ALTORIENTALISCHE
FORSCHUNGEN
Band 29 . 2002 2
Sonderdruck
Herausgeber: VOLKERT HAAS
in Verbindung mit MANFRED BIETAK
HELMUT FREYDANK
KARL JANSEN-WINKELN
,HORST KLENGEL
JORG KLINGER
JOHANNES RENGER
WERNERSUNDERMANN
Akademie Verlag
Altorientalische Forschungen
FLORIAN ]ANOSCHA KREPPNER
Public Space in Nature: the Case of Neo-Asssyrian
Rock Reliefs
1.
Introduction
What immediately comes to mind when considering "public space" are marketplaces or boulevards in city centres.! Thus the notion of "public space" is often
associated with specific areas in settlements, and in archaeology this is especially
the case, perhaps because most archaeological activities until now were and still
are focused on ancient cities and villages. In contrast, this paper tries to investigate
"public space" by studying monuments which are located in open nature, not
inside settlements.
In the ancient Near East rock reliefs are known from the Akkadian to the Sasanian
period. I will focus on the Neo-Assyrian rock reliefs because they represent an
iconographically homogeneous group. Neo-Assyrian rock reliefs 2 were found
in the mountains which bound Mesopotamia in the northwest, north and east.
Today they are located in Lebanon, Turkey, Iraq and Iran. 49 Neo-Assyrian rock
reliefs are known. They were found in groups or as single monuments. Fourteen
different locations 3 (Fig. 1) containing one or more monuments have been
distinguished. Nineteen inscriptions are associated with the reliefs. 4
The recording of these monuments started in the mid-nineteenth century.
The first articles were published by A. H. Layard about Maltai 5 and Bavian 6, by
This paper was read at the In ternational Seminar Berlin - Cop enhagen in 1999, "The Evolution and Structure o f Public Space and Ideology in the Ancient Near East". Thanks to
Prof. Dr. H. KLihne fo r critical discussions and Dr. A. Green fo r tuning up my English.
1 F.J. Kreppner (1996).
3 Mila Mergi, Cudi Dag I-VIII, Tigris Tunnel I-III, Nahr al-Kalb I-VI, Shikaft-i Gulgul, Kenk
Bogazi, Chinnes/ Bavian I-XIV, Faida I-III, Shiru Malikta, Maltai I-IV, Egil, Ferhatli, Karabur
I - IV and Tang-i Var.
• Tigris-Tunnel 1-5, Kenk Bogazi, Mala Mergi, Cudi Dag 1-6, Chinnes/ Bavian 1-3, Nahr
al-Kalb, Shikaft-i Gulgul, Tang-i Var.
5 A. H. Layard 1849: 230.
6 A. H. Layard 1953: 207-214.
1
Public Space in Nature: the Case of Neo-Assyrian Rock Reliefs
369
Were rock reliefs placed in "public space" or did the carving of a rock relief
create a "public space"?
The most important criteria for "public space" are visibility and accessibility.
Two different aspects should be discussed by which these specific locations
might have restricted the "public space":
Firstly, buildings 21, fences or even guards could have protected rock reliefs. If
this was the case, they were accessible for selected people but not by the public
at large. As far as I know, there is no archaeological and philological information
for the existence of buildings, fences or guards in combination with NeoAssyrian rock reliefs.
Secondly, there may have been restrictions from any natural conditions like
inaccessibility or great distances from settlements. A location which is easily
accessible and visible to many people is more "public" than a place which is
separated from roads and settlements by great distances or inaccessibility by
water or steep mountains.
If one considers the entire group of Assyrian rock reliefs, different intentions
for their location might be distinguished.
2. Rock Reliefs carved during military campaigns 22
Mila Mergi 23 is situated in northern Iraq on the northern flank of a mountain
range, which bounds the valley of the Habur to the south. In Neo-Assyrian times
this mountain range was the borderline to Ulluba. A path crosses the ridge and
therefore it had strategic relevance. The inscription of the rock relief refers to a
successful military campaign against Ulluba. A battle on a mountain path is
mentioned, which has to be identified with the path at Mila Mergi. This battle
was the reason for carving the relief at that special place. The rock relief, interpreted as a victory monument, should have had the effect of a signal or announcement to the users of the path. But this is not the case. The rock relief is not
located close to the road visibly, and is not easily reachable. The placement at a
distant point half way up the hill and the rather small dimensions, of 1.30 x 0.88 m,
show that the effect of an announcement was not indended. More important
must have been the orientation towards the valley of the Habur river with a
wide overview over Ulluba.
