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Necessary Errors: A Novel Paperback – Deckle Edge, August 6, 2013

3.6 3.6 out of 5 stars 102 ratings

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ONE OF THE YEAR'S BEST BOOKS
The Wall Street Journal • Slate • Kansas City Star • Flavorwire • Policy Mic • Buzzfeed

Necessary Errors is a very good novel, an enviably good one, and to read it is to relive all the anxieties and illusions and grand projects of one’s own youth.”—James Wood, The New Yorker

The exquisite debut novel by the author of
Overthrow that brilliantly captures the lives and romances of young expatriates in newly democratic Prague

It’s October 1990. Jacob Putnam is young and full of ideas. He’s arrived a year too late to witness Czechoslovakia’s revolution, but he still hopes to find its spirit, somehow. He discovers a country at a crossroads between communism and capitalism, and a picturesque city overflowing with a vibrant, searching sense of possibility. As the men and women Jacob meets begin to fall in love with one another, no one turns out to be quite the same as the idea Jacob has of them—including Jacob himself.

Necessary Errors is the long-awaited first novel from literary critic and journalist Caleb Crain. Shimmering and expansive, Crain’s prose richly captures the turbulent feelings and discoveries of youth as it stretches toward adulthood—the chance encounters that grow into lasting, unforgettable experiences and the surprises of our first ventures into a foreign world—and the treasure of living in Prague during an era of historic change.



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Editorial Reviews

From Booklist

In this novel set in Prague one year after the 1989 Velvet Revolution, young Harvard graduate and budding writer Jacob Putnam navigates the chaotic and exhilarating landscape of a city in transition. Living among a group of colorful expatriates while teaching English, he longs to identify the spirit of the revolution, but it seems forever out of his grasp. Having recently come out as a gay man in the U.S., Jacob at first feels uncomfortable with revealing his sexuality to his new friends and lives a secretive and lonely life. However, his eventual turn toward openness and pride mirrors the transformation of the city itself, as its citizens slowly adjust to their newfound freedom and growth in opportunity. In his first published novel, literary critic and journalist Crain creates a compelling and heartfelt story that captures both the boundless enthusiasm and naïveté of youth. In addition, the detailed descriptions of Prague and Czech culture, in general, are sure to please those interested in this fascinating period in Eastern European history. --Kerri Price

Review

ONE OF THE YEAR'S BEST BOOKS

• The Wall Street Journal  Slate  Kansas City Star  Flavorwire  Policy Mic  Buzzfeed

A NEW YORK TIMES EDITORS' CHOICE

Necessary Errors is a very good novel, an enviably good one, and to read it is to relive all the anxieties and illusions and grand projects of one’s own youth.”
James Wood, The New Yorker

“Ferociously observed. . . . We’re not through with narratives about the Getting of Wisdom, Americans Abroad, Coming of Age, Gay Coming of Age, New Lost Generations. Among such works, a new narrative will be measured against Caleb Crain’s fine book, which will endure as a powerful entry in the great fictional exploration of the meanings of liberation.”

Norman Rush, The New York Review of Books

“One of the remarkable things about [Crain's] rather remarkable first novel,
Necessary Errors, is the way he makes ‘that thing’ — the experience of an idealistic young American abroad — feel newly revelatory and important. . . . He merely writes his characters and settings so well, with such precise attention to physical and psychological detail, that the reader feels introduced to a small world of people and places. . . . Necessary Errors aims to vividly and carefully reconstruct a lost time. . . . Necessary Errors seems exceptional among recent American novels in how smartly it turns over the economic metaphors in so much American thinking.”
David Haglund, The New York Times

“Evocative. . . .
Necessary Errors so completely recaptures the smells and scenes and political conversations and above all the feelings of 1990-1991 Czechoslovakia that I began to actively worry that Mr. Crain was inserting new memories into my brain."
Matthew Welch, The Wall Street Journal

“A new model for contemporary fiction. . . . It recalls the dreamy pacing of Henry James or Elizabeth Bowen.”
Jane Hu, Slate

