Stars: Ben Radcliffe, John Travolta, Claire Price, Scarlet Grace, Iwan Bond, Simon Wilson, Millie Kent, Steven Mackintosh | Written and Directed by Iain Softley
I don’t usually cover shorts, I always seem to have more features to review than I do time, but I had to make an exception for The Shepherd. I remembered reading Frederick Forsyth’s novella when I was growing up, and a reading of it by the late Al Maitland has been a Christmas tradition on CBC radio since 1979. So, telling myself that since The Academy considers forty minutes to be feature length I finally used the Disney+ subscription my wife got us and checked it out.
Freddie is an Raf pilot stationed in Germany who wishes he was home for the holidays. He sees his chance when a fellow pilot is injured and can’t make his scheduled flight to England. Despite only recently qualifying...
I don’t usually cover shorts, I always seem to have more features to review than I do time, but I had to make an exception for The Shepherd. I remembered reading Frederick Forsyth’s novella when I was growing up, and a reading of it by the late Al Maitland has been a Christmas tradition on CBC radio since 1979. So, telling myself that since The Academy considers forty minutes to be feature length I finally used the Disney+ subscription my wife got us and checked it out.
Freddie is an Raf pilot stationed in Germany who wishes he was home for the holidays. He sees his chance when a fellow pilot is injured and can’t make his scheduled flight to England. Despite only recently qualifying...
- 12/4/2023
- by Jim Morazzini
- Nerdly
Paul Thomas Anderson grew up in the San Fernando Valley, which played an important role in his 1997 breakthrough film “Boogie Nights,” which looked at Valley’s porn industry during the ‘70s and 80s. In his new United Artists release “Licorice Pizza,” Anderson returns to the Sfv for a nostalgia-tinged comedy-of-age story set in 1973 starring Cooper Hoffman and Alana Haim. Both young performers received strong notices with the L.A. Times’ Justin Chang declaring Haim as the true star of “this boisterous, bighearted movie and its raison d’être.” And Bradley Cooper has earned positive notices for his funny turn as hairdresser turned film producer Jon Peters, who ironically was a producer on Cooper’s 2018 “A Star is Born.”
So, what was the world like in 1973? It was the year of Watergate, Roe Vs. Wade and “The Exorcist” hitting the big screen. Let’s travel back almost half a century to look at the top films,...
So, what was the world like in 1973? It was the year of Watergate, Roe Vs. Wade and “The Exorcist” hitting the big screen. Let’s travel back almost half a century to look at the top films,...
- 12/2/2021
- by Susan King
- Gold Derby
Studiocanal has picked up sales and distribution rights to the back catalogue of Romulus Films, which includes 40+ films.
On the lister are John Huston’s African Queen, Moulin Rouge and Beat The Devil, Laurence Olivier’s BAFTA winning Richard III, Philip Leacock’s Appointment In London, and Jack Clayton’s Oscar-winning Room At The Top.
Romulus is still owned by its founders the Woolf family, who have been working in UK cinema since the 1920s, when they produced early Alfred Hitchcock films, and founded the Rank Organization with J Arthur Rank. In 1948, following the early death of their father and seeking to establish their independence after working for Rank, brothers John and James Woolf established Independent Film Distributors and production companies Romulus and Remus Films.
In the 1960s and 70s they produced a number of films in partnership with studios including Oliver! And two films based on the books of...
On the lister are John Huston’s African Queen, Moulin Rouge and Beat The Devil, Laurence Olivier’s BAFTA winning Richard III, Philip Leacock’s Appointment In London, and Jack Clayton’s Oscar-winning Room At The Top.
Romulus is still owned by its founders the Woolf family, who have been working in UK cinema since the 1920s, when they produced early Alfred Hitchcock films, and founded the Rank Organization with J Arthur Rank. In 1948, following the early death of their father and seeking to establish their independence after working for Rank, brothers John and James Woolf established Independent Film Distributors and production companies Romulus and Remus Films.
In the 1960s and 70s they produced a number of films in partnership with studios including Oliver! And two films based on the books of...