The Cudi Dag 24 mountain range is situated in Turkey on the eastern riverside
of the Tigris near Cizre. In Neo-Assyrian times a trade road existed along the
Tigris connecting Assyria with Anatolia. The inscription reports the subjection
The Hittite rock reliefs o fYazilikaya were enclosed by temple buildings.
:'>lila Mergi, Cudi Dag I-VIII, Nahr al-Kalb I-VI, Schikaft-i Gulgul, Kenk Bogazi, Ferhatli,
Tang-i Var, Tigris Tunnel I-III.
e: J.:\". Postgate 1973: 47-59 .
.:;, l. \\. King 1913: 66-94, H. Erkanal 1987: 111-118.
2:
22
370
Florian Janoscha Kreppner
of seven 'eagle nest'-like rebellious villages on a Mount Nipur, which has to be
identified with the Cudi Dag itself. Thus the reliefs were carved in consequence
of the military activity on the Cudi Dag. The reliefs are placed at different moreor-less hidden locations, so that even today it remains uncertain what the total
ensemble of reliefs looked like. 25 The effect of an announcement must be excluded
because of the inconspicuous positions. More important was the location at the
place where the relevant battle took place.
Shikaft-i Gulgul 26 is situated 30 km southwest of Ilam in western Luristan. It is
not associated either with modern or ancient transport routes. The reason for
carving the relief is not preserved in the inscription, but the location far away
from Assyria indicates that it was made during a military campaign. Due to the
state of publication, no special features of the environment are known to be the
reason for the specific location of the relief.
Kenk Bogazi 27 is located 60 km northeast of Gaziantep on the western bank of
the Euphrates. There is a ford down at the river. However, it could not have been
the intention to attract attention from users of the ford. The small dimensions of
the relief reveal that it was inconspicuous. The inscription describes the capture
of Til Barsib and the siege of the Mount Shittamrat on which the fleeing king
Ahuni of Bit Adini barricaded himself. An identification of Mount Shittamrat
with a specific mountain is not possible, but a localisation within the region is
very probable. The reasons for cutting the relief at that place have to be seen in
the geographic proximity to the mentioned military events combined with the
orientation towards the Euphrates valley and the ford.
Ferhatli 28 is situated in Turkey 20 km northeast of Kozan in the foothills of the
Cilician Taurus. No inscription and no Neo-Assyrian archaeological artefacts
were recognised in the surrounding area. A criterion for the location seems to
be the overview across the plain down to the Mediterranean Sea. Less important
must have been the accessibility and the visibility for people. In contrast, the
relief is placed on the top of the mountain, far away from any road from which
it could have be seen. The existence of a Roman temenos wall indicates a cultic
significance in post-Assyrian times.
Tang-i Var 29 is located in Iran about 85 km in the northwest of Kermanshah,
close to the modern village of Tang-i Var. It is cut 40 m over the ground into a
perpendicularly ascending cliff of the Kuh-i Zinaneh in the Tang-i Var pass. The
difficulties described by photographing the inscription indicate that it was not
well visible for people. The orientation towards the pass must have been the
25
26
27
28
29
A correlation of the reliefs L. W. King (1913) I -VI and H. Erkanal (1987) 1-6 causes
problems.
A. K. Grayson - L. D. Levine 1975: 29-38.
O.A. TasyDrek 1979: 47-53.
O.A. TasyDrek 1975: 169-172.
G. Frame 1999: 31-57.
P-..::::ic Space in "'\ature: [he Case of Neo-Assyrian Rock Reliefs
371
main reason for carving the relief at this place. The event that was the occasion
for the creation of the relief is mentioned in the inscription. It was a Campaign
to the land Caralla wich is located in that region.
