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RT on DVD & Blu-Ray: Brave, Savages, and The Watch

Plus, an acclaimed doc, a couple of new Criterions, and a classic epic on Blu-ray.

This week on home video, we've got a pretty big variety to choose from. The best we have to offer ranges between a solid Pixar effort, an engrossing documentary, and a few classics. Then we have a few films that left critics largely undecided, and lastly there's at least one misfire that's at least an interesting misfire. See below for the full list!

Brave

78%

The pressure we place on Pixar to continue churning out winners is almost unfair, even if they have proven themselves quite capable of doing so. While their latest outing, Brave, didn't score among their top efforts, it still proves they know how to put together a solid movie. Kelly Macdonald voices Merida, an impetuous Scottish princess whose defiance of age-old traditions causes unrest in her land. In an effort to right her wrongs, Merida bargains with an old witch (Julie Walters), enacting a curse that tests her... bravery. Beautiful animation (people loved that hair of hers) and a strong voice cast help Brave overcome a relatively standard fairy tale en route to a Certified Fresh 78% on the Tomatometer. It probably won't go down as a Pixar "classic," but it's certainly worthy of the canon.

Savages

51%

Oliver Stone is best known for his controversial and often politically charged films (see: JFK, Comandante, W.), but every once in a while he'll helm a project just for fun, or so it would seem. Savages is one of those projects, a lurid thriller about drugs and gangs with big name stars chewing the scenery. Ben (Aaron Johnson) and Chon (Taylor Kitsch) run a profitable weed business in Southern California; when they refuse to bow to the wishes of a Mexican drug cartel looking to move north, the cartel kidnaps their lady friend (Blake Lively), and so begins a small scale war. This is all grimy stuff, and the cast is padded out with names like Benicio Del Toro, Salma Hayek, John Travolta, Uma Thurman, and Demian Bichir, but critics had trouble connecting with the characters through all the mayhem; as such, it split opinions right down the middle at 51%.

The Watch

17%

We want to be sensitive here, so we'll start by saying the Trayvon Martin shooting back in February was tragic and heartbreaking. Part of the natural response to the event was to scrutinize neighborhood watch groups across the country, and so it goes without saying that The Watch -- then known as Neighborhood Watch -- had to call a very public audible in its marketing campaign, which had gotten underway literally just days after the shooting. Instead of focusing on the comedic foursome who comprised "the watch" (Ben Stiller, Vince Vaughn, Jonah Hill, and Richard Ayoade), the campaign shifted to focus on its story, that of a suburban alien invasion and the regular dudes who rise up against it. Unfortunately, according to critics, it wasn't the marketing that doomed the film; most found it uncommonly crude and vulgar, lazily written, and scarcely as funny as it should have been, considering its cast. You may take your chances if you wish, but at a measly 17% on the Tomatometer, you're going to have to love watching Vaughn and Hill ad-lib the script.

The Queen of Versailles

95%

Regardless who won last week's presidential race, it was probably a smart move to release this film on home video just a week later. Touching on economic themes that reverberated throughout both major campaigns in different ways, The Queen of Versailles is not only a portrait of "The American Dream," but also an examination of what it looks like when it's a little out of control. The subjects of this documentary are timeshare mogul David Siegel and his wife Jackie as they begin construction on what would be the largest domestic home in the US. Suddenly, as economic crisis hits the country, the Siegels are faced with new challenges that will change their perspectives and their lifestyles. Critics overwhelmingly found The Queen of Versailles an engrossing family portrait that manages to treat its subjects with compassion, even as it marvels at their extravagance. Certified Fresh at 95%, it's a rags-to-riches-to-rags story that might just surprise you.