- 4/6/2021
- by Tom Grater
- Deadline Film + TV
Michale Boganim is directing “Tel-Aviv/Beirut,” a historical drama set against the backdrop of the Israeli–Lebanese conflict in 1982 and 2006.
Set in Northern Israel, the film tells the journey of two families on each side of the border whose fate intertwined because of the war raging in Lebanon. “Tel-Aviv/Beirut” sheds light on the little-known story of Lebanese people who collaborated with the Israeli army to fight Hezbollah.
Spanning over 20 years, the film follows two women, a Lebanese and an Israeli, who bond amid the war and embark on a road trip together to rescue a loved one.
“Tel-Aviv/Beirut” is headlined by an international cast of Israelis, Palestinians, Lebanese actors including Zalfa Seurat, Sarah Adler (“Foxtrot”), Shlomi Elkabetz (“Our Boys”), Younès Bouab (“The Unknown Saint”), Sofia Essaïdi (“La promesse) and Maayane Boganim.
The movie completed shooting during the pandemic in Cyprus and was particularly eventful as it brought together...
Set in Northern Israel, the film tells the journey of two families on each side of the border whose fate intertwined because of the war raging in Lebanon. “Tel-Aviv/Beirut” sheds light on the little-known story of Lebanese people who collaborated with the Israeli army to fight Hezbollah.
Spanning over 20 years, the film follows two women, a Lebanese and an Israeli, who bond amid the war and embark on a road trip together to rescue a loved one.
“Tel-Aviv/Beirut” is headlined by an international cast of Israelis, Palestinians, Lebanese actors including Zalfa Seurat, Sarah Adler (“Foxtrot”), Shlomi Elkabetz (“Our Boys”), Younès Bouab (“The Unknown Saint”), Sofia Essaïdi (“La promesse) and Maayane Boganim.
The movie completed shooting during the pandemic in Cyprus and was particularly eventful as it brought together...
- 3/4/2021
- by Elsa Keslassy
- Variety Film + TV
As Disney quietly disappears huge swathes of film history into its vaults, I've spent 2020 celebrating Twentieth Century Fox and the Fox Film Corporation's films, what one might call their output if only someone were putting it out. This is the final Forgotten By Fox entry."Have you ever seen any of your victims?" Robert Shaw is asked mid-way through End of the Game (1975), a line borrowed from The Third Man (1949). This I take to be author Friedrich Dürrenmatt's revenge, on behalf of his native Switzerland, for Orson Welles' celebrated crack about the cuckoo clock in Carol Reed's thriller, which appeared just before he wrote the book this film is based on.End of the Game is adapted from Dürrenmatt's 1950 novel The Judge and His Hangman by the author himself and Maximilian Schell, who also directs, inventively if a little inconsistently. Some scenes have the correct tragic force...
- 12/22/2020
- MUBI
Before the Bee Gees spread disco fever across radio waves, dance floors and movie screens, they were somewhat less known for their exquisite pop ballads. And they had a different lead singer: Robin Gibb, who died at the age of 62 on May 20, 2012. Unlike big brother Barry Gibb’s smooth, seductive falsetto – which propelled Seventies strobe-light classics like “Stayin’ Alive,” “Jive Talkin’,” and “Night Fever” — Robin’s lead vocals were warbly, yet soulful, elevating woeful anthems of sinking ships, collapsing caves and lovers strolling to the electric chair. Morrissey fans, recognize!
- 11/25/2020
- by Bill Crandall
- Rollingstone.com
Exclusive: Singer Sarah Brightman’s first livestream Christmas concert next month will include a reunion with her former husband and partner-in-theater Andrew Lloyd Webber. The two will perform the relatively obscure Lloyd Webber-Tim Rice song “Christmas Dream.”
Brightman and Webber were married from 1984-1990, with the singer serving as something of a muse during the composer’s early, very prolific career stretch. Brightman starred in original productions of Webber’s Cats, The Phantom of the Opera, Song and Dance, Aspects of Love and Requiem. The two have remained on good terms since their divorce, but have reunited for few public events.
