Two bounty hunters with the same intentions team up to track down a gang of outlaws led by a psychotic Mexican bandit, who is plotting an audacious bank robbery.Two bounty hunters with the same intentions team up to track down a gang of outlaws led by a psychotic Mexican bandit, who is plotting an audacious bank robbery.Two bounty hunters with the same intentions team up to track down a gang of outlaws led by a psychotic Mexican bandit, who is plotting an audacious bank robbery.
- Awards
- 3 nominations
Mara Krupp
- Mary - Hotel Manager's Beautiful Wife
- (as Mara Krup)
Luis Rodríguez
- Manuel (Member of Indio's Gang)
- (as Luis Rodriguez)
Panos Papadopulos
- Sancho Perez, Member of Indio's Gang
- (as Panos Papadopoulos)
Roberto Camardiel
- Tucumcari station clerk
- (as Robert Camardiel)
Joseph Egger
- Old Prophet
- (as Josef Egger)
Tomás Blanco
- Tucumcari sheriff
- (as Tomas Blanco)
Sergio Mendizábal
- Tucumcari bank manager
- (as Sergio Mendizabal)
Storyline
Did you know
- TriviaGian Maria Volontè performed his lines in English, although he needed a translator to tell him everything word-for-word, as he did not speak the language. Contrary to some sources, his voice is not heard in the English version, in which his lines are dubbed by veteran voice actor Bernie Grant, who also voiced Volontè in A Fistful of Dollars (1964) and the Embassy Pictures version of A Bullet for the General (1967).
- GoofsThe car seen driving down the dirt road is visible during the conversation from the passenger on the train. This occurs before Mortimer lowers the Bible, when the traveling salesman says the train does not stop in Tucumcari. The car is seen in the distance, moving from lower right to upper left and driving at high speed.
- Quotes
[first title card]
Title card: Where life had no value, death, sometimes, had its price. That is why the bounty killers appeared.
- Crazy creditsThe title credits disappear as if being shot by a gun.
- Alternate versionsThe British cinema release version was cut by the BBFC to shorten the beating scene after a few punches and to completely remove the second flashback sequence where Mortimer's sister shoots herself to avoid a possible rape. Although all UK video and original DVD releases contained these scenes, the 2005 Special Edition DVD was missing around 20 secs from the beating (which ends abruptly and without the dialogue exchange between Indio and Groggy).
- ConnectionsEdited into My Name Is Pecos (1966)
Featured review
One of my favorite westerns- a fitting middle section to the "Dollars" trilogy
As the second of the three films legendary filmmaker Sergio Leone collaborated on with Clint Eastwood (not to mention his first with Lee Van Cleef and his second with 'Fistful' actor Gian Maria Volonte), For a Few Dollars More gets well earned respect from the fans of the director and the groundbreaking star. And yet, occasionally there are those who'll not even know this film from Leone and Clint exists since it does sometimes get under the shadow of their two most infamous works, Fistful of Dollars (which for the most part introduced Clint and Leone to the public's awareness) and The Good, the Bad and the Ugly (which solidified Clint as a Western icon and gave Leone a similar status for film buffs). But taken as a film unto itself, aside from its place in the trilogy, this is a Western that simply delivers the goods, and it does so with a spectacular marriage of style and substance.
The story begins by introducing our two (anti) heroes, bounty hunters Douglas Mortimer (Cleef), former Colonel, and Monco (Eastwood), a drifter. They both set their sights on the leader of a gang of bandits named Indio (Volonte), who is plotting to go after over a million locked in a bank in El Paso. At first, Monco and Mortimer seem like their after Indio for the same reason- reward money- though there seems to be more than each man counted on with him and his gang.
From the opening scenes with Cleef and Eastwood, to the scenes in El Paso, and then into the set pieces in the stone ruins in the Mexico desert(s), For a Few Dollars More displays the utmost skill by Leone in his storytelling, as well as in his use of the camera. Using Fistful's camera-man Massimo Dallamano, Leone does what he does best in his spaghetti westerns- he creates a perfectly in sync mood with his characters: each look in a scene, whether it's intense waiting for guns to be drawn, or just regular conversation, the look of the film draws the viewer in without over-doing it. Some points are made bold or repetitious (like Ennio Morricone's score, that keeps its whistling theme and serene watch theme completely in check), though it's not done to any degree of annoyance or by accident.
In fact, that's what makes his westerns such fun, is that you take them seriously as films, yet he always reminds you that it's all in the 'movie-world' just by the way Mortimer or Monco strikes up a match. As for the actors themselves, Eastwood and Cleef are total pros in this genre, so ever line of dialog comes out naturally, and the supporting actors (however dubbed over from original Italian) all contribute great notes as well. At the least, it can appeal to a new generation of kids looking back to older movies, which may look at this and consider it more modernly crafted than a John Ford oldie. A+
The story begins by introducing our two (anti) heroes, bounty hunters Douglas Mortimer (Cleef), former Colonel, and Monco (Eastwood), a drifter. They both set their sights on the leader of a gang of bandits named Indio (Volonte), who is plotting to go after over a million locked in a bank in El Paso. At first, Monco and Mortimer seem like their after Indio for the same reason- reward money- though there seems to be more than each man counted on with him and his gang.
From the opening scenes with Cleef and Eastwood, to the scenes in El Paso, and then into the set pieces in the stone ruins in the Mexico desert(s), For a Few Dollars More displays the utmost skill by Leone in his storytelling, as well as in his use of the camera. Using Fistful's camera-man Massimo Dallamano, Leone does what he does best in his spaghetti westerns- he creates a perfectly in sync mood with his characters: each look in a scene, whether it's intense waiting for guns to be drawn, or just regular conversation, the look of the film draws the viewer in without over-doing it. Some points are made bold or repetitious (like Ennio Morricone's score, that keeps its whistling theme and serene watch theme completely in check), though it's not done to any degree of annoyance or by accident.
In fact, that's what makes his westerns such fun, is that you take them seriously as films, yet he always reminds you that it's all in the 'movie-world' just by the way Mortimer or Monco strikes up a match. As for the actors themselves, Eastwood and Cleef are total pros in this genre, so ever line of dialog comes out naturally, and the supporting actors (however dubbed over from original Italian) all contribute great notes as well. At the least, it can appeal to a new generation of kids looking back to older movies, which may look at this and consider it more modernly crafted than a John Ford oldie. A+
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- Quinoa1984
- Dec 22, 2003
Everything New on Prime Video in July
Everything New on Prime Video in July
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Za dolar več
- Filming locations
- Mini Hollywood, Tabernas, Almería, Andalucía, Spain(City of El Paso, bank scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $600,000 (estimated)
- Gross US & Canada
- $15,000,000
- Gross worldwide
- $15,000,000
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