- School of Archaeology & Ancient History,
University of Leicester,
Leicester
Leicestershire
LE1 7RH
- Archaeology, Roman Empire, Theoretical Archaeology, Roman Britain, Theoretical Roman Archaeology, Roman Small Finds, and 29 moreGlyptics, Biography of artefacts, Art History, Classics, Classical Archaeology, Roman History, Museum Studies, Roman Pottery, History of Museums, Roman Epigraphy, Roman Historiography, Museum Interpretation, Iron Age Britain (Archaeology), Iron Age Gaul (Archaeology), Indian archeology, Health and Wellbeing in Late Iron Age and Roman Britian, Ancient Seals and Sealings, Material Culture Studies, Archaeology and Ancient History, Roman Glyptics and Jewelry, Daily Life in Ancient Times, Roman Germany, Sussex History, Pitt Rivers, Archaeological Theory, Roman Religion, Roman Art, Iron Age, and Roman Archaeologyedit
- My primary research interest is in the Roman minor arts, particularly jewellery and engraved gems. My doctoral resear... moreMy primary research interest is in the Roman minor arts, particularly jewellery and engraved gems. My doctoral research focused on the use of signet rings in Roman Britain, and their role in the creation and development of identities. These tiny objects give us a glimpse into the lives of ancient individuals, that is otherwise rarely possible through the study of archaeological material. The wearers of such rings chose them with conscious intent, since in both public an private life they were an important medium of expression. All manner of subjects were chosen for signet motifs to enable individuals to present many different aspects of their identities. The range of Roman imagery they carry is truly vast, being the second largest surviving, after coinage. Yet unlike coins, which were a medium of state and imperial expression, signet rings signify the ancient Roman people, as they themselves wanted to be seen.
I also have an interest in public archaeology and studying how contemporary communities engage with their material heritage. As Education & Engagement Officer at Heritage Lincolnshire I coordinate the charity's lifelong learning programme, develop its work with schools and help manage its historic sites. I also work closely with its commercial archaeology unit to develop and deliver community heritage and archaeology projects across Lincolnshire and beyond.edit
This project presents and analyses all of the signet rings and intaglios so far unearthed in Roman Britain to reinterpret how they were used and their role within provincial society. These small artefacts have traditionally been regarded... more
This project presents and analyses all of the signet rings and intaglios so far unearthed in Roman Britain to reinterpret how they were used and their role within provincial society. These small artefacts have traditionally been regarded as attractive but relatively insignificant minor objets d’art, with little relevance to the wider discourses of Romanists. This thesis attempts a more critical examination of how they were used and their role within provincial Roman society. I argue that signet rings were an essential element in provincial society that should no longer be overlooked. This project builds on the pioneering Corpus assembled by Martin Henig in the 1970s, including more recent
discoveries and more than doubling the material available to him. This combined body of evidence includes 2,012 signet rings and intaglios, making it one of the largest contextualised assemblages of these objects ever studied. It also benefits from the results of developer funded archaeology and the advent of recording by the Portable Antiquities Scheme, enabling us to create a richer and more detailed picture how they were used.
My approach has been to resituate these objects in terms of the archaeological context in which they were found, but also to consider them as functional as well as decorative objects. When
studied in this way signet rings provide a unique perspective on the identity of their wearers, and how they wanted to present themselves to others. I have found growing evidence for the use of signet rings amongst local elites before the Roman invasion of Britain, and it is clear that they had a role to play in negotiating identity after the conquest. I have also been able to identify trends in the way that different communities used signet rings, both as regards their imagery and materiality. It is also apparent that in
some parts of Britain these objects remained a feature of a type of dress and the hallmark of a society that remained alien to their inhabitants throughout the Roman period. However, for those who chose to wear them, signet rings could be more than just objects but reflections of themselves.
discoveries and more than doubling the material available to him. This combined body of evidence includes 2,012 signet rings and intaglios, making it one of the largest contextualised assemblages of these objects ever studied. It also benefits from the results of developer funded archaeology and the advent of recording by the Portable Antiquities Scheme, enabling us to create a richer and more detailed picture how they were used.