“Christmas Dream” is a Webber-Rice deep cut, written for the film The Odessa File in 1974 and first performed by Perry Como. The Brightman-Webber performance will feature an all-new arrangement.
The stream event, Sarah Brightman: A Christmas Symphony, is set for Sunday, Dec. 20 from London’s historic Christ Church Spitalfields.
Brightman and Webber were married from 1984-1990, with the singer serving as something of a muse during the composer’s early, very prolific career stretch. Brightman starred in original productions of Webber’s Cats, The Phantom of the Opera, Song and Dance, Aspects of Love and Requiem. The two have remained on good terms since their divorce, but have reunited for few public events.
“Christmas Dream” is a Webber-Rice deep cut, written for the film The Odessa File in 1974 and first performed by Perry Como. The Brightman-Webber performance will feature an all-new arrangement.
The stream event, Sarah Brightman: A Christmas Symphony, is set for Sunday, Dec. 20 from London’s historic Christ Church Spitalfields.
- 11/25/2020
- by Greg Evans
- Deadline Film + TV
Blut und Ehre. It’s German for “Blood and Honor.” Not only that, but the phrase was also utilized as a reprehensible rallying cry for Nazi Germany during World War II and the years before. It was their baseless justification for committal of appalling crimes against humanity. Cinema has—however—provided some microscopic but—nonetheless—cathartic examples of such individuals getting their due comeuppance. Take “The Debt,” “The Odessa File,” “This Must Be The Place,” some scenes in “X-Men: First Class” or all of Amazon’s Nazi-hunting show, “Hunters.” A new movie entitled “The Secrets We Keep” sees another Holocaust survivor granted the opportunity to make the red stuff flow out of the person who tortured her years ago.
Continue reading ‘Secrets We Keep’ Trailer: Noomi Rapace Wants Vengeance On WWII War Criminal Joel Kinnaman at The Playlist.
Continue reading ‘Secrets We Keep’ Trailer: Noomi Rapace Wants Vengeance On WWII War Criminal Joel Kinnaman at The Playlist.
- 8/17/2020
- by Andrew Hrip
- The Playlist
We're back with another installment of Horror Highlight! Watch the trailers for The Good Things Devils Do, Let's Scare Julie, and Etheria Season 1, and catch up on the latest casting news for 30 Seconds in Hell:
Watch the Trailer for The Good Things Devils Do: From writer/director Jess Norvisgaard, and featuring a who's who of horror, witness The Good Things Devils Do this August from Gravitas Ventures.
Linnea Quigley, Kane Hodder (Jason X) and Bill Oberst Jr (3 From hell) realize that breaking in was easy but breaking out is going to be hell.
Richard, a small-time gangster is retiring. Before he can, he must take one last job: to steal money from a rival gangster's house. Miles apart, Melvin is a reluctant family man who has dreams of becoming a famous curator for his Museum of the Macabre. His newest acquisition? The remains of the notorious Masquerade, a vampire born from the embers of hell,...
Watch the Trailer for The Good Things Devils Do: From writer/director Jess Norvisgaard, and featuring a who's who of horror, witness The Good Things Devils Do this August from Gravitas Ventures.
Linnea Quigley, Kane Hodder (Jason X) and Bill Oberst Jr (3 From hell) realize that breaking in was easy but breaking out is going to be hell.
Richard, a small-time gangster is retiring. Before he can, he must take one last job: to steal money from a rival gangster's house. Miles apart, Melvin is a reluctant family man who has dreams of becoming a famous curator for his Museum of the Macabre. His newest acquisition? The remains of the notorious Masquerade, a vampire born from the embers of hell,...
- 8/14/2020
- by Jonathan James
- DailyDead
In a competitive situation, WME has signed Jamie Dolan and Adam Faze, founders of the production banner Must B Nice, in all areas.
