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From Wikipedia, the free encyclopedia

Dorman Museum
Dorman Museum
Map
Established1 July 1904[1]
LocationLinthorpe Road, Middlesbrough
Coordinates54°33′52″N 1°14′27″W / 54.5644°N 1.2409°W / 54.5644; -1.2409
Nearest car parkStreet parking adjacent to museum
Websitewww.dormanmuseum.co.uk

Dorman Museum is a local and social history museum on the town centre side of Albert Park, Linthorpe in Middlesbrough, North Yorkshire, England. It is one of two museums operated by the local borough council, along with the Captain Cook birthplace in Stewart Park. As of May 2024 the museum remains closed for renovations.

The museum was founded by Sir Arthur Dorman of the Dorman Long engineering company in honour of his son George Lockwood Dorman,[2] who died of enteric fever at Kroonstad in the Second Boer War.[3]

At its official opening on 1 July 1904, the museum's theme was the natural sciences. Since then, galleries of the local Linthorpe Art Pottery, work by Victorian industrial designer Christopher Dresser, and Middlesbrough's history have eclipsed this early theme. Remnants of the original Victorian and Edwardian collection of taxidermied, plinth-mounted animals are in the Nelson Room; various taxidermied exotic birds in their original cases with decorative painted backgrounds and colourful and large birds' eggs.

YouTube Encyclopedic

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  • Contemporary Art Conservation at Smithsonian's Hirshhorn Museum
  • Museum Technicians and Conservators - Career Profile
  • Artist Talk with Amy Cutler
  • TEDxYouth@Columbus- Shashank Sirivolu- "Ideas abound"- 11/10/11
  • Middlesbrough

Transcription

I'm Gwen Ryan, and I'm the sculpture conservator at the Hirshhorn Museum and Sculpture Garden. The Hirshhorn Museum is the branch of the Smithsonian that houses primarily the modern contemporary collection. So you'll find things from early 20th Century spanning all the way to last week. We have two parts of our collection-- that that's housed indoors and then we also have our outdoor sculpture garden where you will find some of the most prominent artists of the 20th and 21st Century Contemporary artists still work with bronze and stone however, they also incorporate a lot of unusual an unconventional materials. You'll find things like chocolate or pollen or potentially art with live insects. There's a wide range of materials that you could find and they're not necessarily intended to keep use for artwork in the first place. So our role as a conservator is to look at that and say, "How can we continue to have this artwork last into posterity even though the materials themselves have inherent issues with their longevity?" One example of an artist working the materials that weren't necessarily intended to be incorporated into artwork and last into the centuries is Paul Thek. He was working in the late 60s with latex in 1969 he produced this piece, "Fishman" and adhered to the surface are replicas of fish also cut out of latex. So in the material has degraded to such a degree that we've already lost a couple of the fingers You can see the the internal material that's supporting the latex is so brittle that it's broken right off. KATE MOOMAW: "You know I think we might need to consider about his face them rather sunken in and distorted I don't know if there's anything that we can do to sort of correct that. It's a very delicate area. There's already a lot of tearing and repair work that needs to be done. GWEN RYAN: Yeah you can really see there is no flexibility in the material anymore. Our first step so far haa been to work with scientists at the Smithsonian's Museum Conservation Institute to do some analytical work on the material. We've taken samples such and such as this cross-section Which shows how the rubber is degrading. It has a very brittle exterior surface while on the interior you can see the original color of the material. It's also much more flexible on the interior When we approach the conservation of a work that is employing really unusual or unconventional material that might have an inherently low lifespan you know, we're talking just maybe even a couple decades, we have to consider the message or the intent of the artist is. Is it really about the original material or is it about the experience of viewing the piece? What part of the artwork is important for us to preserve? When it comes to something like rubber or latex that only has the life span of a few decades, we do have to weigh preserving it, which would mean keeping it in an isolated dark environment, versus having it out on display. Putting something on display will naturally shortens life span but if that means that people get to see it, isn't that sort of the point?

Visiting the museum

The war memorial in front of the museum entrance

The Dorman Museum has eight permanent display galleries and a changing temporary exhibition spaces on the ground floor. Small exhibitions also take place within the ground floor corridor. Access to the upper floor is by the main staircase or lift.[4] The museum also has a Victorian style tearoom on the ground floor, named Dresser's Tea Room.[5]

Original collection

The original collection included items such as a stuffed and mounted eagle owl in the act of taking a hare; a stuffed lion in a "rampant" pose; and many birds' eggs, butterflies, and insects preserved under glass and in drawers, with covers over the glass to avoid the effects of light on the specimens. One particular specimen case contained a model, at least 100 times normal size, of a human head louse. At about the same time, the museum possessed a fossil of an ichthyosaur. There was also a stuffed ribbonfish, a few metres in length.