“Post-Iron Curtain Prague is the resonant setting of Caleb Crain’s entertainingly digressive first novel . . . about a young expat coming into an understanding of what he believes and who he loves.”
Vogue

“Crain wonderfully evokes the novel’s setting in a few deft strokes. He’s a master of the thumbnail character sketch. . . . Line by line, the book is chock-full of masterly word choices and images. . . . On almost every page the reader is rewarded with gems.
Necessary Errors heralds the fiction debut of a writer with intelligence and an engaging prose style. The book also serves as a document of a unique cultural moment that has vanished.”
The New York Times Book Review

“Caleb Crain's debut novel is at times reminiscent of Jane Austen. . . .
Necessary Errors is a slow, beautiful look at the process of assembly, destruction, and revision specific to coming of age. It captures the Herculean task of forging one's own definitions of success and authenticity. . . . Crain's first novel is a subtle and magnificent look at a kind of freedom that young, thinking Americans can't find by staying at home.”
Zeke Turner, Bookforum.com

“A story of considerable power. . . . Throughout the novel, Crain is his own meta-critic, making literary analysis a convincing part of Jacob’s narrative. . . . Crain’s mastery of this subtle kind of dramatic irony — in which we perceive truths that remain hidden from Jacob — is what gives the novel its cumulative emotional heft.”
The Boston Globe

“Dreamy.”

Vanity Fair

“Crain nicely captures the feel of two societies perched on the edge of becoming vastly more open—gay culture and the former Eastern Bloc—but where he really shines is in capturing the subtle, omnipresent disorientation of the expat experience.”

New York magazine

“[A] smart, pensive novel. . . . Crain has a sharp ear for dialogue.”
Hephzibah Anderson, BloombergBusinessweek

“An endearing and thoughtful look at the expatriate experience.”

Marie Claire

“There's so much to like here that you'll want to take it slow. . . .  Henry James, but gay and in ’90s Czechoslovakia.”
Kevin Nguyen, Grantland

“With its characters’ earnest longing for self-definition, the comedy and sorrow of their falling in love with the wrong people and the number of scenes set in bars, the novel certainly evokes a '
Sun Also Rises' vibe. But Crain’s long, elegant sentences, meandering metaphors and omniscient point of view also owe a debt to Henry James. . . . Reading the novel feels like meeting up with friends. . . . One of the book’s best qualities is that evocation of what it’s like to live abroad. . . . Crain has a knack for making drama out of everyday life. . . . Crain does a fantastic job of immersing the reader in the setting, capturing both Prague’s physical details and its atmosphere. He handles the characters with equal depth and heart. They feel simultaneously realistic and storylike.”
The Kansas City Star

“A sparkling first novel by the literary critic Caleb Crain about youth, ambition, and self-invention in early-90s Prague.”
Harper's Bazaar

“Despite the novel’s looming socio-political backdrop—the parting Iron Curtain and the Velvet Revolution—its story is mesmerizingly personal. . . . Like
The Sun Also Rises, this book centers on the psychological events of each well-crafted character.”
Lauren Christensen, VanityFair.com

“Crain brings sharp insight and graceful writing to this portrait of the upheavals of youth played out in a country undergoing a historical turning.”
Page-Turner, NewYorker.com

“Elegant and intellectually robust. . . . Like Prague itself, Jacob will have to remake himself eventually, and Crain makes that need feel essential and bittersweet.”
Mark Athitakis, Newsday

“Crain reinvents the novel of the innocent abroad in his well-wrought debut.”
Publishers Weekly

“Crain (
American Sympathy) continues his ascendant career with this fully realized debut novel, which delights and surprises with every paragraph. Fans of Ben Lerner’s Leaving the Atocha Station will find themselves similarly enchanted here.”
Library Journal

“A long-awaited debut by one of the brightest literary and journalistic minds today, Caleb Crain’s novel,
Necessary Errors, chronicles a young man’s experience in Czechoslovakia following the Velvet Revolution. He’s missed the bonfires, but the flames haven’t completely died out, and the morning-after light is the right intensity to survey the cultural landscape.”
The Daily Beast