The recently launched Must B Nice is known for pandemic-set narrative anthology series podcast Day By Day featuring Oscar nominee Lucas Hedges, Camila Mendes (Riverdale), Lucy Hale (Pretty Little Liars), Sydney Sweeney (Euphoria), Julia Fox (Uncut Gems), Madelyn Cline (Outer Banks), Elsie Fisher (Eighth Grade) and three-time Emmy winner Margo Martindale (The Americans), among others.
Must B Nice has set Hell House as one of their first productions. Directed by Andrew Gori, who co-wrote it with Ambre Kelly, the social thriller centers around the relationship between two high school peers on the eve of a religious-themed Halloween attraction in the Deep South. The film stars Stefanie Scott and Zoe Lawrence. The pair has also set the short film Jelly written and directed by Ariela Barer (Marvel’s Runaways) and starring Quei Tann,...
The recently launched Must B Nice is known for pandemic-set narrative anthology series podcast Day By Day featuring Oscar nominee Lucas Hedges, Camila Mendes (Riverdale), Lucy Hale (Pretty Little Liars), Sydney Sweeney (Euphoria), Julia Fox (Uncut Gems), Madelyn Cline (Outer Banks), Elsie Fisher (Eighth Grade) and three-time Emmy winner Margo Martindale (The Americans), among others.
Must B Nice has set Hell House as one of their first productions. Directed by Andrew Gori, who co-wrote it with Ambre Kelly, the social thriller centers around the relationship between two high school peers on the eve of a religious-themed Halloween attraction in the Deep South. The film stars Stefanie Scott and Zoe Lawrence. The pair has also set the short film Jelly written and directed by Ariela Barer (Marvel’s Runaways) and starring Quei Tann,...
- 7/30/2020
- by Dino-Ray Ramos
- Deadline Film + TV
Let’s get one thing clear right from the start: Shirley, the movie about acclaimed writer Shirley Jackson, is not a conventional biopic of the reclusive yet incisive author of The Haunting of Hill House and stories like “The Lottery.” The movie is based on a novel by Susan Scarf Merrell, also called Shirley, and depicts a fictional battle of wills between Jackson, her husband Stanley Hyman, and the young couple who come to live with them when the husband takes a job as Hyman’s teaching assistant.
“The idea was to do a non-traditional biopic, because I didn’t really want to do a cradle to grave biopic at all,” says Sarah Gubbins, who wrote the screenplay. “But what was fascinating to me was the ways in which Shirley kind of has to endure the infamy of the success of ‘The Lottery’ and move into trying to write something else.
“The idea was to do a non-traditional biopic, because I didn’t really want to do a cradle to grave biopic at all,” says Sarah Gubbins, who wrote the screenplay. “But what was fascinating to me was the ways in which Shirley kind of has to endure the infamy of the success of ‘The Lottery’ and move into trying to write something else.
- 6/8/2020
- by Don Kaye
- Den of Geek
Day Of The Jackal will be available on Blu-ray September 25th from Arrow Video
In 1971, Frederick Forsyth shot to bestseller status with his debut novel, The Day of the Jackal taut, utterly plausible, almost documentarian in its realism and attention to detail. Two years later, director Fred Zinnemann (High Noon) turned a gripping novel into a nail-biting cinematic experience.
August 1962: the latest attempt on the life of French President Charles de Gaulle by the far right paramilitary organization, the Oas, ends in chaos, with its architect-in-chief dead at the hands of a firing squad. Demoralized and on the verge of bankruptcy, the Oas leaders meet in secret to plan their next move. In a last desperate attempt to eliminate de Gaulle, they opt to employ the services of a hired assassin from outside the fold. Enter the Jackal: charismatic, calculating, cold as ice. As the Jackal closes in on his target,...
In 1971, Frederick Forsyth shot to bestseller status with his debut novel, The Day of the Jackal taut, utterly plausible, almost documentarian in its realism and attention to detail. Two years later, director Fred Zinnemann (High Noon) turned a gripping novel into a nail-biting cinematic experience.
