Rouen

Note portant sur l’auteur UN ATELIER DES TERRITOIRES Les articles présentés ici sont les résultats du travail d’une équipe de recherche qui s’est donnée comme objectif de mieux comprendre ce qui préside aujourd’hui aux transformations de l’espace dans trois pays européens présentant des similarités dans la production de la ville. L’hypothèse commune de départ est qu’il convient de distinguer deux régimes de fonctionnement de la production des territoires, celui du discours (notions et mots) e..

Si les commerces et restaurants chinois sont présents depuis longtemps dans les grandes capitales européennes, l’une des conséquences de l’augmentation des flux et des nouvelles mobilités chinoises est qu’ils se répandent même dans les villes petites et moyennes. C’est ainsi qu’à Rouen, chef-lieu de la Normandie, nous avons pu voir au cours de ces dernières années une poussée des commerces chinois. Sur une quarantaine de commerces chinois en centre-ville, nous dénombrons une quinzaine de commerces créés et gérés par d’anciens étudiants Chinois primo-arrivants, ce qui est un phénomène remarquable pour une ville de 110 000 habitants.

This paper discusses the use and confusion of two Hebrew words, rdom
and drom, that denote geographical locations in a 13th-century poem and a late 12-century letter. My conclusion, in regard to these two specific texts, is that they refer to Rouen, and that the correct reading is Radom, as previously proposed by other scholars, but that the word was also meant to be read – at the same time, as a kind of wordplay – as Darom.

Brenner's book illustrates the evolution of leprosaria in medieval Rouen and their political, cultural, and religious links with the remainder of society. This allows to see how in the Rouen’s area “leprosy sufferers were feared and marginalised in these centuries as well as being an object of philanthropy” (18). Within a well-established interpretative framework of medieval leprosy, this book enriches the panorama of the studies on leprosaria and it will be greatly valuable for scholars working on Rouen and Normandy.

Over the last twenty years research on guilds has freed itself from traditional cliches, such as the guilds' supposed backwardness and seclusion, and has thus paved the way for a new and more differentiated assessment of these historical institutions. Yet the subject matter remains far from being exhaustively studied. This e-book addresses some of the most disputed questions on craftsmen corporations, such as: the role of women and senior journeymen within guild structures, the interaction of guilds with local authorities and other urban institutions as well as their interrelations with local job markets and supra-local entrepreneurship. By combining more general theoretical reflections with micro-historical case studies the trilingual contributions do not only shed light on the institutional side of guilds but also on the individual actors within these corporations. By studying the phenomenon over a period of several hundreds of years (14th – 18th century) the volume furthermor...

Rouen's Confraternity of the Immaculate Conception brought together members of Rouen's old elite to sponsor an annual poetry contest in honour of the Virgin. During the French Wars of Religion, the confraternity became a vessel for the ultra-Catholic party in Rouen, and also suffered a decline. After the end of the Wars, the President of Rouen's Parlement, Claude Groulart, rescued it as a way to both re-establish his own Catholic credentials, and re-unite Rouen's elite. The Confraternity's vagaries illustrate its uses as a vehicle for reinforcing brotherhood, both narrowly and broadly.

La première entrée de l’évêque en sa cité est l’ultime étape du parcours qui le mène de sa désignation à la prise de possession de son siège. Elle constitue un rite performatif qui permet à tous de voir que le prélat est installé en son bénéfice. Telle qu’elle se déroule à la fin du XVe siècle en France, la première entrée porte le souvenir des adventus antiques – organisation des processions, opposition entre extérieur et intérieur de la cité, présence du corps de ville – mais la présence d’acteurs purement médiévaux – réguliers, vassaux et chanoines – montre qu’il s’agit d’un rituel né au Moyen Âge. Il semble qu’il plonge ses racines dans le Xe siècle pour s’épanouir au XIIIe siècle, et que la réforme grégorienne en soit à l’origine. Malgré de nombreuses caractéristiques communes aux entrées des différents diocèses, quelques oppositions entre le nord et le sud du royaume révèlent des contextes religieux et politique particuliers.

