About halfway into Tomorrow’s Fire, the third album Ella Williams has recorded as Squirrel Flower, the Chicago indie-rock artist sings about leaving quietly out the back of a party, disappearing without saying goodbye to anyone. “I’ve had my fun, I’m done,” she tell us on “Almost Pulled Away,” over a steady drumbeat and a dizzying, crunchy riff. She’s just told someone that they might’ve been the first person she’s ever loved, a treacherous confession that should leave her resigned and vulnerable. Yet Williams’ delivery feels impenetrably grounded.
- 10/12/2023
- by Leah Lu
- Rollingstone.com
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