August 1962: the latest attempt on the life of French President Charles de Gaulle by the far right paramilitary organization, the Oas, ends in chaos, with its architect-in-chief dead at the hands of a firing squad. Demoralized and on the verge of bankruptcy, the Oas leaders meet in secret to plan their next move. In a last desperate attempt to eliminate de Gaulle, they opt to employ the services of a hired assassin from outside the fold. Enter the Jackal: charismatic, calculating, cold as ice. As the Jackal closes in on his target,...
- 8/20/2018
- by Tom Stockman
- WeAreMovieGeeks.com
One of the best international thrillers ever has almost become an obscurity, for reasons unknown – this Blu-ray comes from Australia. Edward Fox’s wily assassin for hire goes up against the combined police and security establishments of three nations as he sets up the killing of a head of state – France’s president Charles de Gaulle. The terrific cast features Michel Lonsdale, Delphine Seyrig and Cyril Cusack; director Fred Zinnemann’s excellent direction reaches a high pitch of tension – even though the outcome is known from the start.
The Day of the Jackal
Region B+A Blu-ray
Shock Entertainment / Universal
1973 / Color / 1:78 widescreen / 143 min. / Street Date ? / Available from Amazon UK / Pounds 19.99
Starring: Edward Fox, Michel Lonsdale, Delphine Seyrig, Cyril Cusack, Eric Porter, Tony Britton, Alan Badel, Michel Auclair, Tony Britton, Maurice Denham, Vernon Dobtcheff, Olga Georges-Picot, Timothy West, Derek Jacobi, Jean Martin, Ronald Pickup, Jean Sorel, Philippe Léotard, Jean Champion,...
The Day of the Jackal
Region B+A Blu-ray
Shock Entertainment / Universal
1973 / Color / 1:78 widescreen / 143 min. / Street Date ? / Available from Amazon UK / Pounds 19.99
Starring: Edward Fox, Michel Lonsdale, Delphine Seyrig, Cyril Cusack, Eric Porter, Tony Britton, Alan Badel, Michel Auclair, Tony Britton, Maurice Denham, Vernon Dobtcheff, Olga Georges-Picot, Timothy West, Derek Jacobi, Jean Martin, Ronald Pickup, Jean Sorel, Philippe Léotard, Jean Champion,...
- 4/29/2017
- by Glenn Erickson
- Trailers from Hell
Next month will mark the return of New York City’s Quad Cinema, a theater reshaped and rebranded as a proper theater via the resources of Charles S. Cohen, head of the distribution outfit Cohen Media Group. While we got a few hints of the line-up during the initial announcement, they’ve now unveiled their first full repertory calendar, running from April 14th through May 4th, and it’s an embarassment of cinematic riches.
Including the previously revealed Lina Wertmüller retrospective, one inventive series that catches our eye is First Encounters, in which an artist will get to experience a film they’ve always wanted to see, but never have, and in which you’re invited to take part. The first match-ups in the series include Kenneth Lonergan‘s first viewing Edward Yang‘s Yi Yi, Noah Baumbach‘s first viewing of Withnail and I, John Turturro‘s first viewing of Pather Panchali,...
Including the previously revealed Lina Wertmüller retrospective, one inventive series that catches our eye is First Encounters, in which an artist will get to experience a film they’ve always wanted to see, but never have, and in which you’re invited to take part. The first match-ups in the series include Kenneth Lonergan‘s first viewing Edward Yang‘s Yi Yi, Noah Baumbach‘s first viewing of Withnail and I, John Turturro‘s first viewing of Pather Panchali,...
- 3/21/2017
- by Jordan Raup
- The Film Stage
The Bond franchise which has been with us so long, has become so deeply entrenched in popular culture, that we often forget what it was that first distinguished the Bonds a half-century ago. Skyfall might be one of the best of the Bonds, and even, arguably, one of the best big-budget big-action flicks to come along in quite a while, but it’s not alone. The annual box office is – and has been, for quite some time – dominated by big, action-packed blockbusters of one sort of another. The Bonds aren’t even the only action-driven spy flicks (Mr. James Bond, I’d like you