Future Music

‘Noise’ in music production is often associated with experimental artists. Think ‘noise’ and you might conjure images of Pierre Schaeffer or of Aphex Twin DJing with sandpaper. While noise can certainly be a powerful experimental tool, it’s also a co

Editor-In-Chief Si Truss, [email protected] Reviews Editor, Music Technology Simon Arblaster, [email protected] Tech Editor, MusicRadar.com Matt Mullen, [email protected] Managing Editor Kate Puttick, kate.puttick@futu

>Apple has launched new versions of Logic Pro for both Mac and iPad – versions 11 and 2 respectively. Leading the way in each of the editions are new AI-powered features: Bass and Keyboard ‘Session Players’, which do for these instruments what Drumme

When you grab that precious bit of time to make some music at the end of the day, staring at a blank MIDI clip can be uninspiring at best and daunting at worst. Every producer experiences mental blocks, and sometimes these can even make you afraid to

Summer is just around the corner, and we can’t think of a better way to welcome it than with Kasper Bjørke’s Puzzles, a dreamy, carefree slice of sun-dappled disco-pop that’s best enjoyed with a cold beer in hand. Featuring guest spots from a cast of

Mike Parker’s deep, hypnotic techno bubbled up through a slew of celebrated singles as the millennium approached. But, as work turned to a full-length debut, he’d let his music spill a little looser, away from the restraints of traditional club arran

Arts & Crafts If we were asked to put Texas-hailing duo Hovvdy (pronounced ‘Howdy’) in a genre-shaped box, it would be tempting to peg them as ‘lo-fi indie’; the band’s early records were all homespun charm and tape-worn poignance, shaped by a DIY a

The term ‘noise’, in general use, can often have negative connotations, implying something unwanted or unpleasant. But as music makers we shouldn’t think of it as such. Many musicians throughout the past century have explored the use of everyday nois

Success offers little protection from self-doubt. Nathan Jenkins – better known as Bullion – has produced for Carly Rae Jepsen, Avalon Emerson and Ben Howard and earned both critical renown and a considerable following as a solo artist, but he contin

Demi Riquísimo is a London-based producer, DJ and label head embracing the retro sound of ’90s dance music. So much so that he even named his latest track after Windows 95 – a track that, somewhat ironically, was produced in Logic Express. Bringing t

INCLUDES AUDIO What’s a sound without movement? LFOs are likely the most common tools at our disposal for creating movement when creating sounds or applying effects. LFO stands for low frequency oscillator – specifically, an oscillator whose frequen

INCLUDES VIDEO In the late ’80s and early ’90s, British dance music icon Dave Clarke helped define the sound of techno. Having released a string of classic tracks on labels like XL and R&S at the beginning of his career, between ’94 and ’96 Clarke r

The Neve 1073 is very high up in that list of vintage gear names that conjure up quality, heritage and, well, expensive price tags. It’s a mic preamp and EQ that was first developed as part of a custom-built Neve recording console more than 50 years

01 > Let’s start with the preamp, and the UAD Neve 1073 is a very accurate emulation of the original 1073, right down to its red knob. Turn it right in Line mode to increase the line level and introduce some 1073 character. This is more subtle than t

Berlin-based producer Giulia Fournier-Mercadante, aka GiGi FM, practised ballet at the highest level, studying in New York during her teenage years before relocating to London after her dance career was unfortunately cut short. Introduced to DJing by

In the 1970s there was no ‘electronic music’ as such. Well OK, of course there was, but if you were growing up in that grey decade, it was unlikely you’d know that much about it. Kraftwerk, Tangerine Dream et al were doing their thing, but it was lar

CONTACT WHO: Arturia WEB: arturia.com KEY FEATURES 12 voice multitimbral poly synth combining analogue signal path with digital modulation tools and effects. Two oscillators and sub oscillator per-voice. Dual filter section with independent ladder an