My approach has been to resituate these objects in terms of the archaeological context in which they were found, but also to consider them as functional as well as decorative objects. When
studied in this way signet rings provide a unique perspective on the identity of their wearers, and how they wanted to present themselves to others. I have found growing evidence for the use of signet rings amongst local elites before the Roman invasion of Britain, and it is clear that they had a role to play in negotiating identity after the conquest. I have also been able to identify trends in the way that different communities used signet rings, both as regards their imagery and materiality. It is also apparent that in
some parts of Britain these objects remained a feature of a type of dress and the hallmark of a society that remained alien to their inhabitants throughout the Roman period. However, for those who chose to wear them, signet rings could be more than just objects but reflections of themselves.
Research Interests: Identity (Culture), Sigillography, Roman Britain, Roman Trade Networks, Glyptics, and 17 moreRoman rural settlements, Roman Provincial Archaeology, Roman Urbanism, Greek and Roman Art and Architecture, Roman military equipment, Roman Provincial Art, Intaglios, Roman Art, Late Iron Age/Roman transition, Gemstones provenance in antiquity, Roman clothing and identities, Roman Jewellery, Roman Glyptics and Jewelry, Ancient Gemstones,jewelery, Roman Archaeology, Sphragistics, and Archaeology of Communities
There are few artefacts that provide such a tangible link with the people of the ancient world as do signet rings. Ian Marshman discusses how ancient jewellery can offer an insight into the lives of the people who wore it.
Research Interests:
Research Interests:
This project presents and analyses all of the signet rings and intaglios so far unearthed in Roman Britain to reinterpret how they were used and their role within provincial society. These small artefacts have traditionally been regarded... more
This project presents and analyses all of the signet rings and intaglios so far unearthed in Roman Britain to reinterpret how they were used and their role within provincial society. These small artefacts have traditionally been regarded as attractive but relatively insignificant minor objets d’art, with little relevance to the wider discourses of Romanists. This thesis attempts a more critical examination of how they were used and their role within provincial Roman society. I argue that signet rings were an essential element in provincial society that should no longer be overlooked. This project builds on the pioneering Corpus assembled by Martin Henig in the 1970s, including more recent discoveries and more than doubling the material available to him. This combined body of evidence includes 2,012 signet rings and intaglios, making it one of the largest contextualised assemblages of these objects ever studied. It also benefits from the results of developer funded archaeology and th...
Research Interests: History, Sigillography, Roman Britain, Roman Trade Networks, Glyptics, and 15 moreRoman rural settlements, Roman Provincial Archaeology, Roman Urbanism, Greek and Roman Art and Architecture, Roman military equipment, Roman Provincial Art, Intaglios, Roman Art, Gemstones provenance in antiquity, Roman clothing and identities, Roman Jewellery, Roman Glyptics and Jewelry, Roman Archaeology, Sphragistics, and Archaeology of Communities
francaisCet artide presente une gemme en jaspe rouge, trouvee vraisernblablement aux environs de Sinzig (Kr. Ahrweiler, D) et gravee d'un motif inhabituel, celui d'un cornicen ou sonneur de cor. Cet objet se trouve aujourd'hui... more
francaisCet artide presente une gemme en jaspe rouge, trouvee vraisernblablement aux environs de Sinzig (Kr. Ahrweiler, D) et gravee d'un motif inhabituel, celui d'un cornicen ou sonneur de cor. Cet objet se trouve aujourd'hui au Salisbury and Sourh Wiltshil'e Museum en Grande-Bretagne, mais appartenait auparavant au archeologue General Pitt-Rivers, Henry Howorth l'avait acquis a Sinzig en 1891, avec d'autres antiquites, pour la collection croissante de son ami Pitt-Rivers. DeutschDieser Aufsatz stellt eine rote ]aspis-Gemme mit einem ungewohnlichen eingravierten Bild eines cornicen bzw. Militarhornblaser vor, vermutlich in der Umgebung von Sinzig (K.r. Ahrweiler, D) gefunden. Das Objekt wird heute im Salisbury and Sourh Wiltshire Museum Salisbury, Gro/Sbritannien, aufbewahrt, war aber zuvor im Besitz des Archaologen General Pitt-Rivers. Die Gemme war 1891 von Henry Howorth, einem Freund des Generals, in Sinzig zusammen mit anderen Antiquitaten fur die wachse...