Vamps

53%

If you thought to yourself, "Wait, didn't this movie just open in theaters a little more than a week ago?" you'd only be partially correct: Vamps opened in A theater on November 2. Also, unless you're an avid reader of Critics Consensus with a photographic memory, or a huge Amy Heckerling fan, why would you know that? Yes, it's a sign of the times when the director of Fast Times at Ridgemont High reteams with her Clueless star Alicia Silverstone to do a rom-com about modern-day vampires, and it's released on home video a week after it opens in a theater. For what it's worth, critics didn't think it was all bad; while most agreed that Vamps doesn't take many chances with its material, some felt the humor landed more often than not, and others claimed it felt too much like a sitcom. At 50%, it might work for you if you're a fan of Heckerling's style.

Trilogy of Life - Criterion Collection

98%

Italian polymath Pier Paolo Pasolini is probably best known on these shores for the surprisingly devout The Gospel According to St. Matthew and the notoriously depraved Salò, or the 120 Days of Sodom. In between those successes, however, the director adapted a trio of folkloric works to the big screen; know as the Trilogy of Life, Pasolini's The Decameron (1970), The Canterbury Tales (1971), and Arabian Nights (1974) are subversive, bawdy, and darkly humorous takes on a trio of literary classics that satirize modern mores with visual flair. Criterion packs all three into a sparkling new Blu-ray set, one that includes tons of archival material, including documentaries about Pasolini and the films, interviews with cast and crew members, and deleted scenes.

Weekend - Criterion Collection

95%

One of French iconoclast Jean-Luc Godard's career high-water marks, this alternately surreal and blackly funny movie brings any sense of '60s optimism to a (car) crashing halt, charting the ill-fated adventure of a blithely bourgeois couple as they journey deep into the backwoods of a society teetering on the brink of apocalypse. The good times begin with a legendary, seemingly endless pile up of wrecked cars on a motorway (a tracking shot every bit as great as its reputation) and descend into society's metaphorical (and literal) cannibalism, with Godard bruisingly acerbic and playful in equal measure. ("End of Cinema / End of World," he proclaims, never one for understatement.) Criterion's new Blu-ray edition features a digital restoration, a new video essay and archival interviews, plus vintage interviews with Godard and an essay booklet. Essential stuff.

Lawrence of Arabia 50th Anniversary Collector's Edition

98%

The Best Picture winner of 1962, Lawrence of Arabia is David Lean's masterpiece, and a film that practically defines the term "epic." That said, it's also a movie you absolutely, positively shouldn't watch on your cell phone. If you can't catch it on a big screen, your next best bet is probably the Lawrence of Arabia (50th Anniversary Collector's Edition), an exhaustive three- Blu-ray-disc set that includes a new transfer of the film and oodles of goodies for cinephilpes. Featuring interviews with star Peter O'Toole, fans Martin Scorsese and Steven Spielberg, plus making-of featurettes, documentaries, and never-before-seen deleted scenes, the Collector's Edition also includes a coffee table book and a CD of the film's score.

Also available this week:

Written by Ryan Fujitani, Tim Ryan, and Luke Goodsell

Comments

Tino Pecchia

Tino Pecchia

Tomorrow getting Brave on Blu-ray and then seeing Wreck-it-Ralph.

Nov 12 - 05:04 PM

Janson Jinnistan

Janson Jinnistan

WOW! Great reissues this week. "Weekend" is one of my favorites, the best Godard, and one of the best French New Wave, and one of the best films of its decade. Godard's most successful mockery of civilization. Any chance to catch him in interview clips is a gift.

And deleted scenes from "Lawrence of Arabia"? Cool as a glass of lemonade. Both of these are MUSTS in the library of any serious collector.

But I'm also interested in see the Pasolini's. I have less experience with his movies, seeing only a few yet. That's either a rental or library scoop. I've seen some great images from his "Arabian Nights". Can't wait for that one.

"Savages" was better than these miserable critics want to admit. It won't be considered one of Stone's classics, but there's a surprising amount of social jokes packed in it. And Blake.

Speaking of the Graphic Novel of "Watchmen", I really enjoyed the motion-animated feature that was released on the other DVD set. Although it has flaws due to budget (one voice actor, poor sound and music), it actually is a fairly great demonstration for the visual power and genius of the book, and shows how the film sometimes suffered where it made unnecessary deviations from its storyboards. The biggest flaw was including the word bubbles, which proves very distracting as, unlike subtitles, they appear all over the screen.