3. Rock Reliefs associated with the canal system of Sennacherib 30
The Khinnes/Bavian I-XIV rock reliefs 31 are situated in Iraq 60 km northeast of
.\Iosul close to the village Khinnes where the river Gomel flows through a
gorge. According to the inscriptions the monuments were created at the head of
a canal, which supplied Nineveh with water. Archaeological work 32 acknowledged
the existence of this structure. The topography is favourable for the head of the
canal, in which it was possible to feed the river water of the Gomel into the
irrigation system. The position of the monuments in the steep rock directly over
the weir is thus more related to the head of the canal than to the provision of a
,-iew of the reliefs to visitors.
The monuments Faida 33 I-III are located in Iraq about 50 km north of Mosul
at a canal, which is part of the irrigation system of Sennacherib. The placement
of the reliefs I and II is clearly associated with an overflow installation and relief
III refers to the canal itself.
Shiru Malikta 34 is situated in Iraq about 45 km north of Mosul. It was carved
into the rock above an installation of the northern irrigation system of Sennacherib.
The location was selected in such a way that the relief had an view over the
plain.
The rock reliefs of Maltai3 5 I-IV are located in Iraq 70 km north of Mosul. The
monuments were placed high over the valley into the face of the steeply rising
mountain. Reaching the reliefs is thus very difficult. Given their small dimensions, they are hardly visible from the valley and thus possess no signaling fu nction. Decisive for the selection of the place must have been the view down the
Yalley to the Tigris. J. Reade 36 assumes a connection between the monuments
and the source Ain Gasara and supposes a canal head from which the water was
led south to Shiru Malikta.
, - Chinnes/ Bavian I-XIV, Faida I-III, Schiru Malikta and possibly Maltai I-IV;]. Reade 1978:
-l7-n , 157-180; A. M. Bagg 2000: 207- 224.
': \'';-' Bachmann 1927: 1-22.
,: T. Jacobsen - S. Lloyd 1935: 44-49; R. M. Boehmer 1997: 248; A. M. Bagg 2000: 212-2 24.
" J Reade 1978: 159-162; R. M. Boehmer1997: 248-249.
Lセ@ J Reade 1978: 164-166.
-" R. セl@ Boehmer 1975: 42 - 84.
-- J Reade 1978: 165-166.
Florian Janoscha Kreppner
372
4. Exceptions: Rock Reliefs on which the king is not represented and
inscriptions do not exist 37
Egil38 is situated in Turkey about 30 km north of Diyarbakir. The monument is
carved into the rock underneath an Urartian castle. This area was disputed area
between Urartu and Assyria. An inscription is not preserved. A remarkable
feature of the location is the view over the Tigris valley.
The monuments Karabur 39 I-IV are located in Turkey about 25km southeast
of Antakya. The choice of the location h as to be explained by the presence of
strange rock peaks in the plain. The rock reliefs are not visible for far and have
no signaling effect. They relate to the topography and the natural peculiarities
of the place.
5. Comparison of a very visible and accessible and a very poorly visible
and inaccessible ensemble of rock reliefs
Military activity and water seem to be the decisive criteria for carving rock reliefs.
Therefore the Tigris Tunnel represents a speciality because it clearly meets both
criteria. In the following investigation I will focus on the most relevant aspects
of "public space", visibility and accessibility, by concentrating on two extremes:
an ensemble of very visible and accessible Neo-Assyrian rock reliefs at Nahr
al-Kalb, and the very poorly visible and inaccessable rock reliefs at the Tigris
Tunne1. 4o I have selected these two extremes in order to discuss how public or
not public the space was in which such a monument was placed. These examples
are well published with regard to discussion of the environment, the inscriptions
and the representations.
Nahr al-Kalb 41 :
Nahr al-Kalb is a rive r in Lebanon, w hich carries water from the mountains into
the Mediterranean Sea. At its mouth, about 12 km north of Beirut (Fig. 1), the
foot-hills reach the coast. The road had to cross the river and to pass the rocks
(Fig. 2). Hence the Nahr al-Kalb is a narrow passage for the very important
north-south traffic along the coast. It is the main route to Egypt. Thus this p1ace
has great strategic importance. The rock reliefs are located south of the river
above the ancient road which ascends in serpentines. As can be seen o n the
hundred-year old photograph (Fig. 3), in addition to this Egyptian and Assyrian
37
38
39
40
41
Egil and Karabur I-IV.