To better understand the forces underlying fertility decisions, we look at the forerunners of fertility decline. In Rouen, France, completed fertility dropped between 1640 and 1792 from 7.4 to 4.2 children. We review the list of possible explanations and keep only three: increase in materialism, women's empowerment and increase in returning to education. We propose a theory that shows that we can discriminate between these explanations by looking at childlessness and its social gradient. An increase in materialism or, under certain conditions, an increase in women's empowerment, leads to an increase in childlessness, while an increase in returning to education leads to a decrease in childlessness. Looking at the Rouen data, childlessness is clearly on the rise, from 4% in 1640 to 10% at the end of the 18th century, which appears to discredit the explanation based on increasing returns to education, at least for this period.

Les sources rouennaises conservées pour la seconde moitié du XVe siècle, permettent de s’interroger sur les modalités et les pratiques de paiements monétaires et non monétaires. L’utilisation concomitante ou complémentaire de paiement en monnaie et en nature, nous amène à réfléchir à des logiques non seulement économiques mais aussi sociales afin d’en comprendre les mécanismes.

Les comptabilités urbaines sont étudiées depuis de nombreuses années. Elles ont permis de mieux comprendre le fonctionnement des finances communales ainsi que les politiques urbaines. Pour le Bas Moyen Âge, la ville de Rouen conserve de nombreuses comptabilités qui permettent de rendre compte non seulement de l’histoire de la ville à l’issue de la guerre de Cent Ans mais aussi de faire une histoire de la vie quotidienne des Rouennais. Cette approche sociétale n’est rendue possible que par une lecture minutieuse des comptes.

Urban accounting has now been studied for many years. It provided a better understanding of the process of communal bookkeeping and of urban policies. Concerning the late Middle Ages, the city of Rouen’s archives hold many accounting documents which literally “account for” the history of the city at the end of the Hundred Years War while at the same time enabling to chart the daily life of the inhabitants. This can only be done through a careful reading of those accounts.

La contabilidad urbana se ha estudido durante muchos años. Permitiendo una mejor comprensión del funcionamiento de las finanzas municipales, así como de las políticas urbanas. Para la Baja Edad Media, la ciudad de Rouen conserva muchas cuentas que no solo pueden explicar la historia de la ciudad des pués de la guerra de los Cien Añosn sino también hacer una historia de la vida cotidiana de los habitantes. Este enfoque social solo es posible mediante une lectura cuidadosa de las cuentas.

Best poster award of the Instrumentum International Meetings.

From August 1978 to January 1979, an emergency excavation supervised by D. and P. Halbout (Rouen Archéologie) took place in the Haute-Vieille-Tour square in Rouen (Seine-Maritime, France), before the construction of an underground parking lot.
The archaeological site is located near the Seine River and the centre of the ancient city of Rotomagus, main town of the Veliocasse people since the end of the last century B.C. Major discoveries occurred during the excavation: harbour facilities such as a dock built during the second half of the 1st century A.D. and large halls (warehouses?) replacing the wharf from the 2nd century on, next to an important domus in activity between the beginning of the 2nd century and the end of the 4th century.
A hoard of 27 objects was found in the well of this aristocratic residence. It was dropped off half-depth during the filling of the structure as a consequence of the fire that hit the district at the beginning of the 3rd century. 25 objects made of copper alloy, including 23 pieces of a horse or chariot’s harness, a misidentified fragment of decoration and a large basin, were gathered here with a ceramic kettle and a deer skull. Most of these artefacts were concentrated in a wooden chest. They are currently stored in the Musée des Antiquités in Rouen.
Despite this discovery being significant but odd, this set had never been properly studied before, only briefly presented in notes about the archaeological site. Therefore, the presentation of this assemblage is intended to be a contribution to the understanding of horse or chariot’s harnesses and hoarding in wells in the north half of Gaul during the High Empire. The identification and purpose of hoarding some of these items here, which remained unclear since then, can be specified or, at least, questioned in the light of studies and explorations recently conducted in wells on Roman sites. Thus, the combination of substantial metal mass (around 4.35 kg/9.59 lb) and an important number of objects is noteworthy enough for us to raise questions regarding the meaning and intention of its deposal. It was interpreted as a votive hoard at first, but the recent studies on hoarding in this kind of context favour a precautionary approach as for our potential hypothesis.

