oh, here! I’m not open for proper commissions, just these sketchy half-body ones

I would say at this point, where I’ve met the amount I needed, that I would prefer to do commissions with at least one character I know how to draw. You might win me over, though.
As for nsfw… it depends! I would likely add a charge for complexity, depending on what was wanted.

whatt, that is so so sweet thank you!!!

Tbh most of it comes through practice. The main thing I think is important to figure out is how much text you personally fit onto a comic page. That way you can look at the script and split it into pages. Its much easier to start thumbing when you have a set amount to work from.

On standard pages I generally aim for 5/6ish panels- a page splits fairly well into three rows of varying sizes, and you can chop those rows up to get some interesting shapes. Even my weird wiggly ones kind of fit the three row idea.

So uh, if I’m doing it for myself it’s much more interesting for me if I get to make decisions while I’m inking, instead of making a detailed sketch and copying over in ink. I vaguely plan the bubbles and panels, and get the character sizes/angles down to make sure it looks interesting and flows well. Before I ink I usually add the text (It often bites me in the ass if I don’t.) 

It’s a bit like going from thumb to final without a sketch. I don’t draw Much but I do figure out the flow of the bubbles, and the size/angle of the figures so it’s not boring.

If its for something professional I go into much more detail, and also have a real thumb stage where I try out different layouts etc.

Honestly it’s probably helpful to find some guides to making comics, there’s so much to learn that will help with decision making! Idk tho, even two squares with some text is a comic, and you can always start there! Some of the best comics are really simple.

getting there, its just slow! I have 6 pages for this one and I can only do it on evenings