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Frank Dux has spent most his life being trained by Tanaka to participate in the Kumite, the ultimate martial arts tournament, where participants are seriously injured, even killed. Frank ... See full summary »
Director:
Newt Arnold
Stars:
Jean-Claude Van Damme,
Donald Gibb,
Leah Ayres
This film tells the story of Chinese Martial Arts Master Huo Yuanjia (1869-1910). Huo Yuanjia was the founder and spiritual guru of the Jin Wu Sports Federation.
The story of Michael Oher, a homeless and traumatized boy who became an All American football player and first round NFL draft pick with the help of a caring woman and her family.
The life story of New Zealander Burt Munro, who spent years building a 1920 Indian motorcycle -- a bike which helped him set the land-speed world record at Utah's Bonneville Salt Flats in 1967.
Based on the story of Vince Papale, a 30-year-old bartender from South Philadelphia who overcame long odds to play for the NFL's Philadelphia Eagles in 1976.
Director:
Ericson Core
Stars:
Mark Wahlberg,
Greg Kinnear,
Elizabeth Banks
An emotionally self-destructive boxer's journey through life, as the violence and temper that leads him to the top in the ring, destroys his life outside it.
Set against the sexy, glamorous golden age of Formula 1 racing in the 1970s, the film is based on the true story of a great sporting rivalry between handsome English playboy James Hunt (Hemsworth), and his methodical, brilliant opponent, Austrian driver Niki Lauda (Bruhl). The story follows their distinctly different personal styles on and off the track, their loves and the astonishing 1976 season in which both drivers were willing to risk everything to become world champion in a sport with no margin for error: if you make a mistake, you die. Written by
P. Morgan
Alastair Caldwell, who plays an FIA (Fédération Internationale de l'Automobile) official in the film, was chief engineer and manager for the McLaren team during the depicted 1976 season. Caldwell acted as the main technical adviser to director Ron Howard on the shoot and is briefly portrayed by actor Stephen Mangan. See more »
Goofs
Throughout the film, OMP race suits are shown with the new OMP logo, which wasn't designed until 2012. See more »
Quotes
Lord Hesketh:
Men love women, but even more than that, men love cars.
See more »
Sono Una Donna, Non Sono Una Santa
Performed by Rosanna Fratello
Written by Eros Sciorilli and Alberto Testa
Courtesy of D.V. More Record Anno Di Regsitrazione See more »
His performance in Rush came as a huge surprise. This is his best performance by quite some margin, a role which he plays with a great deal of maturity and respect. He plays Hunt with just the right level of arrogance, cockiness, confidence and audacity to convince you that he was real life 70's playboy James Hunt, a man destined to live fast and die young.
Bruhl is superb as Niki too. It's a role that he deserves much recognition for, particularly his accent and mannerisms. Lauda was one of the first of a new generation of professional driver, driving the old playboy characters out of the sport and Bruhl nails this icy determination to succeed magnificently.
A particular nod goes to Christian McKay's portrayal as the slightly eccentric, petrol head extraordinaire, ever so aristocratic but hopelessly financially incompetent Lord Hesketh.
The camera work is spectacular, none less so than with some very creative angles of the beautifully filmed on track action. The brief in-helmet camera shots are inspired, giving you a glimpse of the drivers world. CGI work will be spotted by the keen eyed, but you have to consider that without it that there are certain scenes involving priceless period machinery (the sound of a Cosworth DFV firing up and filling the cinema was worth the ticket price alone) that would be just impossible to film as accurately as they were depicted here with real machinery. As a result, they are able to use the CGI sparingly and to good effect.
The main facts of the 1976 season are on the whole handled very accurately. Certainly, some liberties are taken with poetic licence, but this is still a scripted film and not a documentary. The factually heavy writing of the script along with beautifully filmed and liberal use of period machinery being recorded at pace on real asphalt will be enough to keep the fans of the sport well represented.
It's a gripping telling of the 1976 Formula 1 season, which whilst not sharing the same shear spectacle of Howard's other 'too unbelievable to be true' film Apollo 13, Rush tells a story which would be just too unbelievable in terms of human bravery and personal destiny for any fictional story to be given credence. It's a tale which will be enough to hold the unfamiliar or casual viewer's attention with a steel firm grip to see how the different personalities handle the pressures of life both on and off the track and how rising to the top takes it's tole on these two polar opposite real life gladiators of the race track.
With the lead actors clearly committed to giving their best performances yet and a tastefully handled script, Ron Howard delivers a visually impressive account of events that may well become one of his most respected directorial efforts yet.
10/10
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His performance in Rush came as a huge surprise. This is his best performance by quite some margin, a role which he plays with a great deal of maturity and respect. He plays Hunt with just the right level of arrogance, cockiness, confidence and audacity to convince you that he was real life 70's playboy James Hunt, a man destined to live fast and die young.
Bruhl is superb as Niki too. It's a role that he deserves much recognition for, particularly his accent and mannerisms. Lauda was one of the first of a new generation of professional driver, driving the old playboy characters out of the sport and Bruhl nails this icy determination to succeed magnificently.
A particular nod goes to Christian McKay's portrayal as the slightly eccentric, petrol head extraordinaire, ever so aristocratic but hopelessly financially incompetent Lord Hesketh.
The camera work is spectacular, none less so than with some very creative angles of the beautifully filmed on track action. The brief in-helmet camera shots are inspired, giving you a glimpse of the drivers world. CGI work will be spotted by the keen eyed, but you have to consider that without it that there are certain scenes involving priceless period machinery (the sound of a Cosworth DFV firing up and filling the cinema was worth the ticket price alone) that would be just impossible to film as accurately as they were depicted here with real machinery. As a result, they are able to use the CGI sparingly and to good effect.
The main facts of the 1976 season are on the whole handled very accurately. Certainly, some liberties are taken with poetic licence, but this is still a scripted film and not a documentary. The factually heavy writing of the script along with beautifully filmed and liberal use of period machinery being recorded at pace on real asphalt will be enough to keep the fans of the sport well represented.
It's a gripping telling of the 1976 Formula 1 season, which whilst not sharing the same shear spectacle of Howard's other 'too unbelievable to be true' film Apollo 13, Rush tells a story which would be just too unbelievable in terms of human bravery and personal destiny for any fictional story to be given credence. It's a tale which will be enough to hold the unfamiliar or casual viewer's attention with a steel firm grip to see how the different personalities handle the pressures of life both on and off the track and how rising to the top takes it's tole on these two polar opposite real life gladiators of the race track.
With the lead actors clearly committed to giving their best performances yet and a tastefully handled script, Ron Howard delivers a visually impressive account of events that may well become one of his most respected directorial efforts yet.
10/10