“A compelling and heartfelt story that captures both the boundless enthusiasm and naïveté of youth.”
Booklist

“Crain’s stately, wry, and generous first novel breaks the mold. . . . The adventures of American Jacob Putnam in Czechoslovakia right after the Iron Curtain’s fall recall Henry James as much as they do Ben Lerner.”
Garth Risk Hallberg, The Millions 

“I've long admired Caleb Crain’s writing, and
Necessary Errors is a tender, immersive, insightful novel. Its author builds with affection a world large and small--of early-nineties Prague, gay nightlife, the hardships of laundry, the penumbra of post-Soviet capitalism, beer versus tea, intense ex-pat friendships, a hamster who lives in a pot, and the hopeful stages of love.”
Chad Harbach, author of The Art of Fielding

“This novel sounds like nothing else happening now in American fiction. It’s a tale of erotic awakening that contains--more like encodes--an attempt to read an historical moment, the nineties, when it seemed to many people that history was over. It has shades of Young Werther blowing through it. And shades of Young Törless. But also something other that’s quiet and powerful and its own.”
John Jeremiah Sullivan, author of Pulphead

“In its rich and elaborate depictions of a time and a life, of character and growth and pain, and in its psychological curiosity and emotional rigor,
Necessary Errors is a rarity—a brave, humane, dignified novel of eros and youth in the shadow of history.”
Donald Antrim, author of The Verificationist and The Afterlife

“It is rare, and most welcome, to read a first novel with as much elegance, intelligence, humor, and tenderness as
Necessary Errors. It is also rare to read any novel that creates this much beauty with such a light but sure touch. An exquisite debut.”
Stacey D'Erasmo, author of The Sky Below and A Seahorse Year

“Caleb Crain's beautiful novel is a real feat of memory and invention, which captures the feeling of being young, sensitive, and vaguely but intensely ambitious better than anything I know in recent fiction. Everything in
Necessary Errors feels both transitory and indelible, and isn’t that the way?”
Benjamin Kunkel, author of Indecision

“Caleb Crain has written a novel of surpassing intelligence and unexpected beauty about a young American’s year in post-Communist Prague -- and about how we find, and construct, the story of our lives. His great achievement is to make the unfolding of Jacob Putnam’s newfound sexual freedom resonate with the unfolding of Czechs’ new historical freedoms, so these separate arcs seem of a piece. His precision of description, whether of architecture or emotional weather, is enviable; his dialogue both playful and profound. It is rare to read a book of this length and feel that every sentence mattered, rarer still to finish a novel of such intellectual depth and be so moved.”
Amy Waldman, author of The Submission

“As someone who is often unduly nostalgic about having been in her twenties during the 1990s (though not for as good a reason as having been in Prague during the aftermath of the Velvet Revolution), this novel triggered something like a sense memory. Caleb Crain is remarkable at capturing that time in life when ambition and longing are at once all-consuming and all over the map. I winced in self-recognition more than once -- and marveled at the author's insights more often than that.”
Meghan Daum, author of My Misspent Youth and Life Would Be Perfect If I Lived In That House

Caleb Crain describes a young man's and a country's first tastes of freedom with a lucid and matter-of-fact intelligence. Necessary Errors offers an invaluable record of Prague at the beginning of the 1990s in a style that places it among the great novels of Americans abroad. It's The Ambassadors for the generation that came of age with the downfall of the Soviet Union.”
Marco Roth, author of The Scientists

“I don't know that I’ve ever read a novel that gets down, the way this one does, how it felt to be an American and a gay man at the end of the Cold War--so exiled from the country you grew up in that you go abroad to make a new world. Caleb Crain’s
Necessary Errors is an adventure of the head and heart. His hero, Jacob, turns to the cafes, bedrooms, and libraries of newly free Eastern Europe, an American in search of a European Bildungsroman, in search of love and possibility both.”
Alexander Chee, author of Edinburgh

“Youth and innocence--remember them?  Caleb Crain’s
Necessary Errors stabs the heart with the story of Jacob Putnam's sentimental education in Prague, and reminds us that to be young is to live abroad in a fallen empire where the talk goes on all night, the dumplings are sliced thick, and blue jeans are rare and too expensive.  Pick this novel up and you won't forget it.”
Benjamin Anastas, author of Too Good to Be True

