in Barocco Padano 8. Barocco padano e musici francescani. L'apporto dei Maestri Conventuali. Atti del XVI Convegno internazionale sul barocco padano (2013), Padova, Centro Studi Antoniani, 2014 (Centro Studi Antoniani, 55; Contributi musicologici del Centro ricerche dell'A.M.I.S., 20), pp. 215-248, 2014
Le impenetrabili vicissitudini delle fonti della musica del passato sembravano averci consegnato ... more Le impenetrabili vicissitudini delle fonti della musica del passato sembravano averci consegnato solo una modesta parte dell’opera del frate Conventuale milanese Giovanni Battista Cesati, maestro di cappella nella città natale, a Bologna e a Torino. Il ritrovamento di un esemplare completo della raccolta mottettistica Sacra Melodia op. I stampata nel 1655 consente di riflettere in maniera più compiuta su una figura emblematica sia di uno specifico contesto di produzione e consumo delle composizioni sacre, sia delle modalità di circolazione della musica e dei musicisti nell’ambito del repertorio sacro della prima modernità.
Only an incomplete copy of the motets of Sacre Muse (1659) had survived until now to witness the compositions of the milanese conventual friar Giovanni Battista Cesati, maestro di cappella in his own city and also in Bologna and Turin. The discovery of a complete copy of a previously virtually unknown collection of motets printed in 1655 (Sacra Melodia op. I) allows us to take a more comprehensive look at a musician which can be considered as a symbolic figure of a particular context of production and use of sacred works, as well as of the circulation of music and musicians in early modern Italy.
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Introduction and scores.
Convegno internazionale, Venezia, Fondazione Ugo e Olga Levi, 27-28 gennaio 2023
https://www.fondazionelevi.it/event/adriano-banchieri-musico-universale/
Anatomia di un inquisitore. Frate Pietro da Verona – san Pietro martire, Università degli Studi di Milano, 21-22 novembre 2022, Sala Napoleonica, via Sant’Antonio, 12
vedi https://webmagazine.unitn.it/evento/lettere/98897/gli-enigmi-di-giuditta-tavolo-drammaturgico-musicale
Only an incomplete copy of the motets of Sacre Muse (1659) had survived until now to witness the compositions of the milanese conventual friar Giovanni Battista Cesati, maestro di cappella in his own city and also in Bologna and Turin. The discovery of a complete copy of a previously virtually unknown collection of motets printed in 1655 (Sacra Melodia op. I) allows us to take a more comprehensive look at a musician which can be considered as a symbolic figure of a particular context of production and use of sacred works, as well as of the circulation of music and musicians in early modern Italy.
How was work done, ho did income accumulate, and how was business conducted in pre-industrial societies? Though the experiences described in this book, the reader will discover a series of features distinguishing the various forms of work. Some are well-know, others perhaps less so, but all fall into three spheres: diversification of sources of income, creation of networks of contacts (professional and familial, political and religious), and the adoption of complex business strategies.
Introduction and scores.
Convegno internazionale, Venezia, Fondazione Ugo e Olga Levi, 27-28 gennaio 2023
https://www.fondazionelevi.it/event/adriano-banchieri-musico-universale/
Anatomia di un inquisitore. Frate Pietro da Verona – san Pietro martire, Università degli Studi di Milano, 21-22 novembre 2022, Sala Napoleonica, via Sant’Antonio, 12
vedi https://webmagazine.unitn.it/evento/lettere/98897/gli-enigmi-di-giuditta-tavolo-drammaturgico-musicale
Only an incomplete copy of the motets of Sacre Muse (1659) had survived until now to witness the compositions of the milanese conventual friar Giovanni Battista Cesati, maestro di cappella in his own city and also in Bologna and Turin. The discovery of a complete copy of a previously virtually unknown collection of motets printed in 1655 (Sacra Melodia op. I) allows us to take a more comprehensive look at a musician which can be considered as a symbolic figure of a particular context of production and use of sacred works, as well as of the circulation of music and musicians in early modern Italy.
How was work done, ho did income accumulate, and how was business conducted in pre-industrial societies? Though the experiences described in this book, the reader will discover a series of features distinguishing the various forms of work. Some are well-know, others perhaps less so, but all fall into three spheres: diversification of sources of income, creation of networks of contacts (professional and familial, political and religious), and the adoption of complex business strategies.
BRESSANONE / BRIXEN
Facoltà di Scienze della Formazione / Fakultät für Bildungswissenschaften
Casa Missionaria / Missionshaus
Viale Ratisbona, 16 - Regensburger Allee 16
Esperienze musicali e repertori polifonici: modelli di diffusione e circolazione a cavaliere delle Alpi (sec. XVI-XVIII)
Una giornata di studi insieme a specialisti della musicologia provenienti da diverse università europee per esporre, confrontare e dibattere nuove ricerche intorno a temi affascinanti – e dagli sviluppi spesso imprevedibili – quali la circolazione di una molteplicità di repertori musicali, lo scambio fra tradizioni e sperimentazioni, l’incontro fra creazione e pratica della musica, sempre curiose di arricchirsi nella scoperta di quanto avviene nelle terre limitrofe.
Musikalische Praxis und Repertoire polyphoner Musik nördlich und südlich der Alpen vom 16. bis zum 18. Jahrhundert
In der Tagung werden die neuesten Forschungen zum Austausch und Einfluss der Musiker, der Musiken und der musikalischen Aufführungspraxis innerhalb der Region nördlich und südlich der Alpen von Experten vorgestellt und diskutiert.
Das Buch, von der Freien Universität Bozen finanziert, ist in Zusammenarbeit zwischen den Universitäten Bozen und Trient in der Reihe Monumenta Liturgiae et Cantus (hrsg. von Marco Gozzi und Giulia Gabrielli) erschienen.
http://www.accademiafilarmonica.org/filarmonica/en/convegno-internazionale-2018