Research Interests: Humanities and Art
Research Interests:
As a class of small finds, seal-boxes are long overdue for a close study, and C. Andrews’ slim volume takes a significant step towards filling the gap. Its blue cover (signalling BAR’s British Series) might, however, obscure the fact that... more
As a class of small finds, seal-boxes are long overdue for a close study, and C. Andrews’ slim volume takes a significant step towards filling the gap. Its blue cover (signalling BAR’s British Series) might, however, obscure the fact that it contains much of interest to Romanists throughout the empire, and those studying Roman literacy will also need to take note of Andrews’ innovative interpretation of how these items were used after seal-boxes acquired notoriety as “the most abundant and widespread [archaeological] indication of the presence of written communication”.1 The notion that seal-boxes were used in conjunction with writing tablets has been generally accepted — what Andrews calls the “current orthodoxy” (1) — and this has led some scholars to try to extrapolate levels of literacy based on seal-box distributions, and to infer the sending or receiving of letters.2 Andrews is correct to critique this assumption, which has gained weight through repetition rather than through the accumulation of hard evidence. His book thus highlights how even seemingly familiar types of small finds can be misunderstood, and can profit from a fresh approach.
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This paper reports on a small Roman gold relief from Leicester in light of similar recent finds from elsewhere in the East Midlands. The relief is believed to come from an unusual type of late Roman finger ring, and is notable for its... more
This paper reports on a small Roman gold relief from Leicester in light of similar recent finds from elsewhere in the East Midlands. The relief is believed to come from an unusual type of late Roman finger ring, and is notable for its depiction of the god Vulcan, which is unusual on jewellery in Roman Britain and indeed elsewhere in the empire.
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This paper reports on the unusual find of a Roman tile bearing the impression of an intaglio made using a signet ring. The tile was found at Wallsend on Hadrian's Wall, close to the branch wall running down to the River Tyne in a... more
This paper reports on the unusual find of a Roman tile bearing the impression of an intaglio made using a signet ring. The tile was found at Wallsend on Hadrian's Wall, close to the branch wall running down to the River Tyne in a post-Roman context. The impression is from a glass paste intaglio with the common subject of Hercules throttling the Nemean Lion.
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This paper reports on four finger rings and a loose intaglio from the Nettleton/Rothwell Top temple site in the Lincolnshire Wolds. All five objects were found by surface collection or metal detecting and so lack a stratigraphic context,... more
This paper reports on four finger rings and a loose intaglio from the Nettleton/Rothwell Top temple site in the Lincolnshire Wolds. All five objects were found by surface collection or metal detecting and so lack a stratigraphic context, nevertheless they can reasonably be assumed to be associated with the shrine. Three of the rings are of great interest, for their embossed bezels which each depict the smith god Vulcan. Several such rings have now been found in Lincolnshire, Nottinghamshire and Leicestershire and it is argued here that they may have been locally produced in the East Midlands.
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Research Interests:
Note on a Romano-British signet ring found off Gainsborough Road, Corby, and now in Kettering Museum & Art Gallery. It is set with a mould made glass intaglio depicting the winged horse Pegasus.
Research Interests:
Research Interests:
Note on a silver signet ring with a red jasper intaglio engraved with a figure of Mercury. It was found by a walker near the known site of the Romano-British rural settlement on Bullock Down.
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Lincolnshire is a land of contrasts. Flat as well as hilly. Ancient yet still being reclaimed from the sea. It is rich in history and littered with historic monuments; relics of past prosperity. Heritage Lincolnshire cares for a special... more
Lincolnshire is a land of contrasts. Flat as well as hilly. Ancient yet still being reclaimed from the sea. It is rich in history and littered with historic monuments; relics of past prosperity. Heritage Lincolnshire cares for a special handful of these, which it makes freely available to visitors from dawn until dusk every day. Unsupervised, each building or monument accumulates its own diverse deposits, differing in quantity and composition. From Bolingbroke Castle that's still fit for a king, to palimpsests of protection at Temple Bruer, and the urban detritus of Boston's conflicted communities.