One of the first contributors to the museum was Henry Bolckow, founder of Middlesbrough's largest ironworks, Bolckow Vaughan, who paid for some stuffed birds in 1874.[6]

Christopher Dresser designs and Linthorpe Art Pottery wares

Dresser Cruet Set

Christopher Dresser was a pivotal figure in the Aesthetic Movement and deeply involved in the Linthorpe Art Pottery less than a mile from the museum which after the closure thus has the primary Dresser collection. This was backed by a Heritage Lottery Fund grant leading to the 2014-refurbished gallery. It showcases 160 works produced directly from his designs, as well as those produced by others influenced by his work, and the collection expands. The mostpart was bought from one collector – further helped by the Art Fund and the V&A's Purchase Grant Fund. The Linthorpe Art Pottery gallery covers the pottery's success, sources and lasting inspirations – by no means limited to ceramics.[7]

The museum runs an education and activity programme covering these vibrant and dynamic collections.

Other artefacts

Roseberry Topping hoard

Elgee's excavations

The museum has a library of journals and photographs by Frank Elgee during his excavations. Principally at the Bronze Age hillfort at Eston Nab and burial grounds at Loose Howe, also, a dug-out canoe recovered from the Tees 8-foot (2.4 m)deep in 1926 is on view. A green plaque dedicated to Elgee – curator between 1923 and 1932 – graces the entrance.[8]

Botanical collections

  • Herbarium of Margaret Stovin assembled between 1798 and 1850. Comprises two major sections:
    • British wild species (20 volumes)
    • Planted exotics (10 volumes)
  • The Rob, Hill and Chisholm collections amounting to 29 wallets of material.
  • The Thomas 2-volume collection of British grasses.[9]

Bronze implements

Replicas of the Roseberry Topping Bronze Age hoard, bronze axe- and spear-heads and the mould of a large axe head itself, ideal for making more axes from, are in a display case.

Coins and medals

1,900 items including commemorative medallions, badges and banknotes as well as coins and military medals. Collections include the Yearby hoard of 16th- and 17th-century coins, the Thorpe Thewles hoard of Henry II and Henry III silver pennies and the Middridge hoard of Edward I coins.[10]

Costumes and textiles

2,400 items of women's fashions from the 20th century including shoes, hats and accessories. There is also a small collection of uniforms, including military, childrenswear, under garments, sportswear and men's suits, and an additional collection of 130 items, mostly Victorian.[11]

Decorative arts, mainly ceramics and glass

340 items, mostly consisting of pieces from the Middlesbrough Pottery with some examples from other regional potteries and glass manufacturers. There is a small collection of pieces from the Bretby Art Pottery and Ault Pottery because of their connections with the Linthorpe Pottery. There is also a collection of 19th-century Japanese figures or okimono, possibly carved from walrus ivory.[12]

Geological collection

A fossil (natural history) and a geological collection of rocks and minerals exists.[13]

Photographs

This collection consists of about 3,500 prints, glass negatives and carte de visite, plus 2,190 lantern slides.[14]

1930s to 80s social, domestic and technological history

There are approximately 16,000 objects in the social history collections. The museum started to collect everyday objects in the 1930s, recognising that society was rapidly changing and old ways of life disappearing.[15]

World cultures

The museum's collection of around 1,500 artefacts from different world cultures has its origins in the colonial era. Sir Alfred Pease, in addition to his hunting trophies, also gave a collection of beadwork from North-East Africa. George Lockwood Dorman within his brief life had managed to collect ethnographical items from abroad, including Australia, New Zealand, Oceania – and South Africa when he was stationed there during the Boer War. These items formed an important part of the museum's founding collections.[16]

Zoological collection

These still represent the major part of the museum's holdings, numbering in excess of 150,000 specimens. The bulk of the collections are made up of invertebrates, especially molluscs and insects.[17] A popular seasonal item was a beehive in an acrylic glass case with an exit through a side window, allowing to seeing the bees at work.

Archive and ephemera

The museum has archived materials related to the wider collections. The ephemera collection spans the booming period of Middlesbrough and is wide-ranging, consisting of commercial printed materials such as posters, invoices, letterheads, and newspaper cuttings relating to Middlesbrough events and people.[18]

Permanent display galleries

The Nelson Room

20th Century Woman – Examining the major social and political changes of the last century and how they have shaped the lives of women in Middlesbrough.