“A coming-of-age story set against a unique and foreign backdrop,
Necessary Errors is a poignant work of fiction grounded in history.”
The Brooklyn Daily Eagle

Product details

  • ASIN ‏ : ‎ 014312241X
  • Publisher ‏ : ‎ Penguin Publishing Group; F First Edition (August 6, 2013)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 480 pages
  • ISBN-10 ‏ : ‎ 9780143122418
  • ISBN-13 ‏ : ‎ 978-0143122418
  • Item Weight ‏ : ‎ 1.06 pounds
  • Dimensions ‏ : ‎ 5.5 x 1.2 x 8.44 inches
  • Customer Reviews:
    3.6 3.6 out of 5 stars 102 ratings

About the author

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Caleb Crain
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Caleb Crain is the author of the novels OVERTHROW (coming from Viking in August 2019) and NECESSARY ERRORS (Penguin, 2013), as well as the critical study AMERICAN SYMPATHY (Yale, 2001). He has written for The New Yorker, The Paris Review, The New York Review of Books, Harper's, and The Atlantic. He was born in Texas, grew up in Massachusetts, and now lives in Brooklyn, New York.

Customer reviews

3.6 out of 5 stars
102 global ratings

Customers say

Customers find the plot tantalizing but not very interesting. They also say the book is overly rated, overly written, and overly long. Opinions are mixed on the characters, with some finding them wonderful and others saying they lack development. Readers also have mixed feelings about the writing style, with others finding it beautiful and relevant while others find it pedestrian and distracting.

AI-generated from the text of customer reviews

23 customers mention "Writing style"14 positive9 negative

Customers are mixed about the writing style. Some mention the book is beautiful, witty, and introspective. They also appreciate the descriptions of Prague as charming. However, some say the narrative lacks a clear thrust and is overwritten. They find it difficult to maintain much interest in the goings-on.

"...The people he encounters are richly drawn in the narrative, and the very early post Communist city is portrayed meticulously...." Read more

"I was drawn to this book because, on the surface, it seemed so personally relevant...." Read more

"...That said, by the end many of the glancing metaphors start becoming so veiled that I often don't know what he's talking about. Kind of too subtle...." Read more

"...We were constantly presented with great descriptive and unexpected images, especially with the protagonist Jacob's every internal thought carefully..." Read more

9 customers mention "Characters"4 positive5 negative

Customers have mixed opinions about the characters in the book. Some find them wonderful, while others say there's no character development.

"...I thought of Dickens, too. There's a parade of minor characters, who are static but vibrate in a way so they transcend stereotype...." Read more

"...could probably be read in a vacuum, thanks to the lack of character development or progression in the novel...." Read more

"...The characters are wonderful & the evocation of Prague makes me long to be there...." Read more

"...Too many characters, too much pointless blather about mundane topics. This book tried way too hard, and the book was overwritten...." Read more

13 customers mention "Plot"3 positive10 negative

Customers find the plot tantalizing but not very interesting, shoddy, and overly rated. They also say nothing happens in the novel and the title is apt.

"...do get tiresome after a while, and the book is quite long and somewhat aimless. Like life, I guess." Read more

"...In addition to being poorly developed, the many characters paraded about weren't very likable either...." Read more

"...Somehow, all the details reduce it all to a gray movie. The novel is very even; there's no crescendo in action, no major event, no glorious soaring..." Read more

"...Too many characters, too much pointless blather about mundane topics. This book tried way too hard, and the book was overwritten...." Read more

3 customers mention "Story pace"0 positive3 negative

Customers find the story pace of the book zero forward momentum, and slower than a snail's pace.