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Join Dr Ian Marshman from Heritage Lincolnshire for this lecture to the Society for Lincolnshire History & Archaeology. Perhaps more familiar for his work coordinating the Trust's lifelong learning courses, Ian has recently completed his... more
Join Dr Ian Marshman from Heritage Lincolnshire for this lecture to the Society for Lincolnshire History & Archaeology.
Perhaps more familiar for his work coordinating the Trust's lifelong learning courses, Ian has recently completed his doctoral research on jewellery in Roman Britain.
In this illustrated talk, Ian will discuss his research on the Roman engraved gemstones unearthed in Britain, and share some of the fascinating insights these objects can give us on the lives, loves, and beliefs of their ancient wearers. He will pay particular attention to local finds from Lincolnshire and elsewhere in the East Midlands, and discuss what they can tell us about the area's communities and styles of dress.
This lecture is free for SLHA members, and there is a £3 charge for non-member, all welcome. For more details visit the SLHA website.
Perhaps more familiar for his work coordinating the Trust's lifelong learning courses, Ian has recently completed his doctoral research on jewellery in Roman Britain.
In this illustrated talk, Ian will discuss his research on the Roman engraved gemstones unearthed in Britain, and share some of the fascinating insights these objects can give us on the lives, loves, and beliefs of their ancient wearers. He will pay particular attention to local finds from Lincolnshire and elsewhere in the East Midlands, and discuss what they can tell us about the area's communities and styles of dress.
This lecture is free for SLHA members, and there is a £3 charge for non-member, all welcome. For more details visit the SLHA website.
Research Interests:
In this paper I will discuss the significance of the finger rings from the Knutsford Hoard and how they relate to other examples found in the region, and elsewhere within the province. I will also consider how the rings from the Knutsford... more
In this paper I will discuss the significance of the finger rings from the Knutsford Hoard and how they relate to other examples found in the region, and elsewhere within the province. I will also consider how the rings from the Knutsford hoard compare with other signet rings and engraved gems deposited from Roman hoards in Britain.
Research Interests:
"The study of Roman elites has fallen somewhat out of fashion in recent years, and with it categories of material culture that are strongly associated with them. However, if we are to develop a rounded and realistic picture of Roman... more
"The study of Roman elites has fallen somewhat out of fashion in recent years, and with it categories of material culture that are strongly associated with them. However, if we are to develop a rounded and realistic picture of Roman society and the processes of Roman imperialism attention must be given to the role of elites and the material projections of their power. Research on Roman engraved gemstones has often been limited to decontextualized art historical analysis, but by reuniting them with their archaeological contexts they can be associated with particular elite communities.
Few objects can rival the signet ring in its centrality within the lives of Roman elites. In traditional Roman conceptions of masculinity the only item of jewellery a man might wear was his signet ring set with an engraved gemstone. Depictions on statuary such as the bronze ‘Orator’ in Florence’s Museo Archeologico attest their importance in the proper presentation of Romanitas. The signet ring was far more than a luxury item of jewellery, and Pliny describes how “the most important transactions of life are now made to depend upon this instrument” (Nat. 33.6). Roman men of power, put their signets to everything from their household stores, to contracts, deeds, wills and personal letters. It was in these functions that almost everyone in Roman society would have encountered the imagery replicated on sealings, whether or not they owned such a ring themselves. Signets provide a unique window into the way individuals in positions of power presented their identities, not just to their peers and social betters, but also to their subordinates.
Whilst the custom of signet wearing was certainly not confined to the upper-most levels of the elite, in provincial contexts it was likely only those in positions of power, and with an inclination towards Roman ways of living, who wore these highly crafted objects. In Britain signet rings begin to appear from the late Iron Age onwards and can be linked to the leaders of tribal groups who were friendly towards Rome. With the Roman invasion in AD 43 signet rings became a tangible part of the pervading elite culture of the province, being found in forts, indigenous proto-urban settlements and the newly established colonies. Most people in Britain, however, did not adopt the practice of wearing signet rings, and as such these objects provide a useful indication of the resistance expressed in different areas.
