Average Rating: 5.4/10
Reviews Counted: 72
Fresh: 36 | Rotten: 36
An uneven collection of found-footage horror films, V/H/S has some inventive scares but its execution is hit-and-miss.
Average Rating: 5/10
Critic Reviews: 20
Fresh: 9 | Rotten: 11
An uneven collection of found-footage horror films, V/H/S has some inventive scares but its execution is hit-and-miss.
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Average Rating: 3.1/5
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When a group of petty criminals is hired by a mysterious party to retrieve a rare piece of found footage from a rundown house in the middle of nowhere, they soon realize that the job isn't going to be as easy as they thought. In the living room, a lifeless body holds court before a hub of old television sets, surrounded by stacks upon stacks of VHS tapes. As they search for the right one, they are treated to a seemingly endless number of horrifying videos, each stranger than the last. -- (C)
R, 1 hr. 55 min.
Simon Barrett, Glenn McQuaid, Matt Bettinelli-Olpin, Tyler Gillett, Justin Martinez
Oct 5, 2012 Limited
Dec 4, 2012
$99.8k
Magnolia Pictures
All Critics (72) | Top Critics (20) | Fresh (37) | Rotten (36) | DVD (2)
The mostly played-out found footage aesthetic has its limitations, and V/H/S doesn't escape all of them. But the collected directors do manage to make many of those limitations into the films' strengths.
I came, I saw, I hunkered.
"V/H/S" probably sounded great in the pitch meeting, but it loses all luster through some shoddy execution.
Two hours of nausea-inducing shaky cam footage that fails to tell a coherent or engrossing central story.
The film also plays to the strengths of the found-footage format, proving that sometimes the scariest things are the ones you can barely see.
"V/H/S" puts the majority of today's mainstream "scary" movies to shame; perhaps the solution is to cut them all down to about 15 minutes, and fund them on a shoestring.
Screechy, surprising and, in places, proper scary, this glitchy genre mixtape puts invention ahead of attention span, representing a 4/6 victory for killer over filler.
V/H/S is a collection of tales of gender warfare that are scattershot, tasteless, and occasionally quite frightening.
The six segments vary in quality from awful to just bad, and at two hours the film is too long and too uneven to be a worthwhile watch.
Tiresome turkey seldom provokes anything but weary derision.
I don't care for this kind of horror film and I found it hard to watch. This film really creeped me out, and I guess that is what this kind of film is supposed to do.
With some work on the script and some polish, this could have been an interesting film. Instead, it's just an experiment with mixed results.
Much more stylish and novel, at this point, than the 'Paranormal' sequels and other studio-embraced found-footage shockers, the movie makes a virtue of the distressed yet esthetically pleasing look of old VHS tape, as well as Skype and other technologies.
Six short scary tales, heavy on the gore and often light on creativity.
Perhaps it's time to put the "POV, found footage" horror subgenre out to pasture, the way the western faded into obscurity.
The Filmmakers should've consulted one another re: their content-one more segment with a group of A-HOLES carrying on like the cast of JACKASS and my head may have exploded.
Pretty uneven, but it has a fresh spirit and it feels like these filmmakers want the final word on the found-footage horror craze. After six shorts full of shaky cam and thin plot lines, you might be ready to let them put it to rest.
If I owned this movie on a real VHS tape, I'd record over it.
It's not a bad concept, but the execution is predictably hit-and-miss.
Watching douche bags get their comeuppance loses its charms the fourth or fifth time through.
Unpleasant to watch and unoriginal evocation of "The Blair Witch Project" and J-Horror.
The quality is consistent... and all six segments come up with some genuinely spooky ideas.
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