Image source: Paramount Pictures We love recommending movies that you may not have seen or thought of in a long time, and this week’s pick is a true classic: the 1978 comedy Heaven Can Wait. It’s the perfect choice for a cozy evening in, filled with laughter, heartwarming moments, and a touch of fantasy. Prepare to be charmed by the star-studded cast of Heaven Can Wait, led by the multi-talented Warren Beatty, who not only stars but also co-wrote and co-directed this gem. You’ll also enjoy the company of Julie Christie, James Mason, Jack Warden and comedy legends Charles Grodin and Buck Henry. The plot follows a Los Angeles Rams quarterback who is prematurely taken from his body, only to find himself reincarnated in the body of a millionaire. This hilarious and heartwarming film blends fantasy and romance, promising a delightful cinematic experience. Fun Facts: (Via IMDb) Believe it or not,...
- 9/3/2024
- by Hollywood Outbreak
- HollywoodOutbreak.com
Though it was hardly the first thriller to portray domesticity imperiled by an artificially intelligent “helper”, the runaway success of 2022’s “M3GAN” certainly lent that concept new commercial appeal. Unsurprisingly, Blumhouse isn’t waiting for next summer’s “M3GAN 2.0” to capitalize on its own success. Writer-director Chris Weitz’s “Afraid” (recently retitled with an “AI” spin from the previously announced “They Listen”) stars John Cho and Katherine Waterston as a married couple whose home is selected to test a new “digital family assistant.” Needless to say, it soon develops a dangerous mind of its own.
This less tongue-in-cheek traipse through formulaic sci-fi horror terrain works well enough to a point, its setup nicely handled by Weitz and his cast. But when crises start occurring at the halfway mark, they pile on too quickly to underwhelming effect, sacrificing credibility for excitement that never really materializes. Opening without press screenings, the...
This less tongue-in-cheek traipse through formulaic sci-fi horror terrain works well enough to a point, its setup nicely handled by Weitz and his cast. But when crises start occurring at the halfway mark, they pile on too quickly to underwhelming effect, sacrificing credibility for excitement that never really materializes. Opening without press screenings, the...
- 8/30/2024
- by Dennis Harvey
- Variety Film + TV
Hallmark’s latest Summer Nights movie My Dreams Of You is a magical romance starring Skyler Samuels and Zoey’s Extraordinary Playlist star Kapil Talwalker. “A woman dreams about a man she’s never met who was mistakenly inserted into her dreams by a clerical error in Dream Central. She tries to find him before any memories of each other are erased.”
This sounds a bit like a Hallmark version of the classic Warren Beatty and Julie Christie movie Heaven Can Wait. This movie will also appeal to those fans who love the Hallmark Hall Of Fame movie In My Dreams starring Katharine McPhee and Mike Vogel.
Here is more about this dreamy new romance.
Photo: Skyler Samuels, Kapil Talwalkar Credit: ©2024 Hallmark Media/Photographer: Albert Camicioli What Is Hallmark’s My Dreams Of You About?
In Hallmark’s latest Summer Nights movie My Dreams Of You, Skyler Samuels and Kapil...
This sounds a bit like a Hallmark version of the classic Warren Beatty and Julie Christie movie Heaven Can Wait. This movie will also appeal to those fans who love the Hallmark Hall Of Fame movie In My Dreams starring Katharine McPhee and Mike Vogel.
Here is more about this dreamy new romance.
Photo: Skyler Samuels, Kapil Talwalkar Credit: ©2024 Hallmark Media/Photographer: Albert Camicioli What Is Hallmark’s My Dreams Of You About?
In Hallmark’s latest Summer Nights movie My Dreams Of You, Skyler Samuels and Kapil...
- 7/16/2024
- by Georgia Makitalo
- TV Shows Ace
Horror movies are a dime a dozen, so it's imperative that we celebrate the good ones when they arrive. Regrettably, audiences often miss out on a novel new entry to the genre due to bad or misleading marketing, poorly timed release dates, or an inability to grasp a unique concept, causing a potential blockbuster to flame out at the box office. On many occasions, such pictures will earn solid reviews from critics and go on to achieve cult status thanks to solid word-of-mouth. In other instances, however, many impeccably made horror pictures needlessly fade into obscurity after bombing in theaters and never find the success they deserve.
Well, I'm here to put an end to the madness. I've scoured the World Wide Web and located a handful of horror box office bombs with great RottenTomatoes scores in dire need of more attention. Some of these entries, like John Carpenter's classic "The Thing,...
Well, I'm here to put an end to the madness. I've scoured the World Wide Web and located a handful of horror box office bombs with great RottenTomatoes scores in dire need of more attention. Some of these entries, like John Carpenter's classic "The Thing,...
- 7/14/2024
- by Jeff Ames
- Slash Film
Shelley Duvall, the doe-eyed actor who was both muse and protégé of director Robert Altman but might best be remembered for her co-starring role opposite Jack Nicholson in Stanley Kubrick’s The Shining, died today, July 11, of complications from diabetes at her home in Blanco, Texas. She was 75.
Her death was announced by her longtime partner Dan Gilroy.
“My dear, sweet, wonderful life partner and friend left us,” Gilroy said in a statement to The Hollywood Reporter. “Too much suffering lately, now she’s free. Fly away, beautiful Shelley.”
Duvall rose to fame in the 1970s in a series of Altman’s films, starting with Brewster McCloud and followed by McCabe & Mrs. Miller, Thieves Like Us, 3 Women,...
Her death was announced by her longtime partner Dan Gilroy.
“My dear, sweet, wonderful life partner and friend left us,” Gilroy said in a statement to The Hollywood Reporter. “Too much suffering lately, now she’s free. Fly away, beautiful Shelley.”
Duvall rose to fame in the 1970s in a series of Altman’s films, starting with Brewster McCloud and followed by McCabe & Mrs. Miller, Thieves Like Us, 3 Women,...
- 7/11/2024
- by Greg Evans
- Deadline Film + TV
A great ending can be the hardest thing for a writer. For Robert Towne — who died Monday, having written and reshaped some of the most important films of the 1970s — finding the best way to wrap up a film was a career-long challenge. In the script that earned him an Oscar, the downbeat “Forget it, Jake — it’s Chinatown” finale was famously Roman Polanski’s idea.
And yet, there’s undeniable poetry in Towne’s passing: The Oscar winner died 50 years (and two weeks) after “Chinatown” opened, basking in the fresh round of appreciation that the half-century anniversary brought. Towne was a natural raconteur whose stories were every bit as rich as his screenplays — as evidenced by an in-depth Variety interview that ran last month — and whose best writing often went uncredited.
For those who weren’t around to have witnessed Towne’s transformative impact on American cinema in the 1970s,...
And yet, there’s undeniable poetry in Towne’s passing: The Oscar winner died 50 years (and two weeks) after “Chinatown” opened, basking in the fresh round of appreciation that the half-century anniversary brought. Towne was a natural raconteur whose stories were every bit as rich as his screenplays — as evidenced by an in-depth Variety interview that ran last month — and whose best writing often went uncredited.
For those who weren’t around to have witnessed Towne’s transformative impact on American cinema in the 1970s,...
- 7/3/2024
- by Peter Debruge
- Variety Film + TV
If being a Hollywood star consists of having either major box office clout or a few Oscar nominations (and, preferably, at least one win), the great Donald Sutherland never had any of those. Then why, since his death last Thursday at age 88, has he been celebrated the world over as one of the true legends to grace the modern screen?
The reason is simple: the Canadian-born Sutherland, whose incredibly prolific and versatile career kicked off in 1964 with the Italian horror flick, The Castle of the Living Dead, possessed the extremely rare quality — call it a kind of alchemy — where he could disappear into a role and yet somehow remain Donald Sutherland at the same time.
Whether he was playing a sinister Nazi spy (The Eye of a Needle), a boozy G.I. medic (M*A*S*H), an existentially lovesick detective (Klute), the benevolent English patriarch of a classic 19th...
The reason is simple: the Canadian-born Sutherland, whose incredibly prolific and versatile career kicked off in 1964 with the Italian horror flick, The Castle of the Living Dead, possessed the extremely rare quality — call it a kind of alchemy — where he could disappear into a role and yet somehow remain Donald Sutherland at the same time.