This paper will discuss the results of a study using a newly assembled dataset of nearly 2,000 signet rings uncovered in Roman Britain with the intention of understanding the way different elite groups in provincial society presented themselves via this often-overlooked medium of material culture. Such a huge resource covering the whole island and a vast range of imagery provides a new way to study the expression of power by elite groups in the province."
Few objects can rival the signet ring in its centrality within the lives of Roman elites. In traditional Roman conceptions of masculinity the only item of jewellery a man might wear was his signet ring set with an engraved gemstone. Depictions on statuary such as the bronze ‘Orator’ in Florence’s Museo Archeologico attest their importance in the proper presentation of Romanitas. The signet ring was far more than a luxury item of jewellery, and Pliny describes how “the most important transactions of life are now made to depend upon this instrument” (Nat. 33.6). Roman men of power, put their signets to everything from their household stores, to contracts, deeds, wills and personal letters. It was in these functions that almost everyone in Roman society would have encountered the imagery replicated on sealings, whether or not they owned such a ring themselves. Signets provide a unique window into the way individuals in positions of power presented their identities, not just to their peers and social betters, but also to their subordinates.
Whilst the custom of signet wearing was certainly not confined to the upper-most levels of the elite, in provincial contexts it was likely only those in positions of power, and with an inclination towards Roman ways of living, who wore these highly crafted objects. In Britain signet rings begin to appear from the late Iron Age onwards and can be linked to the leaders of tribal groups who were friendly towards Rome. With the Roman invasion in AD 43 signet rings became a tangible part of the pervading elite culture of the province, being found in forts, indigenous proto-urban settlements and the newly established colonies. Most people in Britain, however, did not adopt the practice of wearing signet rings, and as such these objects provide a useful indication of the resistance expressed in different areas.
This paper will discuss the results of a study using a newly assembled dataset of nearly 2,000 signet rings uncovered in Roman Britain with the intention of understanding the way different elite groups in provincial society presented themselves via this often-overlooked medium of material culture. Such a huge resource covering the whole island and a vast range of imagery provides a new way to study the expression of power by elite groups in the province."
Research Interests:
It has long been known that Roman engraved gemstones, like their ancient Greek and Etruscan predecessors, were used by individuals for sealing. Traditionally such intaglios have been studied as miniature objets d’art, valuable for their... more
It has long been known that Roman engraved gemstones, like their ancient Greek and Etruscan predecessors, were used by individuals for sealing. Traditionally such intaglios have been studied as miniature objets d’art, valuable for their iconography, rather than as evidence for the lives of the people who used them. Correspondingly, their inclusion in theoretically informed archaeological research has been relatively limited.
There is now a growing assemblage of intaglios from known Roman sites in Britain. This paper will present the results of an investigation into where such gems were found, and what this can tell us about how they were used in the province. Whilst it is well known that such objects are found in the drains of baths, this represents just one of a wider range of circumstances of deposition. Studying intaglios contextually as archaeological objects can enable us to challenge many assumptions about their use in Roman society.
There is now a growing assemblage of intaglios from known Roman sites in Britain. This paper will present the results of an investigation into where such gems were found, and what this can tell us about how they were used in the province. Whilst it is well known that such objects are found in the drains of baths, this represents just one of a wider range of circumstances of deposition. Studying intaglios contextually as archaeological objects can enable us to challenge many assumptions about their use in Roman society.
Research Interests:
"Roman engraved gemstones and signet rings are generally studied by archaeologists for their iconography and accordingly are usually represented in publications as photographs of their impressions, with a few token black and white... more
"Roman engraved gemstones and signet rings are generally studied by archaeologists for their iconography and accordingly are usually represented in publications as photographs of their impressions, with a few token black and white photographs of the ring itself. By preferencing their motifs and their art historical significance it is easy to overlook other aspects of the materiality of signet rings.
