Music

Scott, celebrating the long-awaited streaming release of his decade-old Days Before Rodeo mixtape, made a visual for “Drugs You Should Try It,” arguably his best track to date.

The DJ told GQ about letting go of the party lifestyle, turning himself into a longevity guinea pig, and why he requests a backstage yoga mat these days.

Isbell, both a friend and a fan, sat down via Zoom with the legendary singing-songwriting duo, who've just released their first collection of new music since 2017.

After owning summer just by standing in front of the world and asking it to match her freak, the “Nasty” singer talks creative control, adapting to the Internet, and working with Bob Dylan.

The ‘One of Your Girls’ singer brings his viral dance moves to the beloved mall brand’s latest campaign.

The We Don't Trust You team hits the stage at Barclays, and the deep cuts ring out just as loud as the hits.

The Coachella-slaying, multi-language-singing, genre-obliterating members of Ateez are quickly becoming load-bearing stars of our global pop universe.

Combining hip-but-popular fare with selections from the boomer canon, the former president’s culture picks are the platonic ideal of cool dad taste.

GQ columnist Chris Black on Feist, who paved the way for our female-led pop moment back in the iPod Nano age—and keeps getting better, even if the hype machine has moved on.

Treatment Studio cofounder Sam Pattinson on working with John Mayer and Dead & Co. to create a wheel-reinventing live-Dead experience in less than six months.

The Grown-ish star talks about his second album, that viral Tyla cover, and trying to make “the realest music in the world.”

A photo of Ocean playing bass in the studio sparks a new round of speculation about an artist who's turned anticipation into performance art.

The unlikeliest rock gods of the ‘90s mark the thirtieth anniversary of a great album that surprised even their most loyal fans.

When he broke out with “White Iverson” ten years ago, Post Malone was probably the last artist you’d expect to see rocking Wranglers at the Super Bowl or recording a country album with an F-150 on the cover and everyone from Chris Stapleton to Dolly Parton in the credits. But as GQ columnist Chris Black points out, this is increasingly just what pop-star evolution looks like in 2024.

The brilliant comedy-drama brings a grip of late-aughts signifiers—AIM chats, Facebook wall posts, Verizon Ringback Tones, Warped Tour bands—to the big screen in the most painfully accurate and hilarious way possible. Director Sean Wang tells GQ what it took to recreate an oft-overlooked period for his first feature film.