Whether he was playing a sinister Nazi spy (The Eye of a Needle), a boozy G.I. medic (M*A*S*H), an existentially lovesick detective (Klute), the benevolent English patriarch of a classic 19th...
- 6/22/2024
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
It may now be hard to imagine, but in 1970, Donald Sutherland, who died Thursday at 88, was the coolest movie star on the planet. The moment I saw him in “M*A*S*H,” I knew he was the person I wanted to be, the same way that I wanted to be Mick Jagger or Steve McQueen. In 1970, Pacino and De Niro hadn’t happened yet. You could say that Robert Redford and Paul Newman, in “Butch Cassidy and the Sundance Kid” (1969), had achieved the quintessence of a kind of studio-system cool, inventing the buddy movie.
But in “M*A*S*H,” Donald Sutherland and Elliott Gould, as “Hawkeye” Pierce and “Trapper John” McIntyre, were buddies of a headier, more intoxicating kind. They were so cool that they seemed to stand outside the system, studio or otherwise. They devised their own rules, which came down to this: If you could make fun of the world and everything in it,...
But in “M*A*S*H,” Donald Sutherland and Elliott Gould, as “Hawkeye” Pierce and “Trapper John” McIntyre, were buddies of a headier, more intoxicating kind. They were so cool that they seemed to stand outside the system, studio or otherwise. They devised their own rules, which came down to this: If you could make fun of the world and everything in it,...
- 6/20/2024
- by Owen Gleiberman
- Variety Film + TV
Donald Sutherland, the Canadian actor who delivered memorable turns in films like Don’t Look Now, Klute, and The Hunger Games, has died. He was 88.
Sutherland’s son, the actor Kiefer Sutherland, announced the death on social media. ”I personally think one of the most important actors in the history of film,” Sutherland wrote. ”Never daunted by a role, good, bad, or ugly. He loved what he did and did what he loved, and one can never ask for more than that. A life well lived.”
Sutherland passed away in Miami after a long, unspecified illness and leaves an indelible impression on the arts.
Sutherland’s son, the actor Kiefer Sutherland, announced the death on social media. ”I personally think one of the most important actors in the history of film,” Sutherland wrote. ”Never daunted by a role, good, bad, or ugly. He loved what he did and did what he loved, and one can never ask for more than that. A life well lived.”
Sutherland passed away in Miami after a long, unspecified illness and leaves an indelible impression on the arts.
- 6/20/2024
- ScreenDaily
We're very sad to report that Donald Sutherland has passed away at the age of 88 after a long illness.
Sutherland appeared in countless movies and TV shows over the course of his six-decade career, taking on a wide range of roles. Early standouts include Pvt. Vernon Pinkley in The Dirty Dozen (1967), Benjamin Franklin “Hawkeye” Pierce in M*A*S*H (1970), hippie tank commander Sgt. Oddball in Kelly’s Heroes (1970), and the titular private eye in Alan J. Pakula’s Klute (1971).
Though he often played heroic characters, Sutherland also brought life to his share of villains, including a ruthless Nazi spy in Eye of the Needle (1981), and President Snow in the Hunger Games movies. He is also known for his devastating turn as a grieving father in Nicholas Roeg's sinister horror/thriller Don't Look Now (1973), which featured an infamously graphic (for its time) sex scene with Julie Christie.
The prolific actor's résumé also includes:...
Sutherland appeared in countless movies and TV shows over the course of his six-decade career, taking on a wide range of roles. Early standouts include Pvt. Vernon Pinkley in The Dirty Dozen (1967), Benjamin Franklin “Hawkeye” Pierce in M*A*S*H (1970), hippie tank commander Sgt. Oddball in Kelly’s Heroes (1970), and the titular private eye in Alan J. Pakula’s Klute (1971).
Though he often played heroic characters, Sutherland also brought life to his share of villains, including a ruthless Nazi spy in Eye of the Needle (1981), and President Snow in the Hunger Games movies. He is also known for his devastating turn as a grieving father in Nicholas Roeg's sinister horror/thriller Don't Look Now (1973), which featured an infamously graphic (for its time) sex scene with Julie Christie.
The prolific actor's résumé also includes:...
- 6/20/2024
- ComicBookMovie.com
Donald Sutherland is dead at the age of 88. The news was confirmed on X by his son Kiefer, who wrote, “With a heavy heart, I tell you that my father, Donald Sutherland, has passed away. I personally think one of the most important actors in the history of film. Never daunted by a role, good, bad or ugly. He loved what he did and did what he loved, and one can never ask for more than that. A life well lived.”
One of the most acclaimed actors of his or any generation, Donald Sutherland appeared in almost every genre of movie imaginable, with a presence that could carry the artiest of arthouse movies as well as the biggest blockbuster spectaculars. Consider that one of his earliest hits was “The Dirty Dozen,” in which he was one of the title squad; and in his last years he starred as the primary...
One of the most acclaimed actors of his or any generation, Donald Sutherland appeared in almost every genre of movie imaginable, with a presence that could carry the artiest of arthouse movies as well as the biggest blockbuster spectaculars. Consider that one of his earliest hits was “The Dirty Dozen,” in which he was one of the title squad; and in his last years he starred as the primary...
- 6/20/2024
- by Christian Blauvelt
- Indiewire
Donald Sutherland, a beloved film presence for more than 50 years whose warm, rich voice was as distinctive as the regal bearing he brought to so many of his roles, died Thursday at the age of 88.
Sutherland’s agency CAA confirmed the actor’s death to the Hollywood Reporter, adding that he died in Miami following a long illness. Sutherland’s son Kiefer also revealed his father’s death on social media, writing, “With a heavy heart, I tell you that my father, Donald Sutherland, has passed away. I personally think...
Sutherland’s agency CAA confirmed the actor’s death to the Hollywood Reporter, adding that he died in Miami following a long illness. Sutherland’s son Kiefer also revealed his father’s death on social media, writing, “With a heavy heart, I tell you that my father, Donald Sutherland, has passed away. I personally think...
- 6/20/2024
- by Tim Grierson
- Rollingstone.com
Donald Sutherland, the tall, lean and long-faced Canadian actor who became a countercultural icon with such films as “The Dirty Dozen,” “Mash,” “Klute” and “Don’t Look Now,” and who subsequently enjoyed a prolific and wide-ranging career in films including “Ordinary People,” “Without Limits” and the “Hunger Games” films, died Thursday in Miami after a long illness, CAA confirmed. He was 88.
For over a half century, the Emmy and Golden Globe-winning actor, who received an honorary Oscar in 2017, memorably played villains, antiheroes, romantic leads and mentor figures. His profile increased in the past decade with his supporting role as the evil President Snow in “The Hunger Games” franchise.
Most recently, he appeared as Judge Parker on the series “Lawmen: Bass Reeves” and in the “Swimming With Sharks” series in 2022. His other recent recurring roles include the series “Undoing” and “Trust,” in which he played J. Paul Getty, and features “Ad Astra” and “The Burnt-Orange Heresy.
For over a half century, the Emmy and Golden Globe-winning actor, who received an honorary Oscar in 2017, memorably played villains, antiheroes, romantic leads and mentor figures. His profile increased in the past decade with his supporting role as the evil President Snow in “The Hunger Games” franchise.
Most recently, he appeared as Judge Parker on the series “Lawmen: Bass Reeves” and in the “Swimming With Sharks” series in 2022. His other recent recurring roles include the series “Undoing” and “Trust,” in which he played J. Paul Getty, and features “Ad Astra” and “The Burnt-Orange Heresy.
- 6/20/2024
- by Rick Schultz
- Variety Film + TV
Donald Sutherland, Versatile Star of ‘M*A*S*H,’ ‘Ordinary People’ and ‘The Hunger Games,’ Dies at 88
Donald Sutherland, whose performances in such films as M*A*S*H, Ordinary People and The Hunger Games proved he could portray sinister, sympathetic, comedic or tragic with equal aplomb, has died. He was 88.
