After professional hitman Jef Costello is seen by witnesses his efforts to provide himself an alibi drive him further into a corner.After professional hitman Jef Costello is seen by witnesses his efforts to provide himself an alibi drive him further into a corner.After professional hitman Jef Costello is seen by witnesses his efforts to provide himself an alibi drive him further into a corner.
- Awards
- 1 nomination
Cathy Rosier
- La pianiste
- (as Caty Rosier)
Jacques Léonard
- Garcia
- (as Jack Léonard)
- Director
- Writers
- Jean-Pierre Melville
- Joan McLeod(uncredited)
- Georges Pellegrin(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Alain Delon's Top 10 Films, Ranked
Alain Delon's Top 10 Films, Ranked
To celebrate the life and career of Alain Delon, the actor often credited with starring in some of the greatest European films of the 1960s and '70s, we rounded up his top 10 movies, ranked by IMDb fan ratings.
Storyline
Did you know
- TriviaWhen Jean-Pierre Melville brought a copy of the script to Alain Delon, Delon asked him what the title was. When he was told the title was "Le samouraï", Delon had Melville follow him to his bedroom, where there was only a leather couch and a samurai blade hanging on the wall. Melville had written the screenplay with Delon expressly in mind for the lead.
- GoofsThe streets change from bone dry to soaking wet and raining when Jef flees from the female undercover cop in the Paris Metro.
- Quotes
[hitman enters the room of the bar owner]
Martey, Nightclub Owner: Who are you?
Jeff Costello: Doesn't matter.
Martey, Nightclub Owner: What do you want?
Jeff Costello: To kill you.
[shoots him]
- Crazy creditsThe movie's Opening Credits include an epigraph: " "There is no solitude greater than a samurai's, unless perhaps it is that of a tiger in the jungle." - The Book of Bushido."
- Alternate versionsThe West German theatrical version was cut by approximately eight minutes.
- ConnectionsFeatured in Zomergasten: Episode #10.3 (1997)
- SoundtracksLe Samouraï
Written and Performed by François de Roubaix Et Orchestre
Featured review
Exceptional French noir film with the incomparable Alain Delon as a cold murderous
The film begins with a preface : 'Il n'y' a pas plus profound solitude que Celelle samurai Si Ce Nést Celle Dún Tigre Dans la jungle..Peut-etre..'Le Bushido. Samurai's solitude is only comparable a tiger into jungle . Stars Jef Costello (Alain Delon as excellent anti-hero) is a cold professional killer , he establishes an alibi with the help his lady-lover (Nathalie Delon) and unexpectedly in an act of almost unknown compassion by a club's piano player (Rosier). Meanwhile , he's double-crossed and an obstinate police inspector (Francois Perier) track him down . The precise murderer is pursued throughout the Paris'underground . Then the doomed Costello becomes an avenging angel of death seeking for vengeance.
This is the best of Melville's thrillers with magnificent Alain Delon as the expressionless murderous . Delon has striven in vain to repeat this success in numerous subsequent movies at the same genre , similar others known actors as Lino Ventura , Jean Paul Belmondo and generally directed by Henri Verneuil , Jose Giovanni and Jacques Deray . The movie packs a splendid cinematography by Henri Decae , the photography glitters as metallic and cold as a gun barrel . The picture was perfectly directed by Jean Pierre Melville , giving a memorable work . Later his beginning as a post-war forerunner of the 'Nouvelle vague' , he left his style in several different ways as a purveyor of a certain kind of noir movie , creating his own company and a tiny studio . Although retaining its essential French touch and developing a style closer to the world of the American film Noir of the 1940s than any of their other such foray s. Dealing with character-studio about roles damned to inevitable tragedies , powerful finale , stylized set pieces heightens the suspense and tension have place all around the Melville's filmmaking . His movies and singular talent are very copied and much-admired by contemporary directors, specially the 'Polar' or noir French cinema , such as : 'Second breath' , 'The red circle', 'Dirty money' and , of course , 'Le samurai'.
This is the best of Melville's thrillers with magnificent Alain Delon as the expressionless murderous . Delon has striven in vain to repeat this success in numerous subsequent movies at the same genre , similar others known actors as Lino Ventura , Jean Paul Belmondo and generally directed by Henri Verneuil , Jose Giovanni and Jacques Deray . The movie packs a splendid cinematography by Henri Decae , the photography glitters as metallic and cold as a gun barrel . The picture was perfectly directed by Jean Pierre Melville , giving a memorable work . Later his beginning as a post-war forerunner of the 'Nouvelle vague' , he left his style in several different ways as a purveyor of a certain kind of noir movie , creating his own company and a tiny studio . Although retaining its essential French touch and developing a style closer to the world of the American film Noir of the 1940s than any of their other such foray s. Dealing with character-studio about roles damned to inevitable tragedies , powerful finale , stylized set pieces heightens the suspense and tension have place all around the Melville's filmmaking . His movies and singular talent are very copied and much-admired by contemporary directors, specially the 'Polar' or noir French cinema , such as : 'Second breath' , 'The red circle', 'Dirty money' and , of course , 'Le samurai'.
Helpful•199
Details
- Release date
- Countries of origin
- Language
- Also known as
- El samurai
- Filming locations
- 11 Boulevard de l'Amiral Bruix, Paris 16, Paris, France(Jane's apartment)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $216,696
- Opening weekend US & Canada
- $14,899
- Mar 31, 2024
- Gross worldwide
- $271,890
- Runtime1 hour 41 minutes
- Aspect ratio
- 1.85 : 1
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