The Hunted

A bit like a shabby first Rambo. The rawness and Friedkin's adept coaching of the action scenes is brought down by a clichéd story, a bunch of implausibilities (the whole opening scene from "Bosnia") and a load of outright plot bullshit. Or would you choose to quietly sheathe your knife as you fled, chased by hundreds of pursuers? (10/29/2005)

Simple, quick and raw. Of course it's not the peak of creative or acting genius, but you don't expect that from an unassuming film like this. William Friedkin delivers nothing but an entertaining action B-movie with a likeable cast and a rather good atmosphere in places. I watched it from 11pm and I didn’t fall asleep, which in my case is saying something (I fall asleep at 2pm watching the Hockey World Cup) and it’s indicative of some quality. (02/10/2012)

An interesting addition for fans of pure action movies. William Friedkin has basically given up on any narrative structure and the story races forward like a runaway train in the most simple and linear way possible. But what they did pay attention to is the rawness and coldness of the setting, the absolute minimization of visual effects, and the overall very austere and ordinary style of direction, in which the elemental combat technique krav maga stands out. The fights are incredible and unusually clearly filmed for Friedkin. If we overlook the initial staged and unrealistic action in Bosnia, the viewer who doesn't expect too much will not be unrewarded. (05/07/2005)

The Hunted is an intentionally cold (in the style of Insomnia) and relatively raw thriller that gets its distinctiveness mainly from the use of unobtrusive music in passages where you would expect a large orchestra. This was evidently done to achieve greater authenticity and naturalism. The first, slower and more clichéd half is handicapped by poor development of the characters and the occasionally dumb flashbacks that introduce them to us. In the second half, however, the pure action kicks into gear and the film takes on some decent dynamics and shocking gore. It’s actually rather raw for the mainstream – that many slash wounds are not normally seen in a single film. The actors are fine, but they deserve a better-developed psychological aspect. Connie Nielsen is again very, very good. (06/11/2003)

Decent. On the plus side is definitely the central duo Benicio Del Toro and Tommy Lee Jones and solid knife flourishes, the final fight is decently brutal and features a few nice fatalities, but I expected the whole film to take place in the rainforest and unfortunately it doesn't, the relocation to the city slightly spoils the impression, but still a nice one-shot. 65 (01/16/2015)