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Len Wiseman's directorial debut sees vampires battle with werewolves. Two underground communities, the sophisticated Death Dealers (vampires), and the feral Lycans (werewolves), have been battling for supremacy and hidden from the mortal world for centuries. That is until one night when one of their battles is witnessed by a young doctor, Michael Corvin (Scott Speedman). When a leading member of the Death Dealers, Selene (Kate Beckinsale), discovers a Lycan plot to kill the doctor she decides to follow him. But the more Selene follows him the more attracted to the man she becomes, and is convinced that the Lycan's are planning a major attack. When Corvin is attacked by a Lycan and becomes a werewolf, and a sworn enemy of her race, Selene finds herself in a dilemma. (Entertainment in Video)

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Reviews (11)

Remedy 

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English I'm not saying it's a masterpiece, but in concept and treatment, Underworld certainly doesn't fall into the category of a purely "B" film: The sets, the art direction, the music, and the excellent action are the main pluses of this film, which otherwise flounders on its script. Underworld is far from being a sophisticated and intelligent vampire saga, but I was not bored, quite the opposite – I had a great time. A weaker 4 stars. ()

POMO 

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English The key to Underworld is your level of tolerance for the screenplay that pretends to be serious but is actually naïve and unintentionally funny in places. Len Wiseman may have fulfilled a childhood dream, but he’s either forgotten about the more mature audience or he still has a pimply face himself. Even so, I can’t give this less than three stars, which is thanks to the spectacular production. The childishness is justified by the fury of the action scenes, the sets and mainly Kate Beckinsale’s sexy costume. If you’re not an admirer of Federico Fellini, the visual and aural aspects of this film will appeal to you more than its content will annoy you. ()

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Lima 

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English We are in the 21st century, gone are the days of individualists with two fangs, now we have whole families of vampires and lycans who organize themselves almost like political parties and wage wars among themselves like mafiosi. Vampires with electronic equipment and a massive arsenal of weaponry are nothing like the pleasantly decadent vampires from, for example, Jordan's Interview with the Vampire. Sorry, Director Wiseman, I prefer the decadent ones, or the posh Count Dracula, who with all nonchalance digs his fangs into an artery and needs no laptops or liquid silver bullets to do it. For a ridiculously low budget of 20 million I was treated to some very impressive images in places, but that’s not everything, script-wise it was as scratchy as Kate's tight leather outfit while walking, the war between lycans and vampires full of machine gun shots didn't entertain me at all, nor did the plot around the blood mixing. Basically, there was nobody to root for. A lot of silly fun, really. ()

NinadeL 

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English This was alright. Kate in the corset and latex is decent at least. The purposefully colorized black-and-blue-and-white film is pleasing to the eye, but that's about all there is to say about it. Dramatically, it’s too straightforward, so the only films it can beat on points in its genre are the infamous Twilight saga films. ()

Kaka 

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English Underworld is definitely not an extremely good film, but it is visually attractive, musically well-done, and sufficiently atmospheric. Kate Beckinsale fits snugly into her tight suit, and the only thing that really bothered me, and paradoxically diminished the film's cool factor, were the sometimes dull and unnecessary digital effects. ()

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