Sutherland died Thursday in Miami after a long illness, CAA’s Missy Davy told The Hollywood Reporter.
Remarkably, Sutherland was never even nominated for a competitive Oscar, though the Academy of Motion Picture Arts and Sciences made up for the oversight by giving him an honorary statuette in November 2017 at the Governors Awards.
A prodigious actor who often appeared in three to five films a year, the lanky Canadian-born star displayed great range during his six-decade career. His early characters, like crazed/dazed Pvt. Vernon Pinkley in The Dirty Dozen (1967), anti-Establishment Army medic Benjamin Franklin “Hawkeye” Pierce in M*A*S*H (1970) and hippie tank commander Oddball in Kelly’s Heroes (1970), were rascally mavericks.
With his distinctive baritone and crystal blue eyes,...
Sutherland died Thursday in Miami after a long illness, CAA’s Missy Davy told The Hollywood Reporter.
Remarkably, Sutherland was never even nominated for a competitive Oscar, though the Academy of Motion Picture Arts and Sciences made up for the oversight by giving him an honorary statuette in November 2017 at the Governors Awards.
A prodigious actor who often appeared in three to five films a year, the lanky Canadian-born star displayed great range during his six-decade career. His early characters, like crazed/dazed Pvt. Vernon Pinkley in The Dirty Dozen (1967), anti-Establishment Army medic Benjamin Franklin “Hawkeye” Pierce in M*A*S*H (1970) and hippie tank commander Oddball in Kelly’s Heroes (1970), were rascally mavericks.
With his distinctive baritone and crystal blue eyes,...
- 6/20/2024
- by Mike Barnes and Duane Byrge
- The Hollywood Reporter - Movie News
Donald Sutherland, the beloved actor who starred in scores of films from The Dirty Dozen, Mash and Klute to Animal House and Ordinary People to Pride & Prejudice and The Hunger Games franchise and won an Emmy for Citizen X, died Thursday in Miami after a long illness. He was 88.
The 2017 Honorary Oscar recipient also is the father of Emmy-winning 24 and Designated Survivor actor Kiefer Sutherland and veteran CAA Media Finance exec Roeg Sutherland. CAA confirmed the news to Deadline.
Related: Remembering Donald Sutherland: A Career In Photos
In some of his most well-known roles, he perfected a laconic, wry and dead-serious delivery. Such was the case for characters including the cool-headed amateur murder investigator John Klute, opposite Jane Fonda’s terrified and erratic call girl Bree Daniels in Klute; as Hawkeye Pierce in the film Mash, where he played opposite Elliott Gould’s cut-up Trapper John; and in Nicolas Roeg...
The 2017 Honorary Oscar recipient also is the father of Emmy-winning 24 and Designated Survivor actor Kiefer Sutherland and veteran CAA Media Finance exec Roeg Sutherland. CAA confirmed the news to Deadline.
Related: Remembering Donald Sutherland: A Career In Photos
In some of his most well-known roles, he perfected a laconic, wry and dead-serious delivery. Such was the case for characters including the cool-headed amateur murder investigator John Klute, opposite Jane Fonda’s terrified and erratic call girl Bree Daniels in Klute; as Hawkeye Pierce in the film Mash, where he played opposite Elliott Gould’s cut-up Trapper John; and in Nicolas Roeg...
- 6/20/2024
- by Erik Pedersen
- Deadline Film + TV
Anthea Sylbert, the two-time Oscar-nominated costume designer who worked on Rosemary’s Baby, Chinatown, Carnal Knowledge, Shampoo and Julia before becoming a studio executive and producer, has died. She was 84.
Sylbert died Tuesday in Skiathos, Greece, director Sakis Lalas told The Hollywood Reporter. Lalas just finished a documentary about Sylbert titled, My Life in 3 Acts.
Sylbert partnered with two-time Oscar-winning production Richard Sylbert on eight films and with his twin brother, Paul Sylbert — her first husband and another Oscar-winning production designer — on another three.
“Paul is the more bitter, more angry of the two,” she told Peter Biskind in 1993. “Someone once put it this way: Dick is more of a diplomat. He will put the ice pick somewhere in your back, you’re not quite sure, and you sort of feel tickled; Paul, while facing you, sticks it in your gut. I always used to think that if you put them together,...
Sylbert died Tuesday in Skiathos, Greece, director Sakis Lalas told The Hollywood Reporter. Lalas just finished a documentary about Sylbert titled, My Life in 3 Acts.
Sylbert partnered with two-time Oscar-winning production Richard Sylbert on eight films and with his twin brother, Paul Sylbert — her first husband and another Oscar-winning production designer — on another three.
“Paul is the more bitter, more angry of the two,” she told Peter Biskind in 1993. “Someone once put it this way: Dick is more of a diplomat. He will put the ice pick somewhere in your back, you’re not quite sure, and you sort of feel tickled; Paul, while facing you, sticks it in your gut. I always used to think that if you put them together,...
- 6/18/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Alice Munro, the Nobel and prize-winning Canadian author of short story collections and novels including “Lives of Girls and Women” and “The Love of a Good Woman,” died Monday night at her home in Ontario, the New York Times reported. She was 92
Munro won the Nobel Prize in literature in 2013 for her short stories, the Man Booker International prize in 2009 and the O’Henry award in 2012. Born Alice Laidlaw in Ontario, Canada, she often wrote about women living in small towns in the province.
The Booker jury wrote in its prize statement, “Alice Munro is mostly known as a short story writer and yet she brings as much depth, wisdom and precision to every story as most novelists bring to a lifetime of novels. To read Alice Munro is to learn something every time that you never thought of before.”
Several of Munro’s stories were adapted for film and television,...
Munro won the Nobel Prize in literature in 2013 for her short stories, the Man Booker International prize in 2009 and the O’Henry award in 2012. Born Alice Laidlaw in Ontario, Canada, she often wrote about women living in small towns in the province.
The Booker jury wrote in its prize statement, “Alice Munro is mostly known as a short story writer and yet she brings as much depth, wisdom and precision to every story as most novelists bring to a lifetime of novels. To read Alice Munro is to learn something every time that you never thought of before.”
Several of Munro’s stories were adapted for film and television,...
- 5/14/2024
- by Pat Saperstein
- Variety Film + TV
“I felt ashamed of myself for watching. No one should have a chance to see so much desire, so much need for a prize. And so much pain when [it] was not given … I felt disgusted with myself. As though I were attending a public hanging.”
Those were the words of the late Glenda Jackson, as she described to The New York Times her recent experience watching the Academy Awards on television in 1979.
Ironically, it was well after she had already been gifted with two Best Actress Oscars herself. She was not present to accept those honors — for 1970’s “Women in Love” and 1973’s “A Touch of Class.” She was also absent when she was Best Actress-nominated for 1971’s “Sunday Bloody Sunday” and 1975’s “Hedda.”
See Watch our lively chats with dozens of 2024 Emmy contenders
I have to wonder if Miss Jackson ever watched the now-infamous clip of her winning her...
Those were the words of the late Glenda Jackson, as she described to The New York Times her recent experience watching the Academy Awards on television in 1979.
Ironically, it was well after she had already been gifted with two Best Actress Oscars herself. She was not present to accept those honors — for 1970’s “Women in Love” and 1973’s “A Touch of Class.” She was also absent when she was Best Actress-nominated for 1971’s “Sunday Bloody Sunday” and 1975’s “Hedda.”
See Watch our lively chats with dozens of 2024 Emmy contenders
I have to wonder if Miss Jackson ever watched the now-infamous clip of her winning her...
- 5/6/2024
- by Tariq Khan
- Gold Derby
When Donald Cammell's techno-horror "Demon Seed" crept into theaters in 1977, critics were not impressed. From being described as utterly nonsensical to being viciously torn apart as a film with no right to exist, "Demon Seed" was mostly reviled as unwatchable garbage that relied on flagrant shock value to capture audience attention.
Today, the film's critical reappraisal does not quite elevate "Demon Seed" into a cult classic but does approach it with a more balanced lens, where there is some value to be found in its social commentary about technological singularity and the uprooting of female autonomy. Cammell's film is an uncomfortable look into the extent to which those in power wish to control bodily autonomy — a theme that feels especially poignant now. Apart from this, "Demon Seed" also underlines the horrifying extremes of unchecked artificial intelligence, and how it preys on those it perceives as easily exploitable.
