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The Cave and the Light

From Wikipedia, the free encyclopedia

The Cave and the Light
First edition
AuthorArthur L. Herman
Cover artistThe School of Athens by Raphael, 1509-11
CountryUnited States
LanguageEnglish
GenrePhilosophy
PublisherRandom House
Publication date
2013
Media typePrint (hardback and paperback) and ebook
Pages676
ISBN9780553385663 (hardback)

The Cave and the Light: Plato Versus Aristotle and the Struggles for the Soul of Western Civilization is the seventh non-fiction book written by American historian Arthur L. Herman.[1] The book contrasts the philosophical approaches of Plato and Aristotle directly, then examines changes in political, religious, and philosophical views in western societies from the days of ancient Greece to the present in the context of their relationship to Platonic or Aristotelian viewpoints.

The book was published as a hardcover in October 2013 by Random House and as a trade paperback in June 2014.

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Transcription

What is reality, knowledge, the meaning of life? Big topics you might tackle figuratively explainIing existence as a journey down a road or across an ocean, a climb, a war, a book, a thread, a game, a window of opportunity, or an all-too-short-lived flicker of flame. 2,400 years ago, one of history's famous thinkers said life is like being chained up in a cave, forced to watch shadows flitting across a stone wall. Pretty cheery, right? That's actually what Plato suggested in his Allegory of the Cave, found in Book VII of "The Republic," in which the Greek philosopher envisioned the ideal society by examining concepts like justice, truth and beauty. In the allegory, a group of prisoners have been confined in a cavern since birth with their backs to the entrance, unable to turn their heads, and with no knowledge of the outside world. Occasionally, however, people and other things pass by the cave opening, casting shadows and echos onto the wall the captives face. The prisoners name and classify these illusions, believing they're perceiving actual entities. Suddenly, one prisoner is freed and brought outside for the first time. The light hurts his eyes and he finds the new environment disorienting. When told that the things around him are real, while the shadows were mere reflections, he cannot believe it. The shadows appeared much clearer to him. But gradually, his eyes adjust until he can look at reflections in the water, at objects directly, and finally at the Sun, whose light is the ultimate source of everything he has seen. The prisoner returns to the cave to share his discovery, but he is no longer used to the darkness, and has a hard time seeing the shadows on the wall. The other prisoners think the journey has made him stupid and blind, and violently resist any attempts to free them. Plato introduces this passage as an analogy of what it's like to be a philosopher trying to educate the public. Most people are not just comfortable in their ignorance but hostile to anyone who points it out. In fact, the real life Socrates was sentenced to death by the Athenian government for disrupting the social order, and his student Plato spends much of "The Republic" disparaging Athenian democracy, while promoting rule by philosopher kings. With the cave parable, Plato may be arguing that the masses are too stubborn and ignorant to govern themselves. But the allegory has captured imaginations for 2,400 years because it can be read in far more ways. Importantly, the allegory is connected to the theory of forms, developed in Plato's other dialogues, which holds that like the shadows on the wall, things in the physical world are flawed reflections of ideal forms, such as roundness, or beauty. In this way, the cave leads to many fundamental questions, including the origin of knowledge, the problem of representation, and the nature of reality itself. For theologians, the ideal forms exist in the mind of a creator. For philosophers of language viewing the forms as linguistic concepts, the theory illustrates the problem of grouping concrete things under abstract terms. And others still wonder whether we can really know that the things outside the cave are any more real than the shadows. As we go about our lives, can we be confident in what we think we know? Perhaps one day, a glimmer of light may punch a hole in your most basic assumptions. Will you break free to struggle towards the light, even if it costs you your friends and family, or stick with comfortable and familiar illusions? Truth or habit? Light or shadow? Hard choices, but if it's any consolation, you're not alone. There are lots of us down here.

Synopsis

Using Raphael's The School of Athens painting to introduce the various schools of philosophy, Herman refers back to figures in the painting and their positions in relation to others frequently throughout the book. The first several chapters of The Cave and the Light focus on Socrates and his pupil Plato, as well as earlier philosophers whose ideas they built on: Pythagoras, Heraclitus, Parmenides. Herman next introduces Aristotle, a pupil of Plato who went on to develop a philosophical model at odds with Plato's. The book provides a detailed comparison between Plato's Republic and Aristotle's Politics. In addition to Plato's Academy and Aristotle's Lyceum, the book covers the competing and successive Hellenistic schools of philosophy: Epicureans, Stoics, Cynics, and Skeptics.