M. WaHer 1976: 290- 305.
O.A. Tasyi.irek 1975: 172-180.
The reliefs at Nahr al-Kalb and the Tigris Tunnel were carved during military campaigns.
F. H. Weiss bach 1922; B. Hrouda 1977: 290-291.
Public Space in Nature: the Case of Neo-Assyrian Rock Reliefs
373
road, there are also a Roman road (at c), a modern street and a railway at the
lower level. Today, a tunnel of a coast-motorway leeds through the rocks (Fig. 4).
On this site, altogether nine reliefs and several inscriptions from the Egyptians,
Assyrians, Babylonians, Greeks, Arabs and French were found . The latest inscription dates to 1946 and celebrates the departure of French troops. Three Egyptian
reliefs (Nos. 1, 6 and 8 on Fig. 2) derive from the time of Ramses II in the 13 rh
century Be. They already existed when the Assyrian monuments were added.
On Fig. 2 the Neo-Assyrian rock reliefs are marked by circles (Nos. 2-5, 7, 9). As
can be seen from Figs. 2 and 5, the choice for the location of the Assyrian rock
reliefs was most likely influenced by the fact that at this place Egyptian reliefs
already existed. Six Neo-Assyrian rock reliefs are found directly above the
ancient road, so that any traveller must have seen them. They were well accessible
and visible and, by that token, "public". The monuments above the road are
constructed in a such way that they are oriented towards the north, the west and
the south.
One of the Assyrian rock reliefs (Fig. 2: No.9) bears an inscription of 42 fragmentary lines, which are written across the figure and broken away on the left.
The text starts with an invocation to the gods, followed by the mention of King
Esarhaddon with his titles and filiation. After this, the campaign against Egypt is
described, in which this country was conquered and Esarhaddon was crowned
in Memphis. People and booty were brought to Assyria. This campaign is dated
in the tenth year of Esarhaddon (671 Be). It is very probable, that this relief was
carved during the campaign. The date of the construction of the five reliefs
without inscription is not known. Eight campaigns into the region of Nahr
al-Kalb under different Neo-Assyrian kings are mentioned in the annals. But it is
even possible that Esarhaddon constructed more than one relief.
The quality of the pictorial representations has suffered from wind and rain
(Figs. 5, 6). All six rock reliefs show the king dressed in his robe, wearing a tiara
and holding a mace. His right h and is raised for prayer (appa labanu). In front
of his head are symbols of the gods (Fig. 6). It is believed that the reason for
constructing the Neo-Assyrian rock reliefs at this very special place can be found
in the strategic meaning of the location on the one hand, and in the existence of
the older Egyptian monuments on the other. The Egyptian monuments were
constructed during Egyptian campaigns into Asia. The Assyrian monuments
were cut into the rock next to the Egyptian ones in order to show the predominance of the Assyrian king at this place - the main road from the Near East to
Egypt. The inscription tells the visitor that the Assyrian king Esarhaddon
conquered Egypt.
This example is given to show an ensemble of "public" Assyrian rock reliefs,
which are placed very visibly directly above a highly frequented road. But were
these reliefs constructed just to show the travellers on the road the power of
the Assyrian king? The second example will illustrate that there might be quite
different aspects.
374
Florian Janoscha Kreppner
Tigris Tunne1 42 :
The rock reliefs are located in mo dern Turkey, about 80 km northeast of
Diyarbakir (Fig. 1), close to the village Lice. In the north, a mountain range of
the Taurus, running in an east-west direction, forms a barrier for north-south
traffic. Not far from the Tigris Tunnel, a modern road connects Lice w ith Bingo l.
