Two relative newcomers to Team Lanthimos reflect on learning to trust the process.
Willem Dafoe and Hong Chau lay out the particulars of Yorgos Lanthimos’s method with actors.
Emma Stone and Jesse Plemons attempt to decipher the codes and meanings in Kinds of Kindness.
The co-writers of Kinds of Kindness reflect on their enduring partnership and putting their characters through the ringer.
After getting his motorcycle license and pondering the story for two decades, the director of The Bikeriders explains what drew him to Danny Lyon's iconic photobook documenting the lives of a 1960s motorcycle gang.
By Simon Bland
Two decades on from an unlikely cultural phenomenon, the star of Jarred Hess's lo-fi cult classic talks Moon Boots, Jamiroquai and doing his own stunts.
As Sam Mendes gears up to make his behemoth Beatles biopic, the director of 1994 early-Beatles drama Backbeat reflects on the story of Stuart Sutcliffe – the Beatle who wasn't.
We go behind the scenes on the cover of LWLies 103: The Kinds of Kindness Issue with comic artist and illustrator Tom Humberstone.
By Esmé Holden
The filmmaker reflects on her sophomore feature film, I Saw the TV Glow, in which two teenage outsiders find comfort in a mysterious television series.
The Italian filmmaker on the magical mystery tour into the past that makes up her gorgeous latest, La Chimera.
The director of the storming after hours classic-in-the-making, Love Lies Bleeding, on the strange worlds of crime and bodybuilding.
The trio at the heart of Luca Guadagnino's racy tennis drama tell all about summer camp, short shorts, and their formative Guadagnino experiences.
We catch up with the Italian provocateur behind Challengers: the sports drama starring Zendaya, Josh O'Connor and Mike Faist, that's getting pulses raising around the world this spring.
On the occasion of his highly anticipated and long-awaited fourth feature film, we receive an audience with the master of Spanish cinema, who reflects on the long journey that Close Your Eyes had.
We go behind the scenes on the cover of LWLies 102: The Challengers Issue with illustrator, Swedish artist and graphic designer Petra Eriksson.
By Leigh Singer
The star of Martin Scorsese's down and dirty 1985 runaround reflects on the strange journey of getting After Hours made and how Spielberg and De Palma influenced the film's ending.
The married duo behind Drive-Away Dolls bicker about Russ Meyer and reveal their plans for queer comedy genre movie domination.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