Despite being...
Today, the film's critical reappraisal does not quite elevate "Demon Seed" into a cult classic but does approach it with a more balanced lens, where there is some value to be found in its social commentary about technological singularity and the uprooting of female autonomy. Cammell's film is an uncomfortable look into the extent to which those in power wish to control bodily autonomy — a theme that feels especially poignant now. Apart from this, "Demon Seed" also underlines the horrifying extremes of unchecked artificial intelligence, and how it preys on those it perceives as easily exploitable.
Despite being...
- 5/5/2024
- by Debopriyaa Dutta
- Slash Film
Barbara O. Jones, an actress in the independent Black cinema of 1970s Los Angeles in such films as Bush Mama and Daughters of the Dust, has died at her home in Dayton, Ohio. She was 82.
Her brother, Marlon Minor, confirmed her April 8 death to The New York Times and said the cause had not been determined.
Jones moved from the Midwest in search of a film career, and became active in the UCLA film school, a movement that has been called the L.A. Rebellion.
She appeared in several short student films, including Child of Resistance (1973), in which she played an imprisoned activist loosely based on Angela Davis, and Diary of an African Nun (1977), adapted from a short story by Alice Walker.
Her first leading role in a feature film was in Bush Mama (1979). The movie’s story followed the daily life of Dorothy, played by Jones. The film was...
Her brother, Marlon Minor, confirmed her April 8 death to The New York Times and said the cause had not been determined.
Jones moved from the Midwest in search of a film career, and became active in the UCLA film school, a movement that has been called the L.A. Rebellion.
She appeared in several short student films, including Child of Resistance (1973), in which she played an imprisoned activist loosely based on Angela Davis, and Diary of an African Nun (1977), adapted from a short story by Alice Walker.
Her first leading role in a feature film was in Bush Mama (1979). The movie’s story followed the daily life of Dorothy, played by Jones. The film was...
- 5/5/2024
- by Bruce Haring
- Deadline Film + TV
Mike Hughes, Harvey Stevens, Alex Vincent, Paula E. Sheppard, Noah Wiseman, and Milly Shapiro
Screenshot: YouTube
There’s nothing scarier than childhood. Look no further than the movies (or your very own memory palace) for proof. With the upcoming release of Abigail and the recent child-adjacent scares from The First Omen and Imaginary,...
Screenshot: YouTube
There’s nothing scarier than childhood. Look no further than the movies (or your very own memory palace) for proof. With the upcoming release of Abigail and the recent child-adjacent scares from The First Omen and Imaginary,...
- 4/17/2024
- by Matt Schimkowitz, Saloni Gajjar, Tim Lowery, William Hughes, and Jen Lennon
- avclub.com
After the conclusion of each Academy Awards ceremony, I always go back and rewatch the telecast from start to finish. I want to pick up on all of the things that I might have missed during my initial viewing. I especially like to study the nominees’ reactions each time an envelope is opened — particularly for the major categories when the famous five-camera shot is strategically displayed on the TV screen. I always rewind the moment that each winner is announced, so that I can carefully study the look on each individual’s face both before and after the big reveal.
As we all know, this year’s Best Actress race was the only above-the-line race with any real suspense. That it made it all the more fascinating when reigning Best Actress Michelle Yeoh (“Everything Everywhere All at Once”) announced that the torch would be passed on to Emma Stone in “Poor Things.
As we all know, this year’s Best Actress race was the only above-the-line race with any real suspense. That it made it all the more fascinating when reigning Best Actress Michelle Yeoh (“Everything Everywhere All at Once”) announced that the torch would be passed on to Emma Stone in “Poor Things.
- 3/18/2024
- by Tariq Khan
- Gold Derby
Since the inception of the Academy Awards, the U.S.-based organization behind them has always strived to honor worldwide film achievements. Their extensive roster of competitive acting winners alone consists of artists from 30 unique countries, three of which first gained representation during the 2020s. The last full decade’s worth of triumphant performers hail from eight countries, while 42.1% of the individual actors nominated during that time originate from outside of America.
The academy’s history of recognizing acting talent on a global scale dates all the way back to the inaugural Oscars ceremony in 1929, when Swiss-born Emil Jannings (who was of German and American parentage) won Best Actor for his work in both “The Last Command” and “The Way of All Flesh.” Over the next three years, the Best Actress prize was exclusively awarded to Canadians: Mary Pickford (“Coquette”), Norma Shearer (“The Divorcee”), and Marie Dressler (“Min and Bill...
The academy’s history of recognizing acting talent on a global scale dates all the way back to the inaugural Oscars ceremony in 1929, when Swiss-born Emil Jannings (who was of German and American parentage) won Best Actor for his work in both “The Last Command” and “The Way of All Flesh.” Over the next three years, the Best Actress prize was exclusively awarded to Canadians: Mary Pickford (“Coquette”), Norma Shearer (“The Divorcee”), and Marie Dressler (“Min and Bill...
- 3/18/2024
- by Matthew Stewart
- Gold Derby
This year’s Best Actress Oscar race is perhaps the biggest head-scratcher of all of the main categories, becoming a make-or-break race for the fourth straight year.
It all began when Lily Gladstone surprised pundits with her move up to the lead category for “Killers of the Flower Moon,” then was halted by Emma Stone for “Poor Things” at the Critics Choice Awards (after both won Golden Globes in their respective categories). Stone continued to succeed at the BAFTA Awards after Gladstone was shockingly snubbed. And it seemed that she was on a roll to victory to her second Oscar, only to be stopped in her tracks at the SAG Awards by, you guessed it, Gladstone. This push and pull between the two actresses has created back-and-forth mania over who will ultimately win out, and even though Gladstone has overtaken the lead currently in the combined Gold Derby odds at...
It all began when Lily Gladstone surprised pundits with her move up to the lead category for “Killers of the Flower Moon,” then was halted by Emma Stone for “Poor Things” at the Critics Choice Awards (after both won Golden Globes in their respective categories). Stone continued to succeed at the BAFTA Awards after Gladstone was shockingly snubbed. And it seemed that she was on a roll to victory to her second Oscar, only to be stopped in her tracks at the SAG Awards by, you guessed it, Gladstone. This push and pull between the two actresses has created back-and-forth mania over who will ultimately win out, and even though Gladstone has overtaken the lead currently in the combined Gold Derby odds at...
- 3/7/2024
- by Christopher Tsang
- Gold Derby
For the fourth consecutive year, we’ve got a firecracker of a Best Actress Oscar race. Lily Gladstone took home the Screen Actors Guild Award on Saturday for “Killers of the Flower Moon” over Emma Stone, who had been on a roll since the two won their respective Golden Globes, having pocketed the Critics Choice and BAFTA Awards for “Poor Things.” Now they each have an industry prize and Best Actress feels like a coin-flip. Gladstone has closed the gap on Stone in the Oscar odds since Saturday. Don’t be surprised if she overtakes the top spot soon. But when the SAG Awards and BAFTAs don’t align in Best Actress, which one has the edge at the Oscars?
Since BAFTA became an Oscar precursor 23 years ago, the Brits and the actors guilds have disagreed 13 times in the category prior to the Battle of the Stones. But not all splits are created equally.
Since BAFTA became an Oscar precursor 23 years ago, the Brits and the actors guilds have disagreed 13 times in the category prior to the Battle of the Stones. But not all splits are created equally.
- 2/26/2024
- by Joyce Eng
- Gold Derby
Just 30 minutes after final voting for the Screen Actors Guild Awards wrapped up, I made a last-minute switch in my best actress prediction — from Lily Gladstone in “Killers of the Flower Moon” to Emma Stone in “Poor Things.” Let this be a lesson: Second-guessing yourself is seldom a good idea.
