- Born
- Died
- Birth nameWilliam McChord Hurt
- Nickname
- Bill
- Height6′ 2″ (1.88 m)
- William McChord Hurt was born in Washington, D.C., to Claire Isabel
(McGill) and Alfred McChord Hurt, who worked at the State Department.
He was trained at Tufts University and The Juilliard School and has
been nominated for four Academy Awards, including the most recent
nomination for his supporting role in
David Cronenberg's
A History of Violence (2005).
Hurt received Best Supporting Actor accolades for the role from the Los
Angeles Film Critics circle and the New York Film Critics Circle.
Hurt spent the early years of his career on the stage between drama
school, summer stock, regional repertory and off-Broadway, appearing in
more than fifty productions including "Henry V", "5th of July",
"Hamlet", "Uncle Vanya", "Richard II", "Hurlyburly" (for which he was
nominated for a Tony Award), "My Life" (winning an Obie Award for Best
Actor), "A Midsummer's Night's Dream" and "Good". For radio, Hurt read
Paul Theroux's "The Grand Railway Bazaar",
for the BBC Radio Four and "The Shipping News" by
Annie Proulx. He has recorded "The Polar
Express", "The Boy Who Drew Cats", "The Sun Also Rises" and narrated
the documentaries, "Searching for America: The Odyssey of John Dos
Passos", "Einstein-How I See the World" and the English narration of
Elie Wiesel's "To Speak the Unspeakable", a
documentary directed and produced by
Pierre Marmiesse. In 1988, Hurt was
awarded the first Spencer Tracy
Award from UCLA.- IMDb Mini Biography By: W. Deal
- SpousesHeidi Henderson(March 5, 1989 - August 1, 1993) (divorced, 2 children)Mary Beth Hurt(December 2, 1971 - December 9, 1982) (divorced)
- ChildrenJeanne Bonnaire-HurtSamuel HurtWilliam Hurt
- ParentsClaire Isabel Hurt (McGill)Alfred McChord Hurt
- Slow mannered style of delivery
- Deep mellow voice
- He waived his salary for Kiss of the Spider Woman (1985) so the film could be made within its budget.
- Turned down the role played by Sam Neill in Jurassic Park (1993).
- Spoke French fluently.
- He was an avid private pilot with taildragger experience.
- He had a role in the since-suspended Gregg Allman biopic, Midnight Rider. Production was halted when one crew member was killed and seven others were injured when hit by a freight train on the first day of filming.
- I'm still not comfortable with all this. I'm not comfortable with
walking the red carpet in a tuxedo and seeing all the women with their
boobs pushed up and all the men dressed as penguins - particularly when
the subject of your film is the nature of violence and humanity. But
that's the nature of Cannes. That's the process that we are both
dealing with today. - The simple fact of existence, of being aware that you are aware; this
to me is the most astounding fact. And I think that it has something to
do with dying. When you are a kid you are beset by fears and you think,
'I'll solve the fear by living for ever and becoming a movie star.' But
I am not going to live for ever. And the more I know it, the more
amazed I am by being here at all. I am so thrilled by the privilege of
life, and yet at the same time I know that I have to let it go. - [on drinking] This is a big subject. And I don't want to use my troubles as an example of what to do and what not to do. But there's that old credo, in vino veritas. In wine lies truth. And a lot of people believe that. But one day you wake up and say, 'This is stupid and this is wrong.' And it was wrong, so I did something about it. It's a complete myth that living life on the edge is conducive to great acting. But it's also another myth to think that you should be as tight as a drum and not have any frailties or fragilities. So you have to find that balance. All I know is that my best work has come out of being committed and happy.
- A lot of people are taking those risks on the basis of something so
unconsidered that it's completely capricious. That's one of the reasons
why actors are not respected anymore as actors. - I am not an actor. I'm just a man who likes acting. I am what I am. I am nobody. I don't exist. But the work exists. The work is more than the actor.
- The Village (2004) - $1,250,000
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