Art. en chinois : "Des tuyaux qui appartenaient au roi: l'évolution des conceptions et des pratiques de pauvreté des franciscains de Rouen, XIIIe-XVe siècle", in X. Peng, F. Gao et T. Wu(éd.), Gudian Yu Zhongshiji Yanjiu (Études classiques et médiévales), n.2, , 2020, p.134-152.

This presentation will discuss women's solidarity and worship of saint Dominic in the 13th-century Rouen. This study is based on two groups of sources. The first group is Miracula, a collection of miracles written by the Dominican convent of Rouen in the second half of the 13th century. The second group is charters of donation from the archives of the Dominican convent of Rouen（ADSM, 36H）. Miracula of Rouen is a very rare case in which women are strongly represented. It shows us not only how the women of Rouen developed their faith in Saint Dominic, but also the daily life of women, especially married women.
In most cases, it is the women who take care of the children, especially when children are ill. The sharing of information among women makes St. Dominic more popular as a healer of children. The narrative of miracles shows us that women help each other not only in the family sphere but also in the neighborhood, even on their way traveling. Female solidarity is embodied in sentimental investment and action.

In the Book of Luke, the parable of “The Rich Man and Lazarus”, describes how poor Lazarus is spurned from a rich man’s feast, attacked and humiliated. The southern portal of the western exterior façade of the Rouen Cathedral devotes twenty sculptural frames to the parable, as well as an additional “marginal” row depicting related themes. Unique to the Cathedral is the opening depiction of the Rich Man participating in a falconry hunt, with two of its twenty frames dedicated to it; one of the marginal scenes also depicts a hunt, perhaps referencing the legend of St. Hubert.
Refining and revising analysis of the late Mira Friedman in her doctorate, it appears that the opening feast served as an ancient textual trigger for medieval visual expansion in Rouen. During the celebratory feast following the medieval hunt, its delicacies are ceremonially consumed with great fanfare, discussed in-depth recently by Eva Frojmovic. The second falconry scene depicts a hunt with falcons specifically, rather than hawks, a more expensive, spectacular and aristocratic form of falconry. This serves to magnify the noblesse oblige incumbent upon the rich man to share his bounty with the poor and contextualizes the eternal punishment resulting from his failure. This interpretation is supported by comparison with the depiction in the Bourges Cathedral’s 13th century stained glass which conflates with another parable, inflating the wealth of the rich man.

This is a Latin transcription and English translation of the first 25 folios of the 13th century cartulary of the nuns of Saint-Amand, Rouen. The transcription is freely available online from the Haskins Society: https://thehaskinssociety.wildapricot.org/Translated-Documents

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Vers 1300, l’archevêque Guillaume de Flavacourt et le chapitre cathédral de Rouen se lancèrent dans une série de projets de construction ambitieux. Tour à tour furent ainsi érigées la façade nord du transept (portail des Libraires), la chapelle de la Vierge et enfin la façade sud du transept (portail de la Calende).
L’architecture, les sculptures et les vitraux alors réalisés comptent parmi les œuvres les plus accomplies de l’art monumental de la période : les deux façades du transept servirent de modèle à de nombreux chantiers du XIVe siècle, et leurs cycles sculptés sont les plus vastes encore conservés au sein du royaume de France. En combinant pour la première fois les formes rayonnantes d’origine parisienne avec la richesse décorative chère aux bâtisseurs normands, ces œuvres ont durablement marqué l’architecture de la province jusqu’au XVIe siècle.