Lily Gladstone made history as the first Native American and Indigenous person to clinch an individual SAG Award for her portrayal of Mollie Burkhart, an Osage woman, in Martin Scorsese’s gripping crime saga. With a lead actress (drama) Golden Globe and a SAG Award now under her belt, Gladstone’s award-season momentum continues to be formidable. Historically, only seven performers have failed to win the Oscar after winning the unique combination of Globe and SAG:
1995: Lauren Bacall (“The Mirror Has Two Faces”) lost to Juliette Binoche 2001: Russell Crowe (“A Beautiful Mind”) lost to Denzel Washington (“Training Day...
Lily Gladstone made history as the first Native American and Indigenous person to clinch an individual SAG Award for her portrayal of Mollie Burkhart, an Osage woman, in Martin Scorsese’s gripping crime saga. With a lead actress (drama) Golden Globe and a SAG Award now under her belt, Gladstone’s award-season momentum continues to be formidable. Historically, only seven performers have failed to win the Oscar after winning the unique combination of Globe and SAG:
1995: Lauren Bacall (“The Mirror Has Two Faces”) lost to Juliette Binoche 2001: Russell Crowe (“A Beautiful Mind”) lost to Denzel Washington (“Training Day...
- 2/25/2024
- by Clayton Davis
- Variety Film + TV
There isn’t a conventional sound or image to be found in Robert Altman’s McCabe & Mrs. Miller, which exhilaratingly upends the audience’s senses, engaging one in a free-floating fashion that’s more in sync with the emotional effect of art with less intermediary filters than cinema, such as theater and live music. When McCabe (Warren Beatty) enters a bar in the early 1900s-era town of Presbyterian Church, stirring up the locals with his man-of-mystery routine, the filmmaker doesn’t drop accommodating and insidiously distancing breadcrumbs for the viewer, framing images so that they telegraph precise and unsurprisingly expository information.
Instead, this and other potentially standard-issue western scenes are charged with a jazz-like pulse of controlled spontaneity that would become an Altman trademark. We know as much as the bar denizens, and we’re encouraged to sort the setting and the protagonist out for ourselves. Vilmos Zsigmond’s camera prowls the bar for 10 minutes,...
Instead, this and other potentially standard-issue western scenes are charged with a jazz-like pulse of controlled spontaneity that would become an Altman trademark. We know as much as the bar denizens, and we’re encouraged to sort the setting and the protagonist out for ourselves. Vilmos Zsigmond’s camera prowls the bar for 10 minutes,...
- 2/8/2024
- by Chuck Bowen
- Slant Magazine
The BBC is celebrating the art of the literary adaptation by screening a variety of classics on BBC Four. More details here.
The BBC is quite rightly celebrated for its rich history of book to screen adaptations, such as the iconic 1995 version of Jane Austen’a Pride And Prejudice to Cbbc’s hugely successful adaptation of Dame Jacqueline Wilson’s Tracy Beaker series.
It has now put together a season of 14 adaptations from the BBC archive, some of which have rarely been seen since their original broadcast.
The dramas are:
The Great Gatsby
Toby Stephens, Mira Sorvino and Paul Rudd lead the cast in this 2000 BBC adaptation of F Scott Fitzgerald’s classic novel on the American dream in the jazz age.
Small Island
Naomie Harris, Ruth Wilson, David Oyelowo, Benedict Cumberbatch and Ashley Walters star in this 2009 TV version of Andrea Levy’s novel focusing on the lives and...
The BBC is quite rightly celebrated for its rich history of book to screen adaptations, such as the iconic 1995 version of Jane Austen’a Pride And Prejudice to Cbbc’s hugely successful adaptation of Dame Jacqueline Wilson’s Tracy Beaker series.
It has now put together a season of 14 adaptations from the BBC archive, some of which have rarely been seen since their original broadcast.
The dramas are:
The Great Gatsby
Toby Stephens, Mira Sorvino and Paul Rudd lead the cast in this 2000 BBC adaptation of F Scott Fitzgerald’s classic novel on the American dream in the jazz age.
Small Island
Naomie Harris, Ruth Wilson, David Oyelowo, Benedict Cumberbatch and Ashley Walters star in this 2009 TV version of Andrea Levy’s novel focusing on the lives and...
- 2/6/2024
- by Jake Godfrey
- Film Stories
While we expect to soon hear some casting news on Quentin Tarantino’s final feature The Movie Critic ahead of a shoot later this year, the small details being doled-out will have to suffice. In the meantime, he joined the latest episode of the Pure Cinema Podcast to promote a forthcoming all-film Ib Technicolor Fest taking place at his newly acquired Vista Theatre in LA. As part of this discussion, he shared the notable update that he plans to write Cinema Speculation Vol. Two, a sequel to his 2022 book of film analysis. He confirmed the book will feature his insights on Peter Bogdanovich’s 1972 comedy classic What’s Up, Doc?, and shared a tease. The director also shared quite an interesting take on Robert Altman’s McCabe & Mrs. Miller.
Speaking about Bogdanovich’s hilarious comedy, which he says “was made for I.B. Technicolor” and is “as close to [Frank] Tashlin as you are going to get,...
Speaking about Bogdanovich’s hilarious comedy, which he says “was made for I.B. Technicolor” and is “as close to [Frank] Tashlin as you are going to get,...
- 1/30/2024
- by Jordan Raup
- The Film Stage
Appearing in many of the landmark gritty dramas of the era, the actor, who has died aged 87, stood out for portraying vulnerability combined with a canny intelligence
Shirley Anne Field had the kind of ingenue English-rose freshness and beauty that the British cinema loved in the 50s and 60s – it had something feline about it, a kind of innocent-fatale. Hers were the kind of looks that always introduced an almost unintentional note of innocence and poignancy into the tough dramas and kitchen-sink pictures in which she was cast; she had something of the model agency and deportment school and yet also the pinup mag.
Field was of the same generation as heartstoppingly beautiful performers such as Janette Scott, Shirley Eaton, Sylvia Sims and Julie Christie. She appeared briefly in Michael Powell’s 1960 chiller Peeping Tom as a temperamental film diva (quite unlike her real self) but had her breakthrough in...
Shirley Anne Field had the kind of ingenue English-rose freshness and beauty that the British cinema loved in the 50s and 60s – it had something feline about it, a kind of innocent-fatale. Hers were the kind of looks that always introduced an almost unintentional note of innocence and poignancy into the tough dramas and kitchen-sink pictures in which she was cast; she had something of the model agency and deportment school and yet also the pinup mag.
Field was of the same generation as heartstoppingly beautiful performers such as Janette Scott, Shirley Eaton, Sylvia Sims and Julie Christie. She appeared briefly in Michael Powell’s 1960 chiller Peeping Tom as a temperamental film diva (quite unlike her real self) but had her breakthrough in...
- 12/12/2023
- by Peter Bradshaw
- The Guardian - Film News
“Nothing is what it seems.” A seemingly offhand remark made early in Don’t Look Now is slowly revealed to be the theme around which the film revolves.
Nicolas Roeg’s directorial efforts may not have always connected with audiences immediately, but his impressionistic approach has aged like fine wine. Don’t Look Now, in particular, was decades ahead of its time upon its release in 1973.
The screenplay — written by Allan Scott and Chris Bryant (The Awakening), based on a 1971 short story by Daphne du Maurier — analyzes the psychological effects of trauma through a horror lens; a motif we’ve seen explored many times over in recent years, from Ari Aster’s filmography to David Gordon Green’s Halloween trilogy.
Following the tragic drowning of their young daughter, architect John Baxter and bereaved wife Laura travel from their English country home to Venice to oversee the restoration of a church. After a...
Nicolas Roeg’s directorial efforts may not have always connected with audiences immediately, but his impressionistic approach has aged like fine wine. Don’t Look Now, in particular, was decades ahead of its time upon its release in 1973.
The screenplay — written by Allan Scott and Chris Bryant (The Awakening), based on a 1971 short story by Daphne du Maurier — analyzes the psychological effects of trauma through a horror lens; a motif we’ve seen explored many times over in recent years, from Ari Aster’s filmography to David Gordon Green’s Halloween trilogy.
Following the tragic drowning of their young daughter, architect John Baxter and bereaved wife Laura travel from their English country home to Venice to oversee the restoration of a church. After a...
