- Born
- Died
- Birth nameWilliam Jackson Keighley
- Nickname
- Billy
- William Keighley's professional career spanned three distinct mediums: the theatre, motion pictures and, finally, radio. Initially trained as a stage actor and Broadway director, he arrived in Hollywood shortly after the advent of sound, landing a job with Warner Brothers (where he spent most of his career) as an assistant director and dialog director before helming his first film there in 1932. Keighley's gangster films of the period, such as 'G' Men (1935) and Bullets or Ballots (1936), are models of the kind of fast-paced, tightly made, exciting films that Warner's specialized in--and which kept the cash flowing in during the studio's devastating losses of the period. Interestingly, although his career is closely associated with the meteoric ascent of James Cagney, the two men did not particularly care for each other, as Cagney was somewhat put off by what he felt were Keighley's phony European affectations (something the director acquired during his tenure on Broadway in the early 1920s and which would carry over into his later career in radio). However, much like the working relationship between Errol Flynn and director Michael Curtiz (although far less volatile), both Cagney and Keighley did some of their best work together.
Keighley also directed comedies, the best of which is The Man Who Came to Dinner (1941). He was assigned by Warners to its prestigious Technicolor epic The Adventures of Robin Hood (1938) with Flynn (although initially it was to be with a wildly miscast Cagney in the lead!), but following several weeks of shooting he was replaced by Curtiz (although receiving co-director credit) when studio executives thought that he was taking too long, they weren't satisfied with the film's pace and the costly epic--the most expensive picture in Warners history up to that time--was not going in the direction they thought it should. Keighley's film output declined in the late 1940s and early 1950s, roughly coinciding with his newfound interest as a radio host (his aristocratic voice was ideal for the medium) and his films met with less success, although he did turn out a crackerjack crime drama, The Street with No Name (1948). He retired from directing after his last film, The Master of Ballantrae (1953)--a beautifully shot but somewhat lumbering swashbuckler with an out-of-shape Errol Flynn--and he and his wife, actress Genevieve Tobin, moved to Paris, France, after he left CBS Radio in 1955.- IMDb Mini Biography By: [email protected] and Jack Backstreet
- SpousesGenevieve Tobin(September 20, 1938 - June 24, 1984) (his death)Elda Voelkel(1931 - October 1936) (divorced)
- The original director of The Adventures of Robin Hood (1938), he was replaced by Michael Curtiz when the production--Warners' most expensive up to that time--fell behind schedule and the studio didn't like the way the action sequences were turning out.
- Although he was born in Philadelphia, he joined a British theatrical company, the Ben Greet players, which had a three-week engagement in town. After playing some Shakespearean parts, Greet helped him acquire a British accent, which he retained for the rest of his life.
- He has directed one film that has been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: The Adventures of Robin Hood (1938).
- His last name is pronounced "Kee-lee", not, as is often mispronounced, "Kye-lee".
- His last job as a stage actor was substituting for an ill Henry Hull for a few weeks in "The Ivory Door" in 1928.
Contribute to this page
Suggest an edit or add missing content