Herman attributes political, religious, and philosophical changes throughout history to the influence of the philosophies of either Plato or Aristotle. The Cave and the Light uses the framework of the two philosophers to discuss Alexandria, ancient Rome, Constantinople, the spread of Christianity, Europe in the Middle Ages, the Age of Enlightenment, the French Revolution, the founding of the United States, the rise of communism in Russia, and Nazism.

In an interview, Herman summarizes his book:[2]

What gave Western civilisation its dynamism for so long was its creative tension and balance between the material and the spiritual, between what we aspire to be as spiritual beings and what we need to be as material beings and part of nature. That’s the overall theme of The Cave and the Light and how that creative tension reflects the twin intellectual legacies of Aristotle and Plato, the greatest philosophers the world has ever known.

Reception

In The Wall Street Journal, Roger Kimball describes the book as "a rollicking trip from classical Athens to 21st-century New York" and Herman as "an able storyteller".[3] Kirkus Reviews described the book as "Breezy and enthusiastic but resting on a sturdy rock of research."[4]

David Rieff, writing in The National Interest, criticizes Herman for both oversimplification and inconsistency, and takes issue with what he terms Herman's "dismissive treatment of the centrality of Judaism in the formation of Western culture and politics."[5] Choice: Current Reviews for Academic Libraries recommends the book as "an introduction to Western intellectual thought", but also notes oversimplification as an issue for advanced readers.[6]

Referring to the dialectic between Plato and Aristotle, Rod Dreher in The American Conservative notes, "Though Herman is pretty clearly on the side of Aristotle, he does a good job of showing how we need both insights" and says it is "a smart, fun book."[7]

In the National Review, Brian Anderson describes it as "bold" and "a wonderful introduction to the intellectual history of the West."[8] A review in The Buffalo News described the book as "a brilliant history of Western Civilization's essential polemic".[9] The reviewer for the Knoxville News Sentinel wrote "this is an important book for anyone interested in the history of thought".[10] In the Sun Herald, the review mentions Herman's "wildly interesting approach" to his theory of the battle between the teachings of Plato and Aristotle in the Western world.[11]

References

  1. ^ Herman, Arthur (2013). The Cave and the Light. Random House. ISBN 978-0553807301.
  2. ^ "The Declinist Imagination: Arthur Herman". Hudson Institute. Retrieved 15 May 2019.
  3. ^ Kimball, Roger (17 November 2013). "Book Review: 'The Cave and the Light,' by Arthur Herman; In the pantheon of Dead White European Males, are there any specimens more deeply interred than Plato and Aristotle?". Wall Street Journal. Retrieved 15 May 2019.
  4. ^ "The Cave and the Light". Kirkus. Retrieved 15 May 2019.
  5. ^ Rieff, David (January 2014). "Western Civ's Life Coach". The National Interest. No. 129 (129): 79–86. JSTOR 44151048.
  6. ^ Ingoglia, R. T. (Feb 2014). "Herman, Arthur. The cave and the light: Plato versus Aristotle, and the struggle for the soul of Western civilization". CHOICE: Current Reviews for Academic Libraries. 51 (6): 1066. Retrieved 15 May 2019.
  7. ^ Dreher, Rod (24 November 2013). "Puddleglum & The Savage". The American Conservative. Retrieved 15 May 2019.
  8. ^ Anderson, Brian (25 November 2013). "The West's Dynamic Tension". National Review. Retrieved 15 May 2019.
  9. ^ Simon, Jeff (January 5, 2014). "Editor's choice". The Buffalo News. p. 33.
  10. ^ Hughs, Ina (August 10, 2014). "Plato and Aristotle do battle". The Knoxville News-Sentinel. p. 54.
  11. ^ Fraisier, Jim (July 30, 2017). "Philosophers offer answers to 'How should we live?'". Sun Herald. p. 2D, 7D.
This page was last edited on 9 June 2023, at 05:25
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