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Commonwealth of Letters: British Literary Culture and the Emergence of Postcolonial Aesthetics (Modernist Literature and Culture) Reprint Edition
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Surprisingly, metropolitan intellectuals and their late colonial counterparts leaned heavily on modernist theories of aesthetic autonomy to facilitate their collaborative ventures. For white, metropolitan writers, T.S. Eliot's notion of impersonality could help recruit new audiences and conspirators from colonized regions of the world. For black, colonial writers, aesthetic autonomy could be used to imagine a literary sphere uniquely resistant to the forms of racial prejudice endemic to the colonial system. This strategic collaboration did not last forever, but as Commonwealth of Letters shows, it left a lasting imprint on the ultimate disposition of modernism and the evolution of postcolonial literature.
- ISBN-100190455926
- ISBN-13978-0190455927
- EditionReprint
- PublisherOxford University Press
- Publication dateDecember 1, 2015
- LanguageEnglish
- Dimensions9.1 x 0.8 x 6.1 inches
- Print length336 pages
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Editorial Reviews
Review
"Peter Kalliney's fine book combines a subtle historical sociology of literature with skillful close readings of literary texts to provide a new mapping of the period of late literary modernism and early postcolonial literature. ... Kalliney has a rare gift for joining clear, consistent argument to subtle analysis that is open to complexity and contradiction. ... This book should change the way that scholars of postcolonial literature and modernist literature view the cultural history of this period." --New West Indian Guide
"Commonwealth of Letters is an original and revisionist account of the historical encounter between the writers and institutions of English modernism and late colonial intellectuals, informed by solid archival research and refreshing new readings of the postcolonial canon, and keenly attuned to the complex history of cultural exchanges across the Atlantic." --Simon Gikandi, author of Slavery and the Culture of Taste
"For too long, modernist autonomy and postcolonial politics were thought to be antithetical. This book's splendid research deals this dichotomy a convincing blow. With illuminating insights into crossracial networks in radio, publishing, and other cultural institutions, Kalliney brilliantly shows how modernism enriched African and Caribbean literatures and was itself sustained by them." --Jahan Ramazani, author of A Transnational Poetics
"A fascinating study which explores how modernist ideas influenced a generation of black and white writers-often working sideby-side-and created international networks of affiliation which rise up above race or geography. An illuminating and convincing examination of Anglophone literary history in the second half of the twentieth century." -- Caryl Phillips, author of Color Me English: Migration and Belonging Before and After 9/11
"This densely argued study covers a lot of ground, from literary modernism to postcolonial Anglophone literature from the West Indies and Afria. The book's bibloiography testifies to Kalliney's prodigious research." --M.S. Vogeler, emerita, California State University, Fullerton, CHOICE
"Kalliney's argument is extensive, meticulously researched, and compellingly revisionist... Kalliney provides a startling and thorough reimagining of the complex lines of aesthetic, philosophic, and institutional affiliation between metropolitan and colonial authors in the period 1930-70." --Novel
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Product details
- Publisher : Oxford University Press; Reprint edition (December 1, 2015)
- Language : English
- Paperback : 336 pages
- ISBN-10 : 0190455926
- ISBN-13 : 978-0190455927
- Item Weight : 1.05 pounds
- Dimensions : 9.1 x 0.8 x 6.1 inches
- Best Sellers Rank: #2,451,654 in Books (See Top 100 in Books)
- #885 in English Literature
- #3,186 in British & Irish Literary Criticism (Books)
- #106,212 in Unknown
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