It leads to a p ass, which allows the crossing of this mountain-range. M. Salvini 43
considers it to be the Tibuni pass, w hich is m entioned in the annals as used by
Shalmaneser III on his way to Urartu after his visit to the source of the Tigris
river. The Assyrians believed the Tigris Tu nnel to be the source of the Tigris,
because a tremendous flow of water comes out of the rock. However, this point
is not the real source, but the end of a natural tunnel of 1000-1200 m through
which a tributary of the Tigris, the - Zebe ne-suyu, flows. At this location three
rock reliefs and five inscriptions have been found .44 They are combined into
two groups. The first is located at the exit of the tunnel, the second at a cave on
a higher level in the rocks (Fig. 7). Two reliefs and three inscriptions are cut into
the rock on the left side at the exit of the Tigris Tunnel. They could not be
reached by dry feet (Fig. 8). First, there is a relief and one inSCription (No. I o n
Fig. 9) of Tiglath-Pileser I. Inside the tunnel follows a relief and an inscription
(No. II on Fig. 9) of Sh almaneser III. Further inside a second inscription (No. III
on Fig. 9) of Shalmaneser is found divided by a rock ledge. The second group,
including o ne relief and two inscriptions (Nos. IV, V on Fig. 10) of Shalmaneser
III is located at the entrance of the upper cave.
The rock reliefs show the king dressed in his robe, wearing a tiara o n his head
and holding a mace in his left hand. The right hand is raised to prayer (ubana
tarasu) (Figs. 11, 12).
The inscriptio n of Tiglath-Pileser I starts with an invocation to the gods. Then
the king's name, his titles, filiation, conquered regions and the details o f his
third campaign to Nairi are me ntioned.
All inscriptions of Shalmaneser III start in the same way with invocations to
the gods, followed by reference to the king, his titles, filiation and conquered
regions. In inscriptio ns III and V follows a description of the third Nairi campaign.
Inscriptions II and IV d escribe campaigns of the ninth and fourteenth years.
Inscriptions III and V mention at the end the construction of the rock relief. The
inscriptions below and above are generally very similar, but differ in some
details.
In the Black Obelisk inscription the seventh and the fifteenth year are given as
dates for the construction of reliefs at the source of the Tigris. The passage for
the seventh year says 45 : " ... I advanced to the source of the Tigris, where the
12
43
11
15
C. F. Lehmann-Haup t 1910: 431-462; E. P. Rossner 1987: 71 - 85; A. M. Bagg 2000: 112-116.
M. Salvini 1995: 49.
E. Michel 1964: 146-157; E. Unger 1920: 54 - 60.
D. D. Luckenbill 1926: 203.
Public Space in Nature: the Case of Neo-Assyrian Rock Reliefs
375
waters gush forth. The weapon of Assur I washed therein, I offered sacrifices to
my gods, I spread a gladsome banquet. I fashioned a heroic image of my royal
self. The glory of Assur, my lord, everyone of my deeds of bravery, which I
performed in (different) lands, I wrote thereon, and set it up there."
This text makes clear that there is a supernatural, religious (metaphysical)
reason for constructing the rock relief. It is a report of the deeds, perhaps a kind
of business report for the gods. This is given in combination with a ceremony
which is mentioned in the Black Obelisk inscription and shown on the bronze
work of the Gates of Balawat (Fig. 13). Two friezes demonstrate the ceremony at
the Tigris Tunnel and represent the real topography of the two levels: the Tigris
Tunnel and the upper cave. In the lower frieze a procession leads to the exit
of the tunnel, where someone is shown cutting the relief into the rock. In the
tunnel three men are standing in the water holding torches to light up the
darkness inside the tunnel. In the upper frieze a sacrifice is shown. It is a bull
which is killed in front of the upper cave while the relief seems to be still under
construction. The inscription on the bronze relief says: "... I entered the sources
of the river, I offered sacrifices to the gods, my royal image I set up." 46
The selection of this place for rock reliefs far away from any settlements has to
be considered in the religious, magic and spiritual meaning of the source of the
Tigris, which represents the essential resource for life and wealth in Assyria.
Hence the Assyrian king visited this location to give a report of his deeds to the
gods and to offer sacrifices. The reliefs are oriented to the source. They are
almost inaccessible and invisible for humans and must therefore be considered
as not sited in "public space".
