Powerful but unethical Broadway columnist J.J. Hunsecker coerces unscrupulous press agent Sidney Falco into breaking up his sister's romance with a jazz musician.Powerful but unethical Broadway columnist J.J. Hunsecker coerces unscrupulous press agent Sidney Falco into breaking up his sister's romance with a jazz musician.Powerful but unethical Broadway columnist J.J. Hunsecker coerces unscrupulous press agent Sidney Falco into breaking up his sister's romance with a jazz musician.
- Nominated for 1 BAFTA Award
- 3 wins & 3 nominations total
Martin Milner
- Steve Dallas
- (as Marty Milner)
Chico Hamilton
- Self
- (as The Chico Hamilton Quintet)
Buddy Clark
- Self
- (as The Chico Hamilton Quintet)
Jay Adler
- Manny Davis
- (uncredited)
Mary Bayless
- Bar Patron
- (uncredited)
Nicky Blair
- Patron at Toots Shor's
- (uncredited)
Nick Borgani
- Waiter
- (uncredited)
Storyline
Did you know
- TriviaPublicity materials for the film noted cinematographer James Wong Howe spread a film of Vaseline on Lancaster's glasses to create a shine and make his stare more menacing.
- Goofs(at around 2 mins) When Sidney peruses J.J. Hunsecker's 'The Eyes of Broadway' column on page 21 of the New York Globe newspaper, it can be seen that several of the paragraphs are repeated. Of the nine paragraphs visible, it can be seen that paragraph 7 is an exact copy of paragraph 2; 8 is a copy of 5, and 9 is a copy of 4.
- Quotes
J.J. Hunsecker: I'd hate to take a bite outta you. You're a cookie full of arsenic.
- Crazy creditsintroducing Susan Harrison
- ConnectionsFeatured in Mackendrick: The Man Who Walked Away (1986)
Featured review
Cynical look at how power corrupts...brilliant performances...
BURT LANCASTER was at the height of his illustrious film career when he played J.J. Hunsecker, the Broadway gossip columnist who dipped his pen in poison to destroy careers. TONY CURTIS was a long way from the days when he was ridiculed for saying "Yonda is the castle of my fadder" in films like SON OF ALI BABA and THE BLACK SHIELD OF FALWORTH.
Here, Curtis is every bit up to the chore of playing the slavishly obedient but hateful publicity man who seems to be fawning over Lancaster, but really despises him. Two towering performances in a film with some of the sharpest exchanges of dialog ever heard.
The cruel side of show biz gets full and rich observation from screenwriter Clifford Odets from a novel by Ernest Lehman. The bright lights of Broadway play against the rainswept streets of Broadway and Times Square, a shadowy sort of film noir background for the brutal story being told.
The story abounds in quotable moments, such as when Lancaster tells Curtis, "You're a cookie full of arsenic." The jazz score background sets the appropriate mood for a story as cynical as this, and the twists and turns of the plot will keep you hooked until the uncertain ending. The main plot line has Lancaster opposed to his sister's suitor, a jazz musician (MARTIN MILNER) and his efforts to get this man out of his sister's life with the help of his obedient slave.
But mainly, this is a film worth savoring to watch the intense performances of Lancaster and Curtis. I doubt whether either of them has ever done better work. For Lancaster, it only cemented his reputation as a man already judged to be a fine actor in the right role. For Curtis, it made film critics take this "pretty boy from Brooklyn" seriously for the first time and was the first big milestone in his budding film career.
Here, Curtis is every bit up to the chore of playing the slavishly obedient but hateful publicity man who seems to be fawning over Lancaster, but really despises him. Two towering performances in a film with some of the sharpest exchanges of dialog ever heard.
The cruel side of show biz gets full and rich observation from screenwriter Clifford Odets from a novel by Ernest Lehman. The bright lights of Broadway play against the rainswept streets of Broadway and Times Square, a shadowy sort of film noir background for the brutal story being told.
The story abounds in quotable moments, such as when Lancaster tells Curtis, "You're a cookie full of arsenic." The jazz score background sets the appropriate mood for a story as cynical as this, and the twists and turns of the plot will keep you hooked until the uncertain ending. The main plot line has Lancaster opposed to his sister's suitor, a jazz musician (MARTIN MILNER) and his efforts to get this man out of his sister's life with the help of his obedient slave.
But mainly, this is a film worth savoring to watch the intense performances of Lancaster and Curtis. I doubt whether either of them has ever done better work. For Lancaster, it only cemented his reputation as a man already judged to be a fine actor in the right role. For Curtis, it made film critics take this "pretty boy from Brooklyn" seriously for the first time and was the first big milestone in his budding film career.
helpful•211
- Doylenf
- Dec 2, 2006
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Dein Schicksal in meiner Hand
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,400,000 (estimated)
- Gross worldwide
- $7,704
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.66 : 1(original ratio)
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