KEY FEATURES LF DRIVER: 5” woven Kevlar aramid HF DRIVER: 1” silk dome copper cap CROSSOVER FREQ: 2.27kHz CLASS D AMPLIFICATION: HF 20 Watts, LF 35 Watts TOTAL DYNAMIC POWER: 130 Watts MAX. SPL: 104dB (@1m) INPUT: balanced XLR, TRS combo connector EQ

CONTACT WHO: 1010music. WEB: 1010music.com KEY FEATURES Compact Streaming Sampler. Up to 24 voices of polyphony and 16 sequences per preset. 32 GB MicroSD card with 85 presets and over 1500 wav files. Colour matched USB-A to -C power cable and 5-pin

CONTACT WHO: Lewitt WEB: lewitt-audio.com KEY FEATURES Aura range detection, Mute by distance, Large diaphragm condenser, XLR connectivity, comes with shock mount, pop filter and wind shield If you’re familiar with microphones, either through recordi

CONTACT WHO: SOMA Labs WEB: somasynths.com KEY FEATURES I/O: 2x MIDI in, 3x MIDI out, 1x hybrid MIDI/sync out (MIDI to TRS adapters required). USB for power only SOMA is best known for esoteric instruments such as the Lyra-8 ‘organismic’ synth, Pulsa

KEY FEATURES AMP CLASS: D HF POWER: 40W LF POWER: 60W TOTAL POWER: 100W HF DRIVER: 1-Inch Textile Dome LF DRIVER: 8-Inch Optimized Paper FREQ RESPONSE (-10 DB): 37Hz25kHz FREQ RANGE (±3 DB): 45 Hz-21kHz MAX SPL: 117dB ENCLOSURE: Front Ported So impre

CONTACT WHO: 4ms WEB: 4mscompany.com KEY FEATURES Dual use module Two modules in one, Eight channel sequencer for gates and CV, CV recorder, scene/ preset manager Sequencers in the world of modular are easy to find, with most falling into one of two

CONTACT WHO: Noise Lab WEB: noiselab.io KEY FEATURES I/O: Two resonant band-pass filters, 24dB low-pass filter, CV controllable, Series and parallel path options Filters are the most common tone-shaping tool used in synthesis and no matter what your

CONTACT WHO: Boss WEB: boss.info KEY FEATURES Multi-effects processor with EQ, delay, echo, reverb, doubling, harmonies, automatic pitch correction, high-visibility colour LCD and multifunction knobs, 50 presets and 99 memories, XLR mic input with ph

>It is always interesting to see what a small developer might do when putting time and effort into creating their own standalone sample playback engine. And this brings us neatly to S.K.Y. Keys from S.K.Y. Studios. It’s creator, Skylar Young, recorde

>Oberheim’s DMX was one of the first commercially available digital drum machines. Unlike the Roland TR-808, it made use of samples for all its sounds, with each of it’s eight ‘voices’ getting a dedicated playback card and output. It had no sampling

>Futuristic techno abounds in this gritty, full-sized sample pack with dark, experimental sounds at the forefront and cutting-edge riffs and rhythms pulsing from the ground up. The textures are sonically rich and raw, with all corners of the 700-stro

Arguably the most forward-thinking DAW on the market, the latest version of Bitwig Studio – v5.2 – adds 3 new EQs and an overhaul compressor. Version 11 of Logic Pro is finally here – alongside Logic for iPad v2 – and adds AI-aided keys and bass play

Review: FM359 For melodic sequencing duties and flexible hardware control, this is one of the best keyboard devices around. Review: FM338 For those who work with both hard and software, this may be the best studio centrepiece on the market. Full Revi

Full Review: FM407 Atoms is a characterful and natural-sounding electronic instrument. Come for the otherworldly pads, stay for the surprisingly hard-hitting bass. Full Review: FM393 (v4) The update to version 5 isn’t the most substantial Pigments up

Full Review: FM401 A bit of a master stroke. Cascadia merges different synthesis types wonderfully and houses them in a format that works extremely well. Full Review: Coming soon The latest addition to Moog’s range of semi-modular instruments can fun