Musical sources
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Recent papers in Musical sources
Ponencia en el Simposio "La gestión del patrimonio musical" (Madrid, INAEM, 2014), que propone una reflexión sobre algunos de los aspectos que condicionan nuestra visión del patrimonio musical histórico y la problemática que surge a la... more
Full title: 'A Little Known Part-Book from Toledo. Music by Morales, Guerrero, Jorge de Santa María, Alonso Lobo and Others in Barcelona, Instituto Espanõl de Musicología, Fondo Reserva, Ms. 1'. Published in: Anuario Musical 65 (2010),... more
The rare collection of instrumental music from the so-called Schrank II in Dresden contains among others also the unique instrumental compositions by Bohemian composers. The article aims to present these composers and to analyse preserved... more
Published in: Early Music 32/2 (May 2004), pp. 194-222
María Rosa Coccia (Roma 1759-1833) fue una compositora italiana que desarrolló su actividad en la segunda mitad del siglo XVIII y primeras décadas del XIX, a la que investigadoras como Candida Felici, Marie Caruso y Denise Gallo han... more
The compositional oeuvre of Otto Nicolai (1810–1849) is doubtless overshad- owed by his last opera, The Merry Wives of Windsor. Yet his original training had been in the field of church music and he composed a wide range of sacred music.... more
The Biblioteca de Catalunya holds a remarkable collection of liturgical music manuscripts, coming from different places and origins. In the centennial of its Music Department, a catalogue of the manuscript music in Gregorian chant... more
The ensembles associated with monastery and parish churches were a very important element of musical life in Central Europe around the mid-eighteenth century. Yet the music created by early Classical composers, which constituted the core... more
In 1891 Johannes Bolte published an essay on a set of embroidered partbooks he discovered in the Royal Library in Brussels. The text and music of the four-part song "Mag ich dem Glück nit danken viel" are stitched on a linen ground with... more
Este trabajo presenta una serie de novedades referentes a las fuentes de Jommelli conservadas en España que obligan a modificar el catálogo del compositor.
Sulle composizioni anonime attribuite rinvenute di recente nella biblioteca del Conservatorio Paganini di Genova.
(A first approach, from the manuscripts of the first half of the seventeenth century of the Music Archive of the Cathedrals of Zaragoza). The analysis of watermarks (considered the hallmark of the manufacturer) as a tool for dating... more
"Il manoscritto segnato Manoscritti Musicali 2, conservato nella Biblioteca Provinciale “Pasquale Albino” di Campobasso, contiene 17 cantate da camera attribuite a Scarlatti, Cesarini, Mancini, Antonio Maria Bononcini, Bencini e Perti.... more
El texto se enfoca en el manejo de la información de las fuentes escritas que son necesarias para conocer la música como fenómeno sonoro. Una propuesta tradicional de tratamiento de música anotada ha sido asegurar su preservación para... more
Il crescente interesse verso il repertorio della cantata da camera italiana ha portato a intensificare lo studio delle caratteristiche definite ‘materiali’ delle innumerevoli raccolte manoscritte che ci sono pervenute, con lo scopo di... more
A catalogue of the first and early editions of Haydn's works, as well as MS materials preserved in music collections of Zagreb (Hrvatski Glazbeni Zavod, Nikola Udina Algarotti collection, and Hrvatsko Pjevačko Društvo Kolo), Varaždin... more
The subject of this thesis is the characteristic features of the 17th-century French lute style defined by the term style brisé. In the first part of the paper the author refers to the state of research on 17th-century French lute music... more
Ponencia en el Simposio "La gestión del patrimonio musical" (Madrid, INAEM, 2014), que propone una reflexión sobre algunos de los aspectos que condicionan nuestra visión del patrimonio musical histórico y la problemática... more
Paper presented at the 2015 IAML congress that took place from 21-26 June 2015 in Julliard Shool in New York City, at a session organized by the Project group Acces to Music Archives. It was showed this tool developed at the CDAEM... more