(2016) « "L’École du Dimanche" de Luneray au début du XIXe siècle, précurseur des idées Éducatives de Ferry ?", Bernard Bodinier, François Neveux éd., Actes du colloque  Éduquer et instruire en Normandie, 50e Congrès des Sociétés historiques et archéologiques de Normandie, 14-17 octobre 2015, Louviers, FSHAN, p. 159-168

« Ymaginier », « tailleur d’image de bois et de pierre » ou « peintre»  sont très présents dans les sources rouennaises du XVe siècle. Ces sources nombreuses nous permettent d’en savoir plus sur les créateurs, leurs conditions de travail et le coût de la création.

Cet article examine la carrière de Pierre Corneille sous l’angle de son appartenance à deux lieux – Rouen et Paris –, en s’interrogeant également sur les enjeux de la polyactivité qui caractérisa longtemps les pratiques professionnelles du dramaturge. Il examine plus largement, au travers de l’étude de ce cas, la manière dont le rapport dialectique entre Paris et ses provinces – qui commença à se mettre en place en France à partir du début du XVIIe siècle – se déploya alors dans le champ littéraire émergent. La réflexion souligne en particulier que Corneille, tout en ayant tenté pendant de longues années de jouer sur les deux tableaux – en s’efforçant par exemple de tirer parti de sa notoriété parisienne pour améliorer sa position sociale à Rouen –, finit par se rallier aux pouvoirs parisiens, notamment à celui de l’Académie Française. Ces pouvoirs étaient en effet seuls capables de valider la position centrale à laquelle lui-même prétendait dans la
sphère des lettres. Par là, les littérateurs provinciaux apparaissent comme ayant activement travaillé à la domination réelle et figurée du centre, dont ils tirèrent en retour bénéfice en termes de réputation et de statut.

Music played a significant role in the confraternal culture of Rouen, in particular as part of the puys, the confraternal contests which were common in northwestern France. The most famous such puy in Rouen was the poetry contest held every year, beginning in 1486, by the Confraternity of the Immaculate Conception of the Virgin. On the first Sunday after the Feast of the Immaculate Conception (8 December), poems in praise of the Virgin were read to the assembled audience in the confraternity's chapel, and prizes were awarded for the best ones. The musical influence in this contest began with the fact that the types of poems that were required-the chant royale, ballade and rondeau-were based on musical forms, and the poets often described themselves as singing {chanter) the praises of the Virgin. The musical influence assumed a more concrete form in the plays in honour of the Virgin performed after the confraternity's post-contest banquet.

This article aims at two objectives: the first one is to present a new way to utilize 3D computer generated models as a complement to traditional methods of documentation of the architectural historian, and as a visual support in scientific discourse. In analyzing the pillars of the axial chapel of the cathedral of Rouen (early 14th century) in order to illustrate some of the possibilities of application of these new techniques, the second aim of the article is to highlight some of the profound formal and functional changes affecting the pillars conceived by French architects in the later Middle Ages. The profound questioning of the idea what a pillar was to be and how it ought to look like makes it clear that this period of Gothic was not as poor in major artistic innovations as is still asserted by many scholars.

Après avoir précisé le contexte de la région de Rouen, les déterminants des évolutions territoriales sont précisées. Il convient ensuite d’examiner les concepts utilisés, sachant que certains peuvent détourner la bonne compréhension des diagnostics territoriaux. Un quatrième point aborde quelques enseignements comparatifs avec d’autres territoires en France et à l’étranger. Enfin, il importe de s’interroger sur les atouts et les possibilités d’améliorer l’attractivité du bassin de vie de Rouen.
[After recalling the context of the Rouen region, the determinants of regional developments are specified. It is then necessary to examine the concepts, knowing that some may divert the understanding of territorial diagnostics. A fourth point addresses some comparative lessons with other territories in France and abroad. Finally, it is important to consider the strengths and opportunities to improve the attractiveness of the catchment area of Rouen.]