I'm still pissed that I watched "21 Jump Street" recently, and all you dumb-asses saying what a good movie it was. It was horse-shit, and you know it. I will not be so fooled into watching "Watch".

Nov 12 - 05:16 PM

Mohd Syafiq Bin Jabaruddin

Mohd Syafiq Bin Jabaruddin

Who are these people saying that The Watch is good? Nobody had much hope for it since the beginning.

21 Jump Street actually was enjoyable. I would like more films about adults realizing that things change all the time.

Nov 12 - 09:45 PM

Janson Jinnistan

Janson Jinnistan

Adults? I'm not sure I saw any adults in that movie. Frat boys and fat punks. Check. And is it so mind-blowing to realize that things change? I would imagine that's a crucial prerequisite to adulthood. You know there's a film called "Things Change" right? Watch "Weekend" for a film about adults realizing all sorts of changes about things.

Nov 13 - 10:22 AM

Christopher Kulik

Christopher Kulik

You didn't even like the Johnny Depp cameo? "Tough titty, I f*cked her too!"

Nov 14 - 02:24 PM

Andrew Brinkerhoff

Andrew Brinkerhoff

I didn't think 21 Jump Street was all that funny, but I will admit it had heart. I can easily pass on The Watch.

Nov 13 - 01:18 PM

King  S.

King Simba

Is it just me, or does it feel like people here don't know what an opinion is.

Nov 14 - 04:50 AM

Sean D.

Sean D

I unfortunately did not get the chance to see Savages in theatres. However, I did hear that it is more "Oliver Stone-y" than some of his latest work (I will say I liked "W"... but he was on thin ice after that trash he had the gall to call a sequel to Wall Street). Were I not between jobs, I would have purchased it, and Week-End for sure. Alas, I will just have to treat myself later. ;)
As for 21 Jump St, I would still give it a shot. When I heard that The Watch was actually about aliens, I nearly threw up in my mouth.

Nov 14 - 01:30 PM

Sean D.

Sean D

And that Lawrence of Arabia set sounds PIMP. David Lean is always amazing, though. Even his early work with Noel Coward is strong stuff.

Nov 14 - 01:33 PM

Kriftonucci

Jim Ylonen

I'm convinced: Somewhere out there, a jealous a-hat probably death threatened Lasseter or Bird if they kept up their streak of awesome animation. That or they lost a bet and Larry the Cable Guy wasn't even supposed to exist for Cars to be at least okay.

I want to see Savages. It looks like a film Tarantino and Rodriguez would make together to let out steam. I wonder if it's worth watching.

Wow, 1962 was 50 years ago. That's old, man.

Nov 12 - 05:26 PM

Brad and Netflix

Bradly Martin

Really? I thought Larry the Cable Guy as Mater was the only good thing about Cars. I have not seen Cars 2 though. Though Lightening McQueen was unbearably annoying, then by the end of the film when he learned "his lesson" thought he was especially annoying.

Nov 12 - 06:38 PM

Kriftonucci

Jim Ylonen

Hehe, well if you like Mater, you're going to LOVE Cars 2 as it's mostly (if not strictly) centered on him.

Nov 12 - 07:05 PM

Brad and Netflix

Bradly Martin

Iunno, side show characters make pretty lame leads. Stranger Tides anybody? I forgot to respond to your second paragraph. I think The way you describe what the Savages could be is a perfect tagline. Missed out for not using it on the Poster.

Nov 12 - 07:28 PM

Kadeem S.

Kadeem Stewart

Dude, Bill and Ted's Excellent Adventure is out on Blu-Ray. Gotta buy it.

The Watch is one of the worst movies of the year = Pass

Brave = Great film, don't know if I'm choosing the perfect gift.

Nov 12 - 05:37 PM

Saetre

Saetre Saetre

I really have to check out Weekend. I'm not a big fan of Godard though.

