Francis Ford Coppola’s disaster-struck Vietnam epic has had yet another recut
Antonio Banderas is among the other winners as contentious festival draws to a close
Cannes diary: Plus men in heels; Mickey and the Bear; The Traitor; and Mektoub, My Love – Intermezzo
Cannes diary: Vivarium, Tarantino, Oh Mercy, Seven Beauties, Matthias & Maxime
The BBC Films boss is adored by everyone from Rachel Weisz to Steve McQueen
Cannes 2019: Quentin Tarantino reviewed, early Oscar buzz, plus Isabelle Huppert in Frankie
Once Upon a Time… In Hollywood shows off a fascination with period detail and gift for cinematic texture
Cannes diary: Polanski’s latest film screens in secret; plus reviews of Portrait of a Lady on Fire and Young Ahmed
Cannes diary: Robert Pattinson stars in The Lighthouse; and a crowded market for mutts
Cannes diary: New fund for film-makers; Nicholas Winding Refn says the future is in streaming? Maybe we should just go home and watch telly
Cannes diary: Change comes slow for gender equality and Rocketman Taron tears up
Vivarium, an Irish science-fiction horror, has world premiere as part of International Critics Week at the film festival
Cinema is an increasingly puzzling market. So what counts as success for an Irish release?
Donald Clarke: The #sordidtruth about covering Cannes in the age of Twitter
Cannes diary: Jim Jarmusch, plus Sorry We Missed You, Bacurau and Les Misérables
Flying saucers turn out to be recurrent motif, as zombie comedy gets mixed reception
Cannes diary: Gender parity, populist politics, freebies and zombies. It’s all go already
Star-studded cast of Bill Murray, Adam Driver, Tilda Swinton and Chloë Sevigny light up red carpet
Every film screening at the 72nd edition of the world’s most celebrated film festival
Time will tell about the quality of the films – but the programme does not disappoint
The film, set in 1960s LA, stars Brad Pitt, Leonardo DiCaprio and Margot Robbie, will compete for Palme d’Or
Things were ‘getting weird’ on the set of the Han Solo film. So they changed director
Review: Moran’s trademark zingers and cheerfulness cross over to screen
Review: Andrea Riseborough works under a frozen frame in Zeina Durra’s new film
Review: Roy Andersson’s new film is just his sixth since his explosive debut in 1970
Review: Director makes no concessions to those with no knowledge of regional politics
Review: There may be more than meets the eye in this documentary about stolen artworks
Review: Elisabeth Moss anchors this eerie biopic of author Shirley Jackson with cutting wit
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