6. Conclusions
The fact that the creation of rock reliefs was mentioned in the annals and represented on the Bronze Gate of Balawat shows the relevance of these monuments. But as can be seen by the choice of location and orientation the rock
reliefs were not produced to impress human beings. On the contrary, placing
a relief on a rock in nature far away from any settlement implies a change in
the original meaning of this piece of nature and, in addition, an act of taking
possession of it. Because, from this moment on, the king and the gods are
omnipresent to endow this place with magic and spiritual effects.
There is also an aspect of time. An invisible and inaccessible rock relief was
perhaps quite "public" during an inauguration ceremony as shown on the
Bronze Gate of Balawat or during processions which were conducted for
special reasons, whereas it was "not public" during the rest of the year or some
years later.
46
D. D. Luckenbill 1926: 226.
376
Florian Janoscha Kreppner
Interpreting the rock reliefs the conception of the Neo-Assyrian kingdom has
to be considered. The king was the intermediary between the gods and the
human beings.47 By his deeds he had to enlarge the "order" contrary to the
"chaos". According to the rock reliefs this was done by military campaigns,
battles or constructing the irrigation system for Nineveh. The interaction of the
king and the gods was expressed in the inscriptions and the representations.
The inscriptions usually start with an invocation to the gods followed by a list of
deeds and end with a curse. The representations depict the king 48 in the gesture
of prayer in front of the gods which are represented as symbols or, in some
cases, as anthropomorphous beings standing on animals. 49 The inscriptions and
the representations demonstrate that the king addresses the gods.
Thus, it can be concluded that religious, magical and spiritual effects were
intended for the place, the street, the pass, the ford, the plain, the source, the
battlefield or the installation of the canal system. I see this as the main intention
of a rock relief - and not the effect of signaling for human beings by visibility
and accessibility.
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378
Florian Janoscha Kreppner
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Fig. 1
50 100 150 km
Map showing the locations of the Neo-Assyrian Ro ck Reliefs
Fig. 2
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Sketch of the mouth of Nahr al-Kalb arou nd 1887
from: F. H. Weissbach 1922: Fig. 3
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Public Space in Nature: the Case of Neo-Assyrian Rock Reliefs
Fig. 3
Nahr al-Kalb: mouth and foothills around 1900
from: F. H. Weissbach 1922: Fig. 1
Fig. 4
Nahr al Kalb: the situation today
Phot<;> : F.J. Kreppner 6/ 2000
379
Public Space in Nature: the Case of Neo-Assyrian Rock Reliefs
Fig. 3
Nahr al-Kalb: mouth and foothills around 1900
from: F H. Weiss bach 1922: Fig. 1
Fig. 4
Nahr al Kalb: the situation today
Phot? : FJ Kreppner 6/ 2000
379
380
Florian Janoscha Kreppner
Assyrian (left) and Egyptian (right) rock relief side by side (cf. Nos.
Photo: F.]. Kre ppner 6/ 2000
Fig.6
Rock relief of Esarhaddon (cf. No.9 on Fig. 2)
from: Barker-Klahn 1982: No. 216
381
Public Space in Nature: the Case of Neo-Assyrian Rock Reliefs
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Fig. 7 Tigris Tunnel: sketch of the site
from: C. F. Lehmann-Haupt 1910: Fig. on p. 451
Fig. 8 Exit of the Tigris Tunnel
from: C. F. Lehmann-Haupt: 1910: Fig. on p. 435
Florian Janoscha Kreppner
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Fig.11 Rock relief of Tiglath-Pileser I
from: Barker-Klahn 1982: No. 130
Public Space in Natu re: the Case of Neo-Assyrian Rock Reliefs
Fig. 12
Rock relief of Shalmaneser III from the upper grotto
from: Barker-Klahn 1982: No. 149
Fig. 13 Bronze Gate of Balawat, Plate D Q) 7 showing the carving of the
rock reliefs at the Tigris Tunnel: u pper register with the upper grotto, lower
register with the Tigris Tunnel fro m: E. Unger 1920: PI. III
383