A nightclub performer hires a naive chorus girl to become his new dance partner to make his former partner jealous and to prove he can make any partner a star.A nightclub performer hires a naive chorus girl to become his new dance partner to make his former partner jealous and to prove he can make any partner a star.A nightclub performer hires a naive chorus girl to become his new dance partner to make his former partner jealous and to prove he can make any partner a star.
- Won 1 Oscar
- 2 wins total
John Albright
- Western Union Messenger
- (uncredited)
Lola Albright
- Hat Model
- (uncredited)
- …
Don Anderson
- Passerby on Street
- (uncredited)
Shirley Ballard
- Showgirl
- (uncredited)
Norman S. Barker
- Trombone player in bar
- (uncredited)
Jimmy Bates
- Boy
- (uncredited)
Virginia Bates
- Model
- (uncredited)
Margaret Bert
- Florist
- (uncredited)
Lulu Mae Bohrman
- Restaurant Patron
- (uncredited)
Ralph Brooks
- Diner at Rooftop Show
- (uncredited)
Storyline
Did you know
- TriviaGene Kelly was originally scheduled to play Don, but he broke his ankle playing volleyball in his backyard. It was his suggestion that he be replaced by Fred Astaire. Cyd Charisse was up for the role of Nadine, but a torn ligament in either one or both of her knees forced her to drop out. She was replaced by Ann Miller.
- GoofsA Police officer writes Jonathan (Peter Lawford) a ticket for parking beside a fire hydrant. As he hands over the ticket, he bumps the hydrant which wobbles.
- Alternate versionsThere is an Italian edition of this film on DVD, re-edited in double version (1.33:1 and 1.78:1) with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
- SoundtracksHappy Easter
(uncredited)
Written by Irving Berlin
Performed by Fred Astaire
Performed also by Fred Astaire and Judy Garland
Featured review
Astaire, Garland, Berlin--and Movie Musical Magic
Originally intended as a re-teaming of Judy Garland and Gene Kelly, EASTER PARADE ran into trouble when Garland's doctors advised against her working under the direction of her husband, director Vincent Minnelli--and no sooner did director Charles Walters take the helm than Gene Kelly broke his leg. Out of such confusion are movie musical miracles born: although a bit old to act as Garland's leading man, Fred Astaire was coaxed out of retirement. He and Garland had tremendous chemistry, EASTER PARADE was a box office smash, and Astaire unexpectedly found himself reborn as an MGM star.
Set in 1900s New York, the film's story line is flimsy but enjoyable. After long-time dance partner Ann Miller abandons the act, Astaire hires chorus girl Garland and attempts to recast her in his former partner's mold--a situation which offers Astaire and Garland considerable comedy and gives Astaire the chance to parody several of his own famous dance of the 1930s. Garland eventually convinces Astaire that she needs to be herself, and once the act is revamped they become a hot ticket--and, once their several romantic complications are resolved, romantic partners as well.
Astaire is every bit as charming here as he was in his Ginger Roger days, and his choreography retains his signature sharpness, wit, and elegance. Although Garland isn't really a dancer, she holds her own with Astaire and she tears strips off a brilliant score of Irving Berlin favorites. Both are well supported by Anne Miller, who gives a brilliant turn with 'Shakin' the Blues Away,' and Peter Lawford, who is quite charming as one of Garland's admirers. Although this really isn't as inspired as the truly great MGM musicals of the late 1940s, director Walters keeps it going at a smart pace, and the star power, clever script, memorable score, and those legendary MGM production values elevate it well above the pack. Musical fans will be in for a treat! Recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
Set in 1900s New York, the film's story line is flimsy but enjoyable. After long-time dance partner Ann Miller abandons the act, Astaire hires chorus girl Garland and attempts to recast her in his former partner's mold--a situation which offers Astaire and Garland considerable comedy and gives Astaire the chance to parody several of his own famous dance of the 1930s. Garland eventually convinces Astaire that she needs to be herself, and once the act is revamped they become a hot ticket--and, once their several romantic complications are resolved, romantic partners as well.
Astaire is every bit as charming here as he was in his Ginger Roger days, and his choreography retains his signature sharpness, wit, and elegance. Although Garland isn't really a dancer, she holds her own with Astaire and she tears strips off a brilliant score of Irving Berlin favorites. Both are well supported by Anne Miller, who gives a brilliant turn with 'Shakin' the Blues Away,' and Peter Lawford, who is quite charming as one of Garland's admirers. Although this really isn't as inspired as the truly great MGM musicals of the late 1940s, director Walters keeps it going at a smart pace, and the star power, clever script, memorable score, and those legendary MGM production values elevate it well above the pack. Musical fans will be in for a treat! Recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
helpful•425
- gftbiloxi
- May 13, 2005
Details
- Release date
- Country of origin
- Languages
- Also known as
- Irving Berlin's Easter Parade
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,503,654 (estimated)
- Gross worldwide
- $733
- Runtime1 hour 43 minutes
- Aspect ratio
- 1.37 : 1
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