In the Roman period a signet ring was both a personal object worn upon the body and also a very public symbol of its wearer’s status, entwined with their identity and sense of self. A sensual approach to studying these objects can offer a deeper understanding of their function in society, and what they meant to the individuals who owned them. For instance gemstones were believed to possess different magical properties depending on their colour and translucency. The gleam of precious metals and the sparkle of different gem would also have had an important role in how visible they were when worn. Beyond vision, we can consider how it would have felt to wear an iron ring, for those who could not wear gold. Even the sense of taste had its part in the daily use of these objects.
Their role in sealing also meant that signet rings had the ability to extend a wearer’s authority and sense of self beyond the reaches of their senses, wherever they impressed their seal in the world around them."
In the Roman period a signet ring was both a personal object worn upon the body and also a very public symbol of its wearer’s status, entwined with their identity and sense of self. A sensual approach to studying these objects can offer a deeper understanding of their function in society, and what they meant to the individuals who owned them. For instance gemstones were believed to possess different magical properties depending on their colour and translucency. The gleam of precious metals and the sparkle of different gem would also have had an important role in how visible they were when worn. Beyond vision, we can consider how it would have felt to wear an iron ring, for those who could not wear gold. Even the sense of taste had its part in the daily use of these objects.
Their role in sealing also meant that signet rings had the ability to extend a wearer’s authority and sense of self beyond the reaches of their senses, wherever they impressed their seal in the world around them."
Research Interests:
Research Interests:
This talk will explore the use of signet rings and engraved gemstone intaglios in the Midlands of Roman Britain. Reference will be made to the earliest recovered gems, which like several objects in the Hallaton Treasure may have reached... more
This talk will explore the use of signet rings and engraved gemstone intaglios in the Midlands of Roman Britain. Reference will be made to the earliest recovered gems, which like several objects in the Hallaton Treasure may have reached Britain before the Roman conquest. A particular focus will be on the role of rings with religious or apotropaic associations, in tune with the theme of this year's conference.
Research Interests:
A lecture for the general public on how Roman engraved gems can speak volumes about the ancient people who wore them, focusing on local examples.
It has long been suggested that immigrant gem engravers could have been responsible for producing the dies used to mint coins in late Iron Age Britain. The images chosen for use on coins certainly included designs that do not occur on... more
It has long been suggested that immigrant gem engravers could have been responsible for producing the dies used to mint coins in late Iron Age Britain. The images chosen for use on coins certainly included designs that do not occur on Roman issues, and it is possible that some were inspired by the gems used in signet rings. Some have assumed this meant British rulers simply copied images from the sealings attached to letters they received from within the Roman world. However, there is now increasing evidence for signet rings and engraved gems having reached parts of Britain before the Roman invasion, and it is likely that some elite individuals wore such rings themselves. If so, this raises many interesting questions about how such rulers viewed themselves and presented their power to others. In the Roman world such rings set with intricately engraved gems were a central element in the construction of elite identity, but what did they mean to Iron Age Britons? This paper will discuss the evidence for signet rings in this period, and attempt to demonstrate that the individuals who chose to wear them did so not just to imitate a Roman fashion.
Research Interests:
"This paper will outline how we can begin to theorise the use of signet rings and engraved gems in Roman Britain. I will consider the importance of sealing practices in Roman society, with archaeological examples from Britain. Passages... more
"This paper will outline how we can begin to theorise the use of signet rings and engraved gems in Roman Britain. I will consider the importance of sealing practices in Roman society, with archaeological examples from Britain. Passages from the ancient authors will also be used to highlight the way signet rings were strongly associated with particular people and their public personas. I will argue that signet rings and their engraved gemstone settings present us with an under-utilised resource for studying the way individuals constructed and presented their identities in the province. Such potential can only be realised by treating these objects as archaeological artefacts, with an integrated approach to their materiality, and careful recording of their deposition.
Part of the session: Minima Maxima Sunt: realising the theoretical potential of Roman small finds, organised by myself and Anna Walas.
For any questions on this paper or the session you can discuss via the TRAC Community forum:
http://trac.org.uk/community/forums/topic/panel-minima-maxima-sunt/
"
Part of the session: Minima Maxima Sunt: realising the theoretical potential of Roman small finds, organised by myself and Anna Walas.
