “What even is an assistant editor, and what do they do?,” you’re not alone. I find myself explaining my job repeatedly to my perplexed but well-meaning family members and even to other people in the film… Read more
Alex Saks remembers the process of producing Thoroughbreds, the dark suburban teen thriller written and directed by Cory Finley, as a whirlwind. At the time, Finley was a hot up-and-coming playwright making his first foray into filmmaking, and he didn’t have an established team of collaborators. With a limited window of actor availability, production launched shortly after Finley delivered a script, which meant there was a tight window to hire key crew. Among the most important decisions the team had to make was who would edit the movie. “[An editor] really is the department head on the movie, other than […]
In Orhan Pamuk’s novel The Black Book, there’s a story about a mannequin maker and his underground workshop. The craftsman believes that after the introduction of cinema, people began to lose their natural gestures and now simply imitate the movements and behaviors of actors they see on the big screen. To preserve natural and native mannerisms, he undertakes an immense archival project: He makes mannequins of people performing small gestures in great detail. I’m curious what the craftsman would do faced with generative AI. AI film festivals and competitions are growing in popularity. Last May, the second annual Runway AI […]
Chicken & Egg Pictures announced today the 29 grantees for its second Pictures Research & Development Grant. From the press release: Chicken & Egg Pictures, which provides support and funding to women and gender-expansive documentary filmmakers, announced today the 29 film projects supported by its second Chicken & Egg Pictures Research & Development Grant. The grants provide directors with $10,000 USD for research or $20,000 USD for development of a new documentary project. These critical stages in the life of a documentary are often unpaid and unsupported. Grantees will also have access to the Chicken & Egg Pictures’ team and […]
Looking for the most competitive film incentives in Texas? Searching for a treasure trove of unique locations? On the hunt for a filming destination that will prioritize your project and welcome you with open arms, while providing untold added value, famous hospitality and film friendly support every step of the way? Look no further than San Antonio, Texas—a best kept secret among filmmakers where history shines just as brightly as the city’s boundless future. Enjoy rolling Hill Country landscapes just a quick drive from the city’s European-influenced downtown or trek a few hours in either direction to access coastal or […]
Back in 2021, filmmaker Jessica Oreck (Beetle Queen Conquers Tokyo), who appeared on Filmmaker‘s 25 New Faces list in 2009, launched her Office of Collecting and Design, which she describes as “part wonderland, part library, and part nostalgia machine, devoted to the diminutive, the misplaced, the unusual, and the forgotten.” A truly unusual endeavor, the Las Vegas-based tiny museum is exhibition space, animation studio and prop house — in short, a physical extension of the enthusiasms that have powered Oreck’s filmmaking. From my print issue profile of the project: A cinematic sensibility permeates the whole endeavor, not just in the […]
Each Friday I send out a free email newsletter with an original Editor’s Letter along with viewing recommendations and festival deadlines. The Editor’s Letter is usually not reposted here on this site. As a way of encouraging sign-ups — you can join for free here — I’m posting here a slightly edited version of last week’s edition, in which I draw some production and distribution conclusions from the success of the Mike Cheslik’s independent hit Hundreds of Beavers, drawing info from linked interviews, now unpaywalled, from our current print edition. — Editor Because I edit Filmmaker and am supposed to […]