Nov 13 - 01:26 AM

Dean Wirth

Dean Wirth

Lawrence of Arabia...the best epic movie ever made, I love it and I don't even like those old epics. Everybody must see this movie (well, I am getting a little carried away here, lol)

Nov 13 - 09:55 AM

Amr Khaled

Amr Khaled

I think The Watch is underrated. Iknow it wasn't as good as it should have been but at least it was fun.

Nov 13 - 12:11 PM

Jacob H.

Jacob Holmes

Brave is going on my Christmas wishlist. I actually enjoyed the short film La Luna more than the movie. It was like if Pixar and Studio Ghibli were inspired by the design of Super Mario Galaxy and made a collaboration. Simply fantastic.

Nov 13 - 12:19 PM

Andrew Brinkerhoff

Andrew Brinkerhoff

I think this week I'll just rent "Brave", give it a second watch, see all of "La Luna" since I missed the first half in the theater, and watch that new "Mor'du" short. Nothing else interests me. Seeing Skyfall tomorrow, though!

Nov 13 - 01:14 PM

Dave J

Dave J

For me, the "Trilogy of Life", "Weekened" and "The Queen of Versailles" look seldom watches so I'll acknowledge those films first. I also woud like to see "Brave" but I'm not worried since it's going to be a big seller and may be able to find a second hand copy!

Nov 13 - 02:48 PM

King  S.

King Simba

Getting Brave. I think the pressure on Pixar has been getting a little too much. Granted, it's understandable given that for four years running they made arguably the best film of the respective year (2007-2010), but still for most other animation studios Brave would be seen as being on the higher end of their films.

I'm actually curious about Vamps as Clueless was one of my favorite romantic comedies. Couldn't care less about Savages or The Watch.

Nov 14 - 04:49 AM

Christopher Kulik

Christopher Kulik

BRAVE: Like most of Pixar's films, so I will definitely check this out after passing on it in theaters.

SAVAGES: Another definite rental, even if it sounds like a mixed bag.

THE WATCH: I'm surprised you guys didn't mention how much an ATTACK THE BLOCK rip-off this was. One of the year's worst.

QUEEN OF VERSAILLES: This sounds interesting, if not original. Sure, I'll check it out as a 3rd rental if I catch it.

VAMPS: Okay, I proudly state that yes, I'm an Amy Heckerling fan: FAST TIMES AT RIDGEMONT HIGH, JOHNNY DANGEROUSLY, LOOK WHO'S TALKING, CLUELESS, I CAN NEVER BE YOUR WOMAN...all good films, although EUROPEAN VACATION, LOOK WHO'S TALKING TOO, and LOSER were pretty much, well, losers. (I'm still shocked at how incredibly sexist EUROPEAN VACATION is despite having a woman director.) As for VAMPS, I'll check it out inevitably on Netflix, although I'm sure it's going to be another loser as I've never really liked Silverstone (save CLUELESS, although that was admittedly tailor-made for its star), and, like many critics have noted, it's basically looks like little more than a sitcom. Still, considering the TWILIGHT plague is about to end, it might good choice to celebrate.

TRILOGY OF LIFE --- Speaking as someone with an MA in Education and a BA in English, I definitely want to check out this set despite the steep price (it's Criterion, I get it). I actually rented Pasolini's THE CANTERBURY TALES (which only films four of the 20+ tales) from a library when I was in high school and shocked at the sex scenes with Italian "actors" with uncircumcised schlongs in the John Holmes tradition. Obviously, I don't want to check out the others for that reason; many noted film historians and professors have provided excellent articles and critical essays on this trilogy.

WEEKEND: Shame to say I haven't entered the world of Godard yet; still working on Bergman, some silents, and eventually Pasolini's trilogy.

LAWRENCE OF ARABIA: I wanted to see the new 4K resolution but it was only available in select theaters. I guess I'm destined to check it out on DVD.

BILL & TED'S EXCELLENT ADVENTURE: Still one of the greatest comedies of the entire decade of the 1980s--and if I were a history teacher, I would show it to my students.

Nov 14 - 02:29 PM

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