Spirit Awards
“The Farewell,” “Uncut Gems” and Adam Sandler won big at 35th annual Spirit Awards, honoring the best in independent cinema. See the full winners list.
“The Farewell,” “Uncut Gems” and Adam Sandler won big at 35th annual Spirit Awards, honoring the best in independent cinema. See the full winners list.
Harley Quinn rules the way she did in “Suicide Squad” in a punk feminist superheroine action thriller that’s thin but lively.
A stage-managed but compelling Taylor Swift doc follows her rise to pop supernova, but mostly charts her offstage psychodrama.
The plot may be boilerplate in this revenge thriller, but Blake Lively sells it, playing an assassin who fights like a real person: badly.
Dealing with aspects of #MeToo and the Weinstein scandal, the film imagines a day in the life of a production company assistant.
“Mythic Quest: Raven’s Banquet,” a new comedy from the “It’s Always Sunny” team, has a sly bite behind every hilarious joke.
Lucy Hale lends charm to a winning CW series set in a fantasyland New York — and in the “Riverdale” universe.
The tale of the McDonald’s Monopoly-game heist was one hell of a story. Indeed, it seems to have been too much story for “McMillions.”
The series seems, at first, tentative. But it moves within three hours to a place that promises excitement and movement.
This hit London musical about Tina Turner, starring Adrienne Warren, takes Broadway by storm.
The musical by Howard Ashman and Alan Menken gets a starry, but small-scale Off Broadway revival starring Jonathan Groff.
Brian Cox (“Succession”) takes over from Bryan Cranston in Robert Schenkkan’s follow-up play to his Tony-winning “All the Way.”
“Almost Famous” fans get their backstage pass renewed via a stage musical adaptation in San Diego that feels familiar and refreshing.
Selena Gomez’s “Rare” is one of the best pop albums in recent memory, opening up a whole new lane for the 27-year-old singer.
Coldplay’s new double album “Everyday Life” revels in experimentation, but falls short of its effort to be deep.
The Pharrell Williams-produced “Hyperspace” is the best thing Beck has done since “Morning Phase.”
For her first album since her husband’s death, Dion goes straight for the heart in some songs, but slums in EDM in others.