"...The novel does seem to get slow at times, as there is not much happening, plotwise, in the conventional, TV-drama sense..." Read more

"...While each paragraph is beautifully written, the novel has zero forward momentum, slower than a snails pace...." Read more

"Overwritten, slow, too many characters - Seemed like more of an exercise in navel-gazing than a novel..." Read more

Top reviews from the United States

Reviewed in the United States on September 30, 2013
This is very beautifully written, in its own original voice, and full of really acute social observations, done in a kind of glancing, metaphoric style which works beautifully much of the time. The subject,, expats in Prague after the Velvet Revolution, is interesting. particularly since the narrator is gay. That said, by the end many of the glancing metaphors start becoming so veiled that I often don't know what he's talking about. Kind of too subtle. It's quite Jamesian in style, tho not imitative, and subject, innocents abroad. The group of expats are English speaking, to the point they don't even speak Czech, really. So it's mostly about English people and illustrates admirably that culture's obsession with fitting in, not putting a foot wrong, being offended by faux pas, and generally irritating and irritable sense of social superiority and adhesion. Nothing wrong with that, many expats tend to hang out exclusively with other expats, and English society is well observed, but they do get tiresome after a while, and the book is quite long and somewhat aimless. Like life, I guess.
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Reviewed in the United States on August 6, 2013
During the 1990's, Jacob has come to Prague thinking he is in search of a "spirit or mood" left by the splendid Velvet Revolution from Communism. The Berlin Wall has fallen. Europe is ascendant with change. Jacob, newly declared to the world as gay, believes he will have a special resonance with the spirit of change. He has cast off the world which has molded him, and he will revel in the atmosphere of new freedom. He has a job teaching English, although he speaks no Czech of any quantity.

In this masterful novel, Craim has been able to allow us access to the haze of Jacob's perceptions while revealing parts of his voyage that Jacob misses or misinterprets. It is a difficult dance risking that the reader outstrip Jacob and lose our connection to the young man and his sometime fumbling efforts. Jacob hearkens back to the young men of history who are sent on a European tour to ripen and widen their prospectives. The people he encounters are richly drawn in the narrative, and the very early post Communist city is portrayed meticulously.

This novel has received a lot of hype, and in my opinion deserves it. I am a friend to the leisurely development of plot, so I found this to my liking. As one critic cited by Amazon has noted, the world always finds another journey to a new world by the initiate. This one is particularly fine.
14 people found this helpful
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Reviewed in the United States on October 29, 2013
I was drawn to this book because, on the surface, it seemed so personally relevant. I had a very similar expat experience in an economy emerging from Communism just a few years after the setting for Necessary Errors. It should have been very easy for this novel to delight me, since, theoretically, I ought to be able to effortlessly relate to Jacob and his friends, and every page should have evoked a warm, forgiving nostalgia.

Well, instead this was just an awful chore that made me feel intermittently stupid, bored and angry. I never came close to getting a good feel for any of the characters, including Jacob, and it often seemed like I was simply reading an (admittedly beautifully written) series of loosely-connected vignettes that, unto themselves, might be independently interesting (instead of exhausting) since any given section of the book could probably be read in a vacuum, thanks to the lack of character development or progression in the novel. The pages just go on and on and on and on.

In addition to being poorly developed, the many characters paraded about weren't very likable either. They were generally pretentious and self-absorbed, striving for no interesting goals or meaningful activity--just trying to find themselves while rambling about with Prague as a tediously-described background. I've read many good stories about these types of characters (Bret Easton Ellis has a knack for making them interesting), so I don't fault them for their lack of ambition, but I do fault Mr. Crain for making them so horribly boring in their pursuit of new places to drink cheap beer in eastern Europe.

One thing I particularly liked is the warm and tasteful way Jacob describes the more intimate portions of his various love affairs, at least until the very last chunk of the book (at the 80% mark on my Kindle) when he suddenly starts using a very common four-letter word to describe these activities. This was strange and jarring, but maybe it was meant to demonstrate some sort of change or progression within Jacob (or as a statement about how his new love interest was unique), but on paper it just felt rather arbitrary.

Another reviewer summed it all up beautifully and I don't mind repeating it to close this review: "This novel collects characters like a tram during commuter hours; it does so without any real regard for their development or a compelling story-line that pulls them together. Consequently, the characters are lifeless and flat."
8 people found this helpful
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