Directed by:
Christopher NolanScreenplay:
Christopher NolanCinematography:
Wally PfisterComposer:
Hans ZimmerCast:
Leonardo DiCaprio, Joseph Gordon-Levitt, Elliot Page, Tom Hardy, Ken Watanabe, Dileep Rao, Cillian Murphy, Tom Berenger, Marion Cotillard, Pete Postlethwaite (more)VOD (1)
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Dom Cobb (Leonardo DiCaprio) is a skilled thief, the best in the dangerous art of extraction: stealing valuable secrets from deep within the subconscious during the dream state when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but onlyif he can accomplish the impossible--inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse; their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming. (Roadshow Entertainment)
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Reviews (18)
Nolan has failed in the most difficult cinematic discipline of filming “the reality of a dream" (although it is true that I always imagined lucid dreaming like this); Eternal Sunshine of the Spotless Mind thus remains the only film that has succeeded at it. Nolan's dreaming is deprived of randomness, surprise, absurdity, and surrealism, and, thanks to its coldness, depersonalization, and pragmatism, it is more interchangeable with virtual reality. Which is not a criticism, just a statement. From the beginning, a complex, detailed, multilayered world is created, where a simple but not stupid plot unfolds (a classic heist movie format about a cunning plan where everyone has a fixed role). Moreover, it is perfectly crafted; it is admirable how well he works here with five (or even six?) scenarios at the same time. What I really applaud Nolan for is the final shot lasting several seconds, which in its simplicity is more perfect (and timelessly Blade Runner-like) than the best shocking punchline. And the best part is, it's built to work the same way for both theories. P.S.: I only realized after multiple viewings that for me the most attractive thing about it is Cobb's personal catharsis through the form of Mal aka the materialization of an un-self-acknowledged act that haunts Cobb and does not leave him in peace (although it may be otherwise, but for me the magic of Inception lies precisely and only in this interpretation, so thank you in advance for not taking away my illusions, however captivating and viable the “movie illusions" are).
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It's a good movie, but it has its flaws. I think the most annoying thing was the frantic camera work, where at times I wasn't sure what it was actually trying to show me... When I walked out of the cinema from Nolan's previous film, The Dark Knight, I had a very different feeling. A sense of fulfilment, a feeling that I had really seen something. Unfortunately, that feeling didn't come this time. Yes, I could discuss this film for hours and hours (and during that time, I'd incorporate my knowledge of Murakami's book “Hard-Boiled Wonderland and the End of the World", which would certainly be nice), but to have to watch it again because of that? Nope. Yes, totally interesting idea, good story, but I have no idea what I'm taking away, if anything. Just the knowledge that I've seen a good movie. And I certainly don't consider it the movie of the year. Still, definitely check it out, because it's worth at least one viewing – preferably at the cinema (even the home one :-)).
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Inception is an incredibly precise film with a cold and detached perfection that reminded me of the Kubrick’s best (more than the oft-mention The Matrix) – that’s how The Killing would look if it was blended with 2001: A Space Odyssey. The way the script works with so many dream levels would be lethal for about 99% of today’s directors and screenwriters, but Nolan no longer needs to prove anything to anyone. This is a class on its own. Thanks to his mastery, the complex plot is easy to understand, at least at the most basic level. After watching it, I couldn’t sleep trying to find inconsistencies. There are films that don’t have an interpretation and will never make sense, no matter how hard the viewer tries, but I think the opposite applies to Inception. There will be several interpretations and all of them could be correct, though I believe it’s pointless to theorise too much, the true interpretation will be the simplest one, and the details (will it fall or not, and why) will remain up to each viewer. Either way, I must watch it again. I can’t tell which place (in terms of quality) Inception takes in Nolan’s filmography, but I liked it a lot more than the over-hyped and straightforward (though also great) The Dark Night. PS: Does it make any sense to talk about how great the performances of the entire cast are? (my favourite were Joseph Gordon-Levitt and Cillian Murphy). Edit: So, for the second time, a truly wonderful experience. The film is full of emotions, but you don’t have a chance to get them the first time (because you don’t know the twist) – Nolan’s rule of repeated viewings still applies.
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We wish to make our dreams come true. We can't really materialize them unless we use film technology to do so. Inception is a perfect example of when dreams become reality and we can escape from reality into a dream. Unfortunately, we perceive it as exactly the opposite of the characters in the film. Two and a half hours go by like only a few minutes.
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Christopher Nolan really nails it! Fantastic direction, perfect music. A film that surely messes with everyone's head. Even in the cinema you could tell how excited everyone was and how would love to see it again. Therefore, I join the opinion that this film is a drug and deserves the highest rating. A full 100% and more.
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