Vincent Van Gogh once said, “I often think that the night is more alive and more richly colored than the day.” And if he hadn’t have died about 120 years before the formation of the Seattle-via-Texas trio known as The Night Beats, we’d think for sure he was referring specifically to their brand of psychedelic stomp. (Of course, there’s also the whole missing ear thing, which may or may not have kept the painter from falling head-over-heels for ugly garage rock.)
The band’s growing collection of razor-edged, soulful psych-slices brings to mind the night, both the darkness and “richly colored” parts, in a way that recalls the perfection of short, stabbing songs like “Cry in the Night” by (like Van Gogh) another bit of Dutch weirdness, Q’65.
We caught up with all three band members - Lee Blackwell, James Traeger, Tarek Wegner - as they continued working on their night moves, in advance of Austin Psych Fest 3.
We understand that you moved to Seattle from Austin. What differences (aside from climate) have you noticed from the perspective of making music in the two different cities?
James Traeger: Seattle’s bands work together more here. Austin does to an extent, but yeah, Seattle wants to push other bands as much as their own, it feels.
Lee Blackwell: I came from Dallas for the most part, where there’s no underground or desire to break the mold. Deep Ellum will live again!
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