Violin Concerto
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The tradition of musical duels harkens back to the days of ancient Greece. One of the earliest examples of musical rivalry is the myth of Marsyas and Apollo, which ends tragically for the satyr. Without doubt, the tournaments of the... more
All’interno delle oltre 160 composizioni strumentali albinoniane autentiche, i concerti per/con strumento solista (violino e/o oboe) e orchestra rappresentano oltre un terzo dell’intera produzione. Cinquantaquattro di questi concerti... more
Preface Violin and cello have shared repertoires since their birth, and the 19th century was no exception. Not only have they played together in the well-known chamber music of the piano trio or string quartet, but they have also been... more
Here is the piano reduction to one of 3 concert endings (Version B) to conclude the first movement of Bruch's Violin Concerto No. 1 in G Minor, Op. 26. A popular work among violinists, this concert ending provides an elegant conclusion to... more
For the three last decades of his life the violinist Johann Friedrich Schreivogel (fl. 1707–1749), known as Il Tedeschino, was a leading violinist in Milan, active in both the Teatro Ducale and the Cappella Ducale. Few biographical... more
Antonio Vivaldi's violin concerto in A major RV 335, entitled The Cuckow (the name is English since the sources transmitting its main version all originate from England), enjoyed extraordinary popularity in eighteenth-century England. It... more
Teaching the stylistic aspects of Classical era violin literature in a systematic way is a relatively recent endeavor in drastic need for readily accessible material. One of the goals of this document is to propose applicable and... more
Traditional narratives of music history have presented Johann Georg Pisendel as a composing violin virtuoso and a possible inspiration for Bach's solo sonatas. However, if one disregards traditional categories such as 'composer' or... more
This article explores, for the first time, the nexus between Giuseppe Tartini’s concertos for violin and orchestra, written for the Franciscan Basilica of Saint Anthony in Padua, and the devotion to this Saint’s tongue, still preserved as... more
The core of this article is a plea for the recognition of the violin concerto in F major RV Anh. 131, first admitted to the Vivaldi catalogue in 2007, as an authentic work of the composer – a change of status that, if accepted, would... more
Ligeti is talking mainly about his then new violin concerto. Publications: MS, "Gespräch zwischen György Ligeti und Manfred Stahnke am 29. Mai 1993", in: Musik - nicht ohne Worte. Beiträge zu aktuellen Fragen aus Komposition, Musiktheorie... more
BY VIVALDI (AFTER ALL): THE VIOLIN CONCERTO RV ANH. 131 SUMMARY The core of this article is a plea for the recognition of the violin concerto in F major RV Anh. 131, first admitted to the Vivaldi catalogue in 2007, as an authentic work... more
Either for reasons of historical context or because of the (supposed) presence of certain structural features within the score, two eminent Bach scholars, Christoph Wolff (Harvard University) and Peter Wollny (Bach Archive Leipzig), have... more
En el artículo, con el fin de ofrecer algunos ejemplos prácticos para una praxis ejecutiva históricamente informada, se analiza la relación entre el texto original de unos movimientos lentos de conciertos para violín de Antonio Vivaldi... more
Jean-Marie Leclair est le plus éminent représentant de l’école française de violon du XVIIIe siècle. Après plusieurs voyages dans le Piémont où il se forma à l’école italienne de violon, Leclair fit une carrière de soliste et de... more
The 19th century is the era of expressive portamento, both in vocal and instrumental performance. However, in contemporary sources the varieties and types of portamento were described with much greater precision in string treatises than... more
This is an article to review the different aspects of Vivaldi’s life and his works. Ospedale Conservatory, Venice school, the importance of concerto in his works also getting back to his unforgettable masterpieces are the others issues to... more
Per lungo tempo la tomba al «Père Lachaise» di Parigi delle violiniste sorelle Milanollo, Maria e Teresa, considerate nell'Ottocento tra i fenomeni musicali viventi più clamorosi in quanto a bravura ed età (con concerti in tutta l'Europa... more
Si tratta della «prima bozza» di uno studio del 1983 che esamina vent'anni di storia del teatro di Savigliano, a poco più d'un lustro di distanza dall'inaugurazione del teatro, indagando le compagnie che hanno replicato migliaia di... more
Depuis les années 70, il y a une volonté d’effectuer un rattrapage pour redonner aux musiciennes une visibilité et une reconnaissance au sein de l’histoire musicale. Si la musique des femmes est aujourd’hui un élément incontournable de... more
Giulio Taglietti (ca. 1666-1718) considered one of the forerunners of the instrumental concerto. His Concerti e sinfonie, op. 2 (Venice, 1696) were the first Venetian publication ever to contain instrumental concertos. The compositions by... more
Erweiterte Neuauflage des »Lexikons der Violine« (Laaber 2004) mit 783 Stichwörtern sowie 117, zum Teil mehrfarbigen Illustrationen und 21 Notenbeispielen
Summary The so-called “Anna Maria partbook”, the collection of violin concertos that made up the repertory of this exceedingly gifted pupil of Vivaldi, contains 31concertos, 24 of which can be attributed securely to Vivaldi; of the... more
Swiss educator, Émile Jaques-Dalcroze observed over 100 years ago that often music conservatoires focus primarily on the development of technique and repertoire, at the expense of musicianship. His embodied approach to music education... more
Slavonic and East European Review 96/2 (April 2018), 355-357
Ludwig van Beethoven (1770–1827)
Triple concierto para piano, violín y violonchelo en Do mayor, op. 56;
Ludwig van Beethoven (1770–1827)
Sinfonía nº 8 en Fa mayor, op. 93
Triple concierto para piano, violín y violonchelo en Do mayor, op. 56;
Ludwig van Beethoven (1770–1827)
Sinfonía nº 8 en Fa mayor, op. 93
This book constitutes both a study and a historical musicological analysis of Sir William Walton's Violin Concerto, treating the form of the violin concerto in general in England, as it developed between 1900 and 1940, taking into... more
Scalero, Rosario, in Dizionario Biografico degli Italiani, XCI, Istituto dell’Enciclopedia Italiana, Treccani, Roma 2018, pp. 240-243.
Anhand des Violinkonzerts »unbalanced instability« wird ein wesentlicher Aspekt von Dieter Ammans Komponieren skizziert: die Erfindung von Klängen aus den gestischen Impulsen beteiligter Musiker heraus und damit die gedankliche... more
It has been already demonstrated before that Bach's Harpsichord Concerto in F Minor BWV 1056, though clearly a transcription like all of the harpsichord concertos, does not go back to a single work but was assembled from movements from... more
The tradition of musical duels harkens back to the days of the ancient Greece. One of the earliest examples of a musical rivalry is the myth of Marsyas and Apollo, which ends tragically for the satyr. Without doubt, the battles of the... more
Availiable online - https://issuu.com/elvanden/docs/fuga_bookletdigital_fug7578-vdef-new (French / English / German) Booklet for the 5 Cd's recording A Tribute to Ysaÿe (Fuga Libera/Outhere) in collaboration with Queen Elisabeth Music... more