A former tennis star arranges the murder of his adulterous wife.A former tennis star arranges the murder of his adulterous wife.A former tennis star arranges the murder of his adulterous wife.
- Nominated for 1 BAFTA Award
- 5 wins & 3 nominations total
Richard Bender
- Banquet Member
- (uncredited)
Robin Sanders Clark
- Detective
- (uncredited)
Jack Cunningham
- Bobby Outside Flat
- (uncredited)
Robert Dobson
- Police Photographer
- (uncredited)
Guy Doleman
- Detective
- (uncredited)
Bess Flowers
- Woman Departing Ship
- (uncredited)
Robert Garvin
- Banquet Member
- (uncredited)
Herschel Graham
- Banquet Member
- (uncredited)
Storyline
Did you know
- TriviaSir Alfred Hitchcock wanted Cary Grant to star, but Warner Brothers felt that he would be miscast as a villain.
- Goofs(at around 24 mins) Wendice throws a £100 bundle on a pink armchair. The money falls right at the back of the seat. A few minutes later, Swann takes the money which is now right in front of the armchair.
- Quotes
Tony Wendice: It's funny to think that just a year ago, I sat in that Knightsbridge Pub actually planning to murder her. And I might have done it, if I hadn't seen something that changed my mind.
C.A. Swan: Well? What did you see?
Tony Wendice: I saw you.
- Crazy creditsThe title is shown on a background of a British telephone dial; its MNO marking is replaced by a single large M which forms the single M of the title.
- Alternate versionsThe film had an intermission in its original 3-D release, although it is less than two hours in length.
- ConnectionsEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
Featured review
Excellent
What gets me about this film every time I see it is just how simple it is. The witty urbanity of the dialogue goes without saying (hem), the acting is stagily impeccable, and the direction by Hitchcock is limited by the small sets but masterful for all that.
Cold Ray Milland plans and sets up the murder of his demure but faithless wife Grace Kelly by a virtual stranger who is urged on by the stick of exposure of his misdeeds and the carrot of GBP1,000 in used notes. Of course all of his convoluted plans go horribly or thankfully wrong, depending on your point of view, leading to an even more convoluted revised plan. When first seen when young I wasted my time because I wasn't paying attention at the critical moment so missed the point and didn't get it: the key is how did the baddie get into the apartment? It's incredibly verbose, being from a stage play after all and at times it seems nothing more than a radio show with pictures. The long scene setting and verbal sparring by Milland and Anthony Dawson is superb to hear - it's fascinating for its relentless poetry, and of displaying a now-dead world. I could never understand the attraction of 3D movies, least of all with this particular attempt, or why Kelly was continually uglified by the Hollywood machine when she never looked lovelier than in here when she was playing stressed out throughout.
I wonder if Hitch remembered the jokey murder scene he did in 1930 in Elstree Calling when Jameson Thomas realised he was murdering in the wrong apartment? Turn that key you have and go in, it's a remarkably literate film and as intricate inside as any lock.
Cold Ray Milland plans and sets up the murder of his demure but faithless wife Grace Kelly by a virtual stranger who is urged on by the stick of exposure of his misdeeds and the carrot of GBP1,000 in used notes. Of course all of his convoluted plans go horribly or thankfully wrong, depending on your point of view, leading to an even more convoluted revised plan. When first seen when young I wasted my time because I wasn't paying attention at the critical moment so missed the point and didn't get it: the key is how did the baddie get into the apartment? It's incredibly verbose, being from a stage play after all and at times it seems nothing more than a radio show with pictures. The long scene setting and verbal sparring by Milland and Anthony Dawson is superb to hear - it's fascinating for its relentless poetry, and of displaying a now-dead world. I could never understand the attraction of 3D movies, least of all with this particular attempt, or why Kelly was continually uglified by the Hollywood machine when she never looked lovelier than in here when she was playing stressed out throughout.
I wonder if Hitch remembered the jokey murder scene he did in 1930 in Elstree Calling when Jameson Thomas realised he was murdering in the wrong apartment? Turn that key you have and go in, it's a remarkably literate film and as intricate inside as any lock.
helpful•367
- Spondonman
- Jan 20, 2013
Details
- Release date
- Country of origin
- Language
- Also known as
- Alfred Hitchcock's Dial M for Murder
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,400,000 (estimated)
- Gross US & Canada
- $24,845
- Opening weekend US & Canada
- $12,562
- Apr 11, 1999
- Gross worldwide
- $43,308
- Runtime1 hour 45 minutes
- Color
- Aspect ratio
- 1.66 : 1
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