The straitlaced parents of a young boy who has, until now, shown no interest in the opposite sex, are confounded when he brings home his new partner: an elegant, confusingly androgynous West... Read allThe straitlaced parents of a young boy who has, until now, shown no interest in the opposite sex, are confounded when he brings home his new partner: an elegant, confusingly androgynous West Indian.The straitlaced parents of a young boy who has, until now, shown no interest in the opposite sex, are confounded when he brings home his new partner: an elegant, confusingly androgynous West Indian.
Peter Straker
- Jo Delaney
- (as Straker)
Arthur Blake
- Ticket Collector
- (uncredited)
Roberta Gibbs
- Liz
- (uncredited)
George Hilsdon
- Attendant on Train
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe closing credits state that the film was made 'On location at Faggot's End, Shenley, Herts'. There is no such place but there is a Faggotts Close, Shenley Hill in Hertfordshire. It isn't clear whether the on-screen credit is a mistake or was intended to be an in-joke.
- Quotes
George Mason: Well, you know what they say... when you lose a son, you gain a... a... um...
[clears his throat]
- ConnectionsFeatured in A Bit of Scarlet (1997)
Featured review
A wry look at an ambiguous relationship.
In 1971, when this film "came out,"(pun intended) I went to see it and I remember laughing almost non-stop. I'm unable to say why as I've not seen it since that one time. It's almost as if it's vanished off the face of the planet. Were the filmmakers ashamed of it, I wonder? I doubt I would find much in its content to laugh at were I to see it today, almost twenty-five years on. It doesn't strike me as a particularly funny film at this late stage in the film's life.
However, on to the film(not that I intend to let loose any "spoilers" since I can't remember any particular incidents). Three of the stars are my favourites and I have seen them in many other films/TV plays. The late and lamented Sir Michael Hordern, Joan Greenwood and, in an early role, Hyacinth Bucket(pronounced "Bouquet") herself, Patricia Routledge.
For me Sir Michael gave easily the best performance in the whole movie. His look of stunned insensibility dominates from the moment he's introduced to his son's "friend." Since they--and we--never discover if it's a boy or a girl that their son has brought home, they don't know if he is gay or straight. The fact that the one phone call that could have cleared the puzzle up only makes matters worse is the final nail in the coffin of this relationship--at least as far as us and the unfortunate parents are concerned. The children, at least, will go blithely on as if nothing out of the ordinary has occurred.
The mystery surrounding the actor/actress playing the boy/girlfriend was solved, for this reviewer, some years after I saw the film. Again I'm not going to give out a spoiler but I did find out the sex of the person who played the boy/girl. So I have a whole new slant on the movie and should I see it again, I'll look at it with the knowledge of what was revealed many moons ago.
All in all this was a film that no-one understood(despite being adapted from a stage play--was it successful, I wonder?). But I enjoyed the performances, especially by the three I've mentioned. Of course, at the time, I never knew that Patricia would go on to play the ultimate snob in TVs 'Keeping Up Appearances' but the woman has gone up in my estimation and, I have no doubt, will continue to do so.
I give this film 8 stars out of 10 as it's been almost twenty-five years since I saw it last and, as we all know, tastes do change. The 8 stars are for what I remember of Sir Michael Hordern's performance. To me he is a consummate actor who never turned in a bad performance in his life.
However, on to the film(not that I intend to let loose any "spoilers" since I can't remember any particular incidents). Three of the stars are my favourites and I have seen them in many other films/TV plays. The late and lamented Sir Michael Hordern, Joan Greenwood and, in an early role, Hyacinth Bucket(pronounced "Bouquet") herself, Patricia Routledge.
For me Sir Michael gave easily the best performance in the whole movie. His look of stunned insensibility dominates from the moment he's introduced to his son's "friend." Since they--and we--never discover if it's a boy or a girl that their son has brought home, they don't know if he is gay or straight. The fact that the one phone call that could have cleared the puzzle up only makes matters worse is the final nail in the coffin of this relationship--at least as far as us and the unfortunate parents are concerned. The children, at least, will go blithely on as if nothing out of the ordinary has occurred.
The mystery surrounding the actor/actress playing the boy/girlfriend was solved, for this reviewer, some years after I saw the film. Again I'm not going to give out a spoiler but I did find out the sex of the person who played the boy/girl. So I have a whole new slant on the movie and should I see it again, I'll look at it with the knowledge of what was revealed many moons ago.
All in all this was a film that no-one understood(despite being adapted from a stage play--was it successful, I wonder?). But I enjoyed the performances, especially by the three I've mentioned. Of course, at the time, I never knew that Patricia would go on to play the ultimate snob in TVs 'Keeping Up Appearances' but the woman has gone up in my estimation and, I have no doubt, will continue to do so.
I give this film 8 stars out of 10 as it's been almost twenty-five years since I saw it last and, as we all know, tastes do change. The 8 stars are for what I remember of Sir Michael Hordern's performance. To me he is a consummate actor who never turned in a bad performance in his life.
Helpful•154
- pegasusunicorn52
- Dec 22, 2005
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