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Customer Review
Reviewed in the United States on September 3, 2005
This meticulous investigation into the Weimer Republic's naturist movements and its concurrent naked dance training/choreographic styles (together with the criticism/photography associated with them) will surely stand as the definitive study of these complex issues for many years to come. The dense chapters of this book serve up a most original interpretation of the ways in which "liberating divestiture" entered into the construction of the "identity of the avant-garde intelligentsia" through the visual presentation of the "modern body." Toepfer argues that both naturism and naked dance/ gymnastics aimed to break through the rationalizations for mass culture in a search of "transcendent" possibilities. In doing so, he takes advantage of much unpublished archival material and rare photographs. Quite a few of both are reprinted here. Perhaps one of the most interesting findings of this study is the central role played by women in the aesthetic enterprise between the Wars. A 23 page bibliography completes this important achievement. Toepfer is Professor of Theatre Arts at San Jose State University (California).
