A former tennis star arranges the murder of his adulterous wife.A former tennis star arranges the murder of his adulterous wife.A former tennis star arranges the murder of his adulterous wife.
- Nominated for 1 BAFTA Award
- 5 wins & 3 nominations total
Richard Bender
- Banquet Member
- (uncredited)
Robin Sanders Clark
- Detective
- (uncredited)
Jack Cunningham
- Bobby Outside Flat
- (uncredited)
Robert Dobson
- Police Photographer
- (uncredited)
Guy Doleman
- Detective
- (uncredited)
Bess Flowers
- Woman Departing Ship
- (uncredited)
Robert Garvin
- Banquet Member
- (uncredited)
Herschel Graham
- Banquet Member
- (uncredited)
Storyline
Did you know
- TriviaSir Alfred Hitchcock wanted Cary Grant to star, but Warner Brothers felt that he would be miscast as a villain.
- Goofs(at around 24 mins) Wendice throws a £100 bundle on a pink armchair. The money falls right at the back of the seat. A few minutes later, Swann takes the money which is now right in front of the armchair.
- Quotes
Tony Wendice: It's funny to think that just a year ago, I sat in that Knightsbridge Pub actually planning to murder her. And I might have done it, if I hadn't seen something that changed my mind.
C.A. Swan: Well? What did you see?
Tony Wendice: I saw you.
- Crazy creditsThe title is shown on a background of a British telephone dial; its MNO marking is replaced by a single large M which forms the single M of the title.
- Alternate versionsThe film had an intermission in its original 3-D release, although it is less than two hours in length.
- ConnectionsEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
Featured review
"Do you really believe in the perfect murder? "
The hit Broadway play by Frederick Knott "Dial M for Murder" has been adapted to the screen several times, including the films made in West Germany and Sweden, as well as a TV movie in 1981 (TV) by Boris Seagal and the film "A Perfect Murder" (1998) directed by Andrew Davis with Michael Douglas, Gwyneth Paltrow, and Viggo Mortensen. Alfred Hitchcock's 1954 adaptation was the first and certainly the best one even if the master himself considered it one of his lesser efforts. "Dial M for Murder" will be remembered as Hitchcock's first color film and the first of three thrillers he had made with Grace Kelly, the future Princess of Monaco, in the prime of her beauty and her talent. Using color proved to be very effective in the film. The first two scenes featuring Kelly wearing a white morning dress in the idyllic scene with her husband Tony and right after that kissing passionately her American lover, writer (Robert Cummings) in the red dress, immediately, without many words tell the viewer that the story of passion, deception, betrayal, and ultimately, murder will follow.
Ray Milland (Tony Wendice) is a surprisingly sympathetic villain (which is perhaps not surprising from the actor with talent, charm, and charisma that equal and remind a lot of both Cary Grant and Jimmy Stewart) who knows about his wife cheating and decides to teach her a lesson by plotting a very clever murder which will make him a sole heir to her money (she is a wealthy one in the family). His plan is perfect and almost works but Margot managed to not only escape the murderer but to turn the table on him while stunned Wendice is on the phone and listens how his well thought of plan collapses. Wendice is very resourceful and he proved to be a master of improvisation because it took him a few minutes in a cab to switch to a plan B that turned a terrified victim Margot into a cold-blooded murderess. Now it is up to seasoned and shrewd inspector Hubbard (John Williams) to find the crucial piece of evidence and to solve the case.
As always with Hitchcock, his directing is impeccable, the camera rarely leaves Wendice's apartment but the film is never claustrophobic which is the case for many plays' adaptation. It breathes and moves freely and we almost forget that we are in the same room for close to two hours. I would not call "Dial M for Murder" my favorite Hitchcock's film but it is enjoyable, clever, and witty thriller with the interesting twists, outstanding performances, and more than one truly memorable scenes.
Ray Milland (Tony Wendice) is a surprisingly sympathetic villain (which is perhaps not surprising from the actor with talent, charm, and charisma that equal and remind a lot of both Cary Grant and Jimmy Stewart) who knows about his wife cheating and decides to teach her a lesson by plotting a very clever murder which will make him a sole heir to her money (she is a wealthy one in the family). His plan is perfect and almost works but Margot managed to not only escape the murderer but to turn the table on him while stunned Wendice is on the phone and listens how his well thought of plan collapses. Wendice is very resourceful and he proved to be a master of improvisation because it took him a few minutes in a cab to switch to a plan B that turned a terrified victim Margot into a cold-blooded murderess. Now it is up to seasoned and shrewd inspector Hubbard (John Williams) to find the crucial piece of evidence and to solve the case.
As always with Hitchcock, his directing is impeccable, the camera rarely leaves Wendice's apartment but the film is never claustrophobic which is the case for many plays' adaptation. It breathes and moves freely and we almost forget that we are in the same room for close to two hours. I would not call "Dial M for Murder" my favorite Hitchcock's film but it is enjoyable, clever, and witty thriller with the interesting twists, outstanding performances, and more than one truly memorable scenes.
helpful•4220
- Galina_movie_fan
- Jul 3, 2007
Details
- Release date
- Country of origin
- Language
- Also known as
- Alfred Hitchcock's Dial M for Murder
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,400,000 (estimated)
- Gross US & Canada
- $24,845
- Opening weekend US & Canada
- $12,562
- Apr 11, 1999
- Gross worldwide
- $43,308
- Runtime1 hour 45 minutes
- Color
- Aspect ratio
- 1.66 : 1
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