- 10/16/2023
- by Alex DiVincenzo
- bloody-disgusting.com
The acclaimed adaptation of Daphne du Maurier’s short story remains a visually immersive descent and a chilling portrayal of loss
In the opening sequence of Nicolas Roeg’s Don’t Look Now, a little girl in a red raincoat drowns in a pond in the English countryside, as her parents are nestled comfortably in a nearby estate. Roeg cuts frantically between the girl tooling around the pond in her boots and her father John (Donald Sutherland) at work inside, examining a projected image of an Italian cathedral he intends to restore. The cutting works as suspense, leaving the audience utterly helpless to stop this inevitable tragedy from happening, but it has a much more sophisticated agenda than goosing our emotions. Through color and montage effects, tied to shots like a spill that bleeds over John’s slide, Roeg dramatizes the present and predicts the future all at once, signaling the heartbreak and terror to come.
In the opening sequence of Nicolas Roeg’s Don’t Look Now, a little girl in a red raincoat drowns in a pond in the English countryside, as her parents are nestled comfortably in a nearby estate. Roeg cuts frantically between the girl tooling around the pond in her boots and her father John (Donald Sutherland) at work inside, examining a projected image of an Italian cathedral he intends to restore. The cutting works as suspense, leaving the audience utterly helpless to stop this inevitable tragedy from happening, but it has a much more sophisticated agenda than goosing our emotions. Through color and montage effects, tied to shots like a spill that bleeds over John’s slide, Roeg dramatizes the present and predicts the future all at once, signaling the heartbreak and terror to come.
- 10/16/2023
- by Scott Tobias
- The Guardian - Film News
Nicolas Roeg’s Don’t Look Now is driven by a crushing sense of emotional desolation. The phrase “psychic thriller,” which was used to market the film, is technically true, but misleading, given that psychics are normally used by directors as springboards for action set pieces or as agents for ushering forth the explicit arrival of ghosts. There are certainly ghosts in Don’t Look Now, and maybe even the kind that populate traditional horror stories, but the prevailing specters here are those that people come to know through disappointment or tragedy as allusions to things lost or desired, which have a way of suddenly opening mental portals to the past, and, in the case of this film and quite a bit of supernatural fiction, the future. Don’t Look Now suggests a ghost story that Faulkner may have written, as it offers characters who’re at the mercy of their streams of consciousness.
- 10/9/2023
- by Chuck Bowen
- Slant Magazine
“A Haunting in Venice,” the latest all-star mystery film starring and directed by Kenneth Branagh, tells the story of the detective Hercule Poirot trying to uncover another killer after someone is murdered at a séance in Italy. With Branagh’s latest movie currently in theaters, let’s look back at his eight Oscar races and talk about how the actor-director finally won his first gold trophy just last year.
In early 2022, Branagh broke the record for nominations in the highest number of different categories at the Academy Awards. Of his eight Oscar mentions, he has competed in seven categories total — Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Adapted Screenplay, Best Original Screenplay and Best Live Action Short Film. The first two he made it into were Director and Actor for “Henry V,” the William Shakespeare adaptation released in 1989. His directorial debut resulted in an Academy Award win for Best Costume Design,...
In early 2022, Branagh broke the record for nominations in the highest number of different categories at the Academy Awards. Of his eight Oscar mentions, he has competed in seven categories total — Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Adapted Screenplay, Best Original Screenplay and Best Live Action Short Film. The first two he made it into were Director and Actor for “Henry V,” the William Shakespeare adaptation released in 1989. His directorial debut resulted in an Academy Award win for Best Costume Design,...
- 9/27/2023
- by Brian Rowe
- Gold Derby
David McCallum, who starred as Illya Kuryakin alongside Robert Vaughn’s Napoleon Solo in the 1960s hit spy drama “The Man From U.N.C.L.E.” and had a supporting role as pathologist Dr. Donald “Ducky” Mallard on the top-rated series “NCIS” decades later, died Monday of natural causes in New York City. He was 90.
His son Peter made a statement on behalf of his family, saying, “He was the kindest, coolest, most patient and loving father. He always put family before self. He looked forward to any chance to connect with his grandchildren, and had a unique bond with each of them. He and his youngest grandson, Whit, 9, could often be found in the corner of a room at family parties having deep philosophical conversations.
“He was a true renaissance man — he was fascinated by science and culture and would turn those passions into knowledge. For example, he was capable of conducting...
His son Peter made a statement on behalf of his family, saying, “He was the kindest, coolest, most patient and loving father. He always put family before self. He looked forward to any chance to connect with his grandchildren, and had a unique bond with each of them. He and his youngest grandson, Whit, 9, could often be found in the corner of a room at family parties having deep philosophical conversations.
“He was a true renaissance man — he was fascinated by science and culture and would turn those passions into knowledge. For example, he was capable of conducting...
- 9/25/2023
- by Carmel Dagan
- Variety Film + TV
This generation of filmgoers mostly probably thinks of Irish actor-director Kenneth Branagh as Agatha Christie’s mustachioed detective Hercule Poirot in Murder on the Orient Express (2017), Death on the Nile (2022) and the upcoming A Haunting in Venice.
But there is so much more to Branagh’s career. As a director, he’s dabbled in multiple genres, including fantasy, action, science fiction, thriller, comedy and superhero.
Branaghs career as an actor has been equally as diverse. He’s acted in legal thrillers, Westerns, romantic thrillers, animation, fantasy pics and dramedies.
And then there’s Shakespeare. There’s always Shakespeare. Branagh has a self-professed love of the Bard. He’s acted in and directed...
But there is so much more to Branagh’s career. As a director, he’s dabbled in multiple genres, including fantasy, action, science fiction, thriller, comedy and superhero.
Branaghs career as an actor has been equally as diverse. He’s acted in legal thrillers, Westerns, romantic thrillers, animation, fantasy pics and dramedies.
And then there’s Shakespeare. There’s always Shakespeare. Branagh has a self-professed love of the Bard. He’s acted in and directed...
- 9/15/2023
- by David Morgan
- Deadline Film + TV
Welcome back to Oscars Playback, in which Gold Derby editors and Experts Christopher Rosen and Joyce Eng revisit Oscar ceremonies and winners of yesteryear. This week, we cover the 80th Academy Awards in 2008, honoring the films of 2007.
The 80th Academy Awards almost didn’t happen the way it did. The 2007-08 writers’ strike ended just 12 days before the ceremony, so producers were prepping for a strike-proof version of the ceremony. In the end, a traditional ceremony took place, hosted by Jon Stewart, who had to ask Hollywood, “Does this town need a hug?” It was a reference to the slate of “psychopathic killer movies,” including eventual — and one of the greatest — Best Picture winner “No Country for Old Men.”
See Oscars Playback: Revisiting the 2006 ceremony when ‘Crash’ crashed its way into Best Picture
“No Country for Old Men” won four Oscars total, including Best Director and Best Adapted Screenplay for...
The 80th Academy Awards almost didn’t happen the way it did. The 2007-08 writers’ strike ended just 12 days before the ceremony, so producers were prepping for a strike-proof version of the ceremony. In the end, a traditional ceremony took place, hosted by Jon Stewart, who had to ask Hollywood, “Does this town need a hug?” It was a reference to the slate of “psychopathic killer movies,” including eventual — and one of the greatest — Best Picture winner “No Country for Old Men.”
See Oscars Playback: Revisiting the 2006 ceremony when ‘Crash’ crashed its way into Best Picture
“No Country for Old Men” won four Oscars total, including Best Director and Best Adapted Screenplay for...
- 8/15/2023
- by Joyce Eng and Christopher Rosen
- Gold Derby
For over a year, Elon Musk has railed against what he calls the “woke mind virus,” which is perhaps now best defined as anything other than far-right politics. More narrowly, the “anti-woke” culture warriors with whom Musk has found common cause are focused on antagonizing companies that appear to support the LGBTQ community in any way, shape, or form — including Anheuser-Busch, Nike, and Target.
Musk added more fuel to that fire last week, sharing a Fox News article that insinuated Target was funding the integration of “gender ideology” in schools by donating to the Gay,...