Earth in Space – A look at how our planet has become and continues to be affected by cosmic, geological and biological forces.

Four Corners – The origins of the museum's collections and the persons behind the objects. Natural sciences, ethnography and archaeology are shown together according to their countries of origin.

H2O – A stimulating discovery space based around the theme of water with lots to handle and explore.

Linthorpe Art Pottery – A small pottery in late 19th-century Middlesbrough produced some of the most collectible art pottery, which became so popular that even Princess Alexandra purchased a turquoise Linthorpe Art Pottery vase. Much of the output was designed or influenced by Christopher Dresser and in its short 10-year life the pottery produced over 2000 different mould shapes, as well as winning two bronze medals and one gold medal at several national and international exhibitions.[19]

The Nelson Room – A 19th-century collection of mounted birds and eggs amassed by renowned local ornithologist Thomas Hudson Nelson who wrote The Birds of Yorkshire (1907), and has been maintained in its original Edwardian setting since it was bequeathed by Nelson's wife in 1918.[20]

Town in Time – The town of Middlesbrough was granted a charter in 1853 but its history stretches back thousands of years. Town in Time features two galleries crammed with artefacts and stories about the town and its people.

Lordship of Acklam Plan – Hanging in the double height space of the new Dorman Museum extension is a remarkable and unique historic plan. Measuring around 13 feet square this plan, painted on sailcloth, shows the extent and detail of the Lordship of Acklam Estates.[21]

References

  1. ^ "History of The Dorman Museum". The Dorman Museum. Archived from the original on 25 April 2015. Retrieved 2 November 2014.
  2. ^ "Richmond, 3rd Battalion, Yorkshire Regiment, Boer War Memorial". Roll-of-Honour.com. 7 June 2007. Retrieved 9 March 2012.
  3. ^ "Gravestones in South Africa: British Military Memorials". Dorman George Lockwood 1901. eGGSA. 20 June 2010. Retrieved 9 March 2012.
  4. ^ "Visit | Dorman Museum".
  5. ^ "Dorman Museum to close for Archives move". 28 February 2022.
  6. ^ "History of the Dorman Museum". Archived from the original on 6 January 2012. Retrieved 9 March 2012.
  7. ^ "Dorman Museum - Christopher Dresser Collection". Archived from the original on 11 December 2014. Retrieved 11 December 2014.
  8. ^ Dorman Museum http://www.dormanmuseum.co.uk/WWW2/collections_archaeological.html Archived 11 December 2014 at the Wayback Machine
  9. ^ "Dorman Museum". Archived from the original on 11 December 2014. Retrieved 11 May 2014.
  10. ^ "Dorman Museum". Archived from the original on 11 December 2014. Retrieved 11 May 2014.
  11. ^ "Dorman Museum". Archived from the original on 11 December 2014. Retrieved 11 May 2014.
  12. ^ "Dorman Museum". Archived from the original on 11 December 2014. Retrieved 11 May 2014.
  13. ^ "Dorman Museum". Archived from the original on 19 April 2014. Retrieved 11 May 2014.
  14. ^ "Dorman Museum". Archived from the original on 11 December 2014. Retrieved 11 May 2014.
  15. ^ "Dorman Museum". Archived from the original on 11 December 2014. Retrieved 11 May 2014.
  16. ^ "Dorman Museum". Archived from the original on 13 December 2014. Retrieved 11 May 2014.
  17. ^ "Dorman Museum". Archived from the original on 11 December 2014. Retrieved 11 May 2014.
  18. ^ "Dorman Museum". Archived from the original on 11 December 2014. Retrieved 11 May 2014.
  19. ^ "Archived copy" (PDF). Archived from the original (PDF) on 19 August 2012. Retrieved 11 December 2014.{{cite web}}: CS1 maint: archived copy as title (link)
  20. ^ "Archived copy" (PDF). Archived from the original (PDF) on 4 October 2012. Retrieved 11 December 2014.{{cite web}}: CS1 maint: archived copy as title (link)
  21. ^ "Dorman Museum". Archived from the original on 28 December 2013. Retrieved 11 May 2014.

External links

54°33′52″N 1°14′27″W / 54.5644°N 1.2409°W / 54.5644; -1.2409

InternationalNational
This page was last edited on 12 May 2024, at 10:43
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