For any questions on this paper or the session you can discuss via the TRAC Community forum:
http://trac.org.uk/community/forums/topic/panel-minima-maxima-sunt/
"
Research Interests:
Roman signet rings are one of the great under-studied artefacts of Roman civilization, yet they can allow us a window into many realms of ancient daily life. As decidedly high status objects, often made of silver or gold and encrusted... more
Roman signet rings are one of the great under-studied artefacts of Roman civilization, yet they can allow us a window into many realms of ancient daily life. As decidedly high status objects, often made of silver or gold and encrusted with intricately carved exotic gemstones they have been ignored in recent ‘bottom up’ scholarship of the Roman Empire. However, for those who could afford them, a signet ring was at the core of how individual identities were constructed and presented to others. The range of imagery utilised for Roman signets is vast, second only to coinage and provides an insight into many aspects of their wearer’s everyday life, from leisure, love and marriage, to religious devotions, military life and slavery. As an object of jewellery they would have featured in the outfits of daily attire, but as a functional object they also had roles in the sealing of letters, contracts other important documents, and in the management of the household, through the control of access to provisions and stores. In the past these beautiful artefacts have often been valued largely as objets d’art, but with more and more examples from well-documented archaeological contexts we can begin to see how they fitted into patterns of everyday life in Roman Britain.
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Research Interests:
The gem is now in Salisbury & South Wiltshire Museum but originating in the Pitt Rivers Museum at Farnham, Wiltshire. It is a rare example of a Roman intaglio engraved with the image of a Roman military musician. It was purchased at... more
The gem is now in Salisbury & South Wiltshire Museum but originating in the Pitt Rivers Museum at Farnham, Wiltshire. It is a rare example of a Roman intaglio engraved with the image of a Roman military musician. It was purchased at Sinzig in Germany in the late nineteenth century.
Research Interests:
Research Interests:
The 25th anniversary Theoretical Roman Archaeology Conference is to be held at the University of Leicester from Friday March 27th to Sunday March 29th, 2015. Proposals are now invited for conference sessions. Sessions are normally 3... more
The 25th anniversary Theoretical Roman Archaeology Conference is to be held at the
University of Leicester from Friday March 27th to Sunday March 29th, 2015. Proposals are
now invited for conference sessions.
Sessions are normally 3 hours 30 minutes long and consist of five presentations and a
discussion. Those wishing to organise sessions should submit an abstract of no longer than
350 words detailing the proposed topic, content and aims, together with contact details of
the chair, two confirmed speakers, and the titles of associated papers. Each confirmed
speaker included in the proposal should provide an abstract of no longer than 250 words for
his/ her presentation. Session chairs are reminded that successful session proposals will be
advertised to encourage other speakers to apply to join their session. We welcome sessions of
all kinds, but all should engage with aspects of current theory and practice in the field of
Roman Archaeology, particularly those with innovative new approaches or that are
controversial in nature. An individual call for papers and posters will follow in September,
after the sessions have been approved. All submissions will go through a peer review process.
Session proposals must be submitted by September 5th, 2014. They should be sent by email
to the organising committee: [email protected]
University of Leicester from Friday March 27th to Sunday March 29th, 2015. Proposals are
now invited for conference sessions.
Sessions are normally 3 hours 30 minutes long and consist of five presentations and a
discussion. Those wishing to organise sessions should submit an abstract of no longer than
350 words detailing the proposed topic, content and aims, together with contact details of
the chair, two confirmed speakers, and the titles of associated papers. Each confirmed
speaker included in the proposal should provide an abstract of no longer than 250 words for
his/ her presentation. Session chairs are reminded that successful session proposals will be
advertised to encourage other speakers to apply to join their session. We welcome sessions of
all kinds, but all should engage with aspects of current theory and practice in the field of
Roman Archaeology, particularly those with innovative new approaches or that are
controversial in nature. An individual call for papers and posters will follow in September,
after the sessions have been approved. All submissions will go through a peer review process.
Session proposals must be submitted by September 5th, 2014. They should be sent by email
to the organising committee: [email protected]