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‘Cursed’

"13 Reasons Why" star Katherine Langford shows off charisma in a medieval series that feels a bit too modern.
‘Brave New World’

Alden Ehrenreich and Jessica Brown Findlay can't save a dystopian drama that doesn't know what kind of show it wants to be.
‘United We Fall’

Will Sasso and Christina Vidal Mitchell play modern parents in the new ABC sitcom "United We Fall."
‘Intelligence’

"Intelligence" occasionally finds moments of intrigue, but is more often content to plug along in its lane.

‘The Kissing Booth 2’

A young woman is once again torn between her head and heart in this follow-up to Netflix's teen romantic comedy juggernaut.
Critics Pick
‘Retaliation’

Orlando Bloom carries a film about the complex reverberations of abuse, delivering a career-best performance in this almost-lost indie.
‘The Rental’

In his first outing as a director, Dave Franco stages a weekend-house-getaway thriller with tense flavor and skill.
‘Radioactive’

Marie Curie gets her overdue biopic in a century-spanning drama illuminated by Marjane Satrapi's creative quirks.

Taylor Swift's 'Folklore'

It's hard to remember any superstar album that has represented a more serious act of sonic palette cleansing than Taylor Swift's "Folklore."
Logic's 'No Pressure'

If rapper Logic is retiring, as he says, "No Pressure" — which reunites him with ace producer No I.D. — is a solid sendoff.
Ellie Goulding’s ‘Brightest Blue’

"Brightest Blue" may be Ellie Goulding's best and most complete work, a lovelorn mess of emotions atop a mass of vibrant soundscapes.
Dehd's 'Flower of Devotion'

Awash with twang and reverb, "Flower of Devotion," from Chicago trio Dehd, is one of the most inspired rock records in recent memory.

‘Richard II’

Andre Holland leads the cast of a surprisingly intimate audio version of Shakespeare, from the Public Theater's Free Shakespeare in the Park.
‘The Line’

Meet the COVID-19 pandemic's first responders in this streaming docu-play about health care workers.
‘And So We Come Forth’

In Richard Nelson's latest Apple Family play, a Zoom call hums with virtual unease over generational shifts.
‘The Present’

Helder Guimarães' modest Zoom-based magic show brings audiences together nightly during lockdown.