Musk added more fuel to that fire last week, sharing a Fox News article that insinuated Target was funding the integration of “gender ideology” in schools by donating to the Gay,...
- 5/31/2023
- by Miles Klee
- Rollingstone.com
Julie Christie is an Oscar-winning actress who has been largely absent from movie screens this century, enjoying a semi-retirement that finds her returning for the odd performance here and there. Yet she’s always finding new fans as younger generations discover her cinematic classics. Let’s take a look at 20 of her greatest films, ranked worst to best.
Born on April 14, 1940, Christie rose to prominence for her work in London, starting with a breakthrough performance in John Schlesinger‘s “Billy Liar” (1963). She won the Oscar as Best Actress just two years later for Schlesinger’s “Darling” (1965), playing a fashion model who sleeps her way to the top. That same year, she shot to stardom thanks to David Lean‘s romantic epic “Doctor Zhivago” (1965), which casts her as a political activist’s wife who falls in love with a physician (Omar Sharif) during the Russian Revolution.
She earned a second Best...
Born on April 14, 1940, Christie rose to prominence for her work in London, starting with a breakthrough performance in John Schlesinger‘s “Billy Liar” (1963). She won the Oscar as Best Actress just two years later for Schlesinger’s “Darling” (1965), playing a fashion model who sleeps her way to the top. That same year, she shot to stardom thanks to David Lean‘s romantic epic “Doctor Zhivago” (1965), which casts her as a political activist’s wife who falls in love with a physician (Omar Sharif) during the Russian Revolution.
She earned a second Best...
- 4/7/2023
- by Zach Laws and Chris Beachum
- Gold Derby
Danette Herman was one of the key staff members of the Academy Awards ceremonies from the 1970s into the 2010s, beginning as a production assistant and rising through the ranks to become the show’s executive in charge of talent and coordinating producer. One of the few women to serve in key positions at the Oscars, she was with the show during the years of its highest ratings and largest cultural impact.
As the Academy prepares for the 95th Oscars ceremony, Herman asked TheWrap if she could share some memories of past shows, from an encounter with Katharine Hepburn in 1974 to a pair of anniversary shows in which she assembled historic groups of past winners. —Steve Pond
Congratulations to the Academy on 95 years of the Academy Awards. Almost 40 of those years are my history, also.
It began in April 1968 at the Santa Monica Civic Auditorium. The 40th Academy Awards were hosted by Bob Hope,...
As the Academy prepares for the 95th Oscars ceremony, Herman asked TheWrap if she could share some memories of past shows, from an encounter with Katharine Hepburn in 1974 to a pair of anniversary shows in which she assembled historic groups of past winners. —Steve Pond
Congratulations to the Academy on 95 years of the Academy Awards. Almost 40 of those years are my history, also.
It began in April 1968 at the Santa Monica Civic Auditorium. The 40th Academy Awards were hosted by Bob Hope,...
- 3/10/2023
- by Danette Herman
- The Wrap
The 70th Academy Award ceremony on March 23, 1998, is the most-watched Oscar ceremony to date — most likely due to a “Titanic” film nominated for several awards. However, Gil Gates, who produced 14 Oscar ceremonies between 1990 and 2008, also wanted a special segment to recognize Oscar’s platinum anniversary, and arranged for 70 past acting winners to sit together on the stage, with Norman Rose announcing the films for which each performer won. It was a spectacular gathering of actors and actresses from Classic Hollywood, New Hollywood and the contemporary period.
Let’s flashback to the first Oscars family album featured in the ceremony 25 years ago.
SEEOscar flashback 25 years to 1998: Winners are Jack Nicholson, Helen Hunt, Robin Williams and ‘Titanic’ ratings for ABC
Among those present was the first performer to win back-to-back acting Oscars, Best Actress champ Luise Rainer. At the age of 88, she was the oldest one on the stage; when she...
Let’s flashback to the first Oscars family album featured in the ceremony 25 years ago.
SEEOscar flashback 25 years to 1998: Winners are Jack Nicholson, Helen Hunt, Robin Williams and ‘Titanic’ ratings for ABC
Among those present was the first performer to win back-to-back acting Oscars, Best Actress champ Luise Rainer. At the age of 88, she was the oldest one on the stage; when she...
- 3/7/2023
- by Susan Pennington and Chris Beachum
- Gold Derby
Gordon Pinsent, the Canadian actor whose career went back to the 1950s and earned acclaim over a 60+-year run, has passed away at the age of 92.
Gordon Pinsent may be best known for playing Julie Christie’s husband in 2007’s Away from Her. While Christie received most of the acclaim as a wife suffering from Alzheimer’s, Pinsent’s performance was an emotionally complex one that served as the perfect counterpart to Christie’s. For his turn, Pinsent earned a Genie Award for Best Supporting Actor.
Gordon Pinsent was bestowed various accolades throughout his lengthy career, primarily in his home country of Canada. In addition to six Genie Award nods (with three wins), he also earned an astounding 11 Gemini Award (the Great White North equivalent of the Academy Awards) nominations, not including two honorary awards.
The appeal of Gordon Pinsent crossed generations. Not only was he heralded as a...
Gordon Pinsent may be best known for playing Julie Christie’s husband in 2007’s Away from Her. While Christie received most of the acclaim as a wife suffering from Alzheimer’s, Pinsent’s performance was an emotionally complex one that served as the perfect counterpart to Christie’s. For his turn, Pinsent earned a Genie Award for Best Supporting Actor.
Gordon Pinsent was bestowed various accolades throughout his lengthy career, primarily in his home country of Canada. In addition to six Genie Award nods (with three wins), he also earned an astounding 11 Gemini Award (the Great White North equivalent of the Academy Awards) nominations, not including two honorary awards.
The appeal of Gordon Pinsent crossed generations. Not only was he heralded as a...
- 2/27/2023
- by Mathew Plale
- JoBlo.com
Gordon Pinsent, the prolific Canadian actor and writer-director who starred opposite Julie Christie in Sarah Polley’s “Away From Her,” died Saturday. He was 92.
According to multiple media reports, his family released a statement to the Canadian Broadcasting Corporation announcing that he passed away in his sleep. No other details were provided.
“Gordon Pinsent’s daughters Leah, and Beverly, and his son Barry, would like to announce the passing of their father peacefully in sleep today with his family at his side,” his son-in-law Peter Keleghan confirmed wrote. “Gordon passionately loved this country and its people, purpose, and culture to his last breath.”
Also Read:
Thomas H. Lee, Billionaire Who Led Warner Music Buyout in 2004, Dies at 78
With more than 150 credits to his name, Pinsent was known for starring in projects like “Away From Her” (2006), for which he earned several nominations and a Genie Award, among others. Some of his...
According to multiple media reports, his family released a statement to the Canadian Broadcasting Corporation announcing that he passed away in his sleep. No other details were provided.
“Gordon Pinsent’s daughters Leah, and Beverly, and his son Barry, would like to announce the passing of their father peacefully in sleep today with his family at his side,” his son-in-law Peter Keleghan confirmed wrote. “Gordon passionately loved this country and its people, purpose, and culture to his last breath.”
Also Read:
Thomas H. Lee, Billionaire Who Led Warner Music Buyout in 2004, Dies at 78
With more than 150 credits to his name, Pinsent was known for starring in projects like “Away From Her” (2006), for which he earned several nominations and a Genie Award, among others. Some of his...
- 2/26/2023
- by Harper Lambert
- The Wrap
Gordon Pinsent, a prolific Canadian actor who gained international recognition in 2006 for his performance alongside Julie Christie in Sarah Polley’s drama “Away From Her,” died Saturday. He was 92 years old.
Pinsent’s death was confirmed to the Canadian Broadcasting Corporation through a statement released by his family. No further details about his death are available at this time.
“Gordon Pinsent’s daughters, Leah and Beverly, and his son, Barry, would like to announce the passing of their father peacefully in sleep today with his family at his side,” reads a note written on behalf of Pinsent’s family by his son-in-law, Peter Keleghan. “Gordon passionately loved this country and its people, purpose and culture to his last breath.”
With more than 150 film and television acting credits, Pinsent’s career spanned seven decades and made him a household name in his native country. His role as a husband losing his...
Pinsent’s death was confirmed to the Canadian Broadcasting Corporation through a statement released by his family. No further details about his death are available at this time.
“Gordon Pinsent’s daughters, Leah and Beverly, and his son, Barry, would like to announce the passing of their father peacefully in sleep today with his family at his side,” reads a note written on behalf of Pinsent’s family by his son-in-law, Peter Keleghan. “Gordon passionately loved this country and its people, purpose and culture to his last breath.”
With more than 150 film and television acting credits, Pinsent’s career spanned seven decades and made him a household name in his native country. His role as a husband losing his...
- 2/26/2023
- by J. Kim Murphy
- Variety Film + TV
Gordon Pinsent, the admired Canadian actor who starred opposite Julie Christie as a husband losing his wife to Alzheimer’s disease in Sarah Polley’s Away From Her, died Saturday, his family announced. He was 92.
A household name in his country, Pinsent also appeared on the big screen in Norman Jewison’s The Thomas Crown Affair (1968), Lasse Hallström’s The Shipping News (2001), Michael McGowan’s Saint Ralph (2004) and Don McKellar’s The Grand Seduction (2013).
On television, he played Possum Lake resident Hap Shaughnessy, a teller of tall tales, on the Canadian comedy The Red Green Show from 1991-2004 and was Chicago-based Royal Canadian Mounted Police sergeant Bob Fraser on the CTV/CBS series Due South from 1994-99.
And he served as the distinctive voice of Babar the Elephant in film and TV from 1989 through 2015.
In Away From Her (2006), which marked Polley’s directorial debut — she also received an Oscar nomination...
A household name in his country, Pinsent also appeared on the big screen in Norman Jewison’s The Thomas Crown Affair (1968), Lasse Hallström’s The Shipping News (2001), Michael McGowan’s Saint Ralph (2004) and Don McKellar’s The Grand Seduction (2013).
On television, he played Possum Lake resident Hap Shaughnessy, a teller of tall tales, on the Canadian comedy The Red Green Show from 1991-2004 and was Chicago-based Royal Canadian Mounted Police sergeant Bob Fraser on the CTV/CBS series Due South from 1994-99.
And he served as the distinctive voice of Babar the Elephant in film and TV from 1989 through 2015.
In Away From Her (2006), which marked Polley’s directorial debut — she also received an Oscar nomination...
- 2/26/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
This post contains spoilers for "Don't Look Now" and "Hereditary."
"Don't Look Now" and "Hereditary" are films that stay with you long after viewing. Both feature vivid depictions of the ongoing effects of grief, but director Ari Aster makes a hard turn partway through his 2018 feature debut, veering into supernatural territory as the Graham family discover they've been targeted by the demon Paimon and his cult of followers. In "Don't Look Now," on the other hand, the occult elements, though undoubtedly there, are less overt. Director Nicolas Roeg told The Guardian in 2006:
"Grief can separate people. I've seen it happen. Even the closest, healthiest relationship can come undone through grief. People split up. Or there is a distancing. They can't help it. The fact is that grief doesn't comfort grief. It's just one of those hard facts."
As such, the director allows grief to dictate the horror throughout "Don't Look Now,...
"Don't Look Now" and "Hereditary" are films that stay with you long after viewing. Both feature vivid depictions of the ongoing effects of grief, but director Ari Aster makes a hard turn partway through his 2018 feature debut, veering into supernatural territory as the Graham family discover they've been targeted by the demon Paimon and his cult of followers. In "Don't Look Now," on the other hand, the occult elements, though undoubtedly there, are less overt. Director Nicolas Roeg told The Guardian in 2006:
"Grief can separate people. I've seen it happen. Even the closest, healthiest relationship can come undone through grief. People split up. Or there is a distancing. They can't help it. The fact is that grief doesn't comfort grief. It's just one of those hard facts."
As such, the director allows grief to dictate the horror throughout "Don't Look Now,...
- 2/18/2023
- by Joe Roberts
- Slash Film
A blockbuster film tied big records, a legendary actor set a new record, a viewership record was achieved and the Academy celebrated its platinum anniversary in a big way. Billy Crystal hosted the 70th Academy Awards on March 23, 1998, where one film made a “titanic” splash, and the ceremony saw its highest viewership of all time, with more than 55 million people tuning in — a record that stands today not only for the Oscars, but all live awards programs.
It’s a film that people either love or hate (or at least wonder what all the fuss is about), but either way, the huge impact that James Cameron‘s “Titanic” made on the film industry cannot be denied. The most expensive movie ever produced up to that time, many doubted that the romantic tragedy would result in box office gold. However, “Titanic” went on to become the highest grossing movie of all...
It’s a film that people either love or hate (or at least wonder what all the fuss is about), but either way, the huge impact that James Cameron‘s “Titanic” made on the film industry cannot be denied. The most expensive movie ever produced up to that time, many doubted that the romantic tragedy would result in box office gold. However, “Titanic” went on to become the highest grossing movie of all...
- 2/13/2023
- by Susan Pennington
- Gold Derby
Pairing wine with movies! See the trailers and hear the fascinating commentary for these movies and many more at Trailers From Hell. This week, three movies from the early 1960s which make a close examination of some harsh realities. We have wine pairings for each, to take the edge off.
The Kitchen Sink Movement came about in British arts in the late 1950s. It was an antidote to the prim, fussy attitudes of plays and movies at the time, giving viewers a super-realistic look at life from the seedy underbelly of UK society, whether they wanted it or not.
In 1962’s The Loneliness of the Long Distance Runner, the British version of reform school gets a long look. Tom Courtenay takes the lead in his Borstal training and discovers that the lead is something he can choose to give up. Courtenay’s character finds out that there is little else...
The Kitchen Sink Movement came about in British arts in the late 1950s. It was an antidote to the prim, fussy attitudes of plays and movies at the time, giving viewers a super-realistic look at life from the seedy underbelly of UK society, whether they wanted it or not.
In 1962’s The Loneliness of the Long Distance Runner, the British version of reform school gets a long look. Tom Courtenay takes the lead in his Borstal training and discovers that the lead is something he can choose to give up. Courtenay’s character finds out that there is little else...
- 2/8/2023
- by Randy Fuller
- Trailers from Hell
One of the key works in the early British “kitchen sink” movement, John Schlesinger’s screen adaptation of Keith Waterhouse’s seriocomic novel spoke loudly to young people the world over. Tom Courtenay, taking over from Albert Finney in the stage version, made a big enough impression to go on to a strong career. But the revelation here is Julie Christie, luminous as the hero’s free-spirited girlfriend in only her third film role. Schlesinger went on direct her Oscar-winning breakthough two years later with the lead role in Darling.
The post Billy Liar appeared first on Trailers From Hell.
The post Billy Liar appeared first on Trailers From Hell.
- 2/8/2023
- by TFH Team
- Trailers from Hell
Although Marilyn Monroe never got the chance to achieve Screen Actors Guild Awards recognition, her legacy has been honored by the organization in the form of multiple Best Actress notices for women who have embodied her on the big screen. 11 years after Michelle Williams was nominated for playing Monroe in “My Week with Marilyn,” Ana de Armas has earned a spot in the current lead female lineup for her take on the classic movie star in “Blonde.” Since SAG voters have feted several portrayals of iconic actors before, she stands a good chance of going all the way.
De Armas, Danielle Deadwyler (“Till”), and Michelle Yeoh (“Everything Everywhere All at Once”) make up a first-time nominee majority in this year’s Best Film Actress SAG Award lineup, although Yeoh is a past ensemble contender for “Crazy Rich Asians” (2019). The other two lead female slots are filled by Cate Blanchett (“Tar...
De Armas, Danielle Deadwyler (“Till”), and Michelle Yeoh (“Everything Everywhere All at Once”) make up a first-time nominee majority in this year’s Best Film Actress SAG Award lineup, although Yeoh is a past ensemble contender for “Crazy Rich Asians” (2019). The other two lead female slots are filled by Cate Blanchett (“Tar...
- 2/7/2023
- by Matthew Stewart
- Gold Derby
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.