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The Black Path of Fear Paperback – July 12, 1982
- Print length160 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateJuly 12, 1982
- ISBN-100345304888
- ISBN-13978-0345304889
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Product details
- Publisher : Ballantine Books (July 12, 1982)
- Language : English
- Paperback : 160 pages
- ISBN-10 : 0345304888
- ISBN-13 : 978-0345304889
- Item Weight : 3.49 ounces
- Best Sellers Rank: #5,193,240 in Books (See Top 100 in Books)
- #277,212 in Mysteries (Books)
- Customer Reviews:
About the author
George Hopley-Woolrich (4 December 1903 – 25 September 1968) is one of America’s best crime and noir writers who sometimes wrote under the pseudonyms William Irish and George Hopley. He’s often compared to other celebrated crime writers of his day, Dashiell Hammett, Erle Stanley Gardner and Raymond Chandler.
Born in New York City, his parents separated when he was young and he lived in Mexico for nearly a decade with his father before returning to New York City to live with his mother, Claire Attalie Woolrich.
He attended New York’s Columbia University but left school in 1926 without graduating when his first novel, “Cover Charge”, was published. “Cover Charge” was one of six of his novels that he credits as inspired by the work of F. Scott Fitzgerald. Woolrich soon turned to pulp and detective fiction, often published under his pseudonyms. His best known story today is his 1942 “It Had to be Murder” for the simple reason that it was adapted into the 1954 Alfred Hitchcock movie “Rear Window” starring James Stewart and Grace Kelly. It was remade as a television film by Christopher Reeve in 1998.
Woolrich was a homosexual but in 1930, while working as a screenwriter in Los Angeles, he married Violet Virginia Blackton (1910-65), daughter of silent film producer J. Stuart Blackton. They separated after three months and the marriage was annulled in 1933.
Woolrich returned to new York where he and his mother moved into the Hotel Marseilles (Broadway and West 102nd Street). He lived there until her death on October 6, 1957, which prompted his move to the Hotel Franconia (20 West 72nd Street). In later years he socialized on occasion in Manhattan but alcoholism and an amputated leg, caused by an infection from wearing a shoe too tight which he left untreated, turned him into a recluse. Thus, he did not attend the New York premiere of Truffaut’s film based on his novel “The Bride Wore Black” in 1968 and, shortly thereafter, died weighing only 89 pounds. He is interred in the Ferncliff Cemetery in Hartsdale, New York.
Woolrich bequeathed his estate to Columbia University to endow scholarships in his mother’s memory for journalism students.
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What sounds like a convoluted plot comes across straightforward, as do many of our hero's escapades, as he winds his way through the labyrinthine streets and underworld - from dark, narrow alleys to decrepit opium dens - of Havana. There aren't many twists or surprises in Black Path of Fear, but that's not why one reads Woolrich; the focus of the story is on the main character's despair and loneliness, and how redemption, vengeance, or the occasional ally, do little to console those who have lost love.
The Black Path of Fear is my favorite title in the Black Series, for while likely intended to describe a lone man's flight from injustice or pursuit of justice, it can also stand as a description of life itself, and how all people are loners struggling to hang on to that brief glimmer of light that the rest of the world seems determined to extinguish at any given chance.
A young man runs away with a gangster's wife to Cuba. When they are barely off the boat, the ganster has his wife murdered, and now the young man is left framed for the murder in a country where he has no friends and doesn't speak the language. This story is his struggle to clear himself while staying out of the hands of the authorities, find the real killer(s), and exact revenge.
While it starts out as a very promising noir thriller, Woolrich's pulp magazine writing roots show through, and the action turns into a "fast-action whiz-bang", with the story-line moving at breakneck speed through opium dens, Cuba, and the United States. Fortunately, Woolrich was very good at writing whiz-bangs, and much noir remains in the story. It is a shame, though, that the story has an almost schizophrenic nature.
It's an enjoyable stor! ! y, but not one of Woolrich's best. By all means read it, but try to find some of his better "black" novels, such as "Rendezvous in Black", or his William Irish novels, such as "Phantom Lady", too.
The first part of the novel is great. Full of twists and turns and hair-raising escapes. However it bogs down seriously in the second half where Scotty is trapped in the villains lair. It gets confusing and ridiculously convoluted. It DOES recover at the end however. Still that section really slows it down. Still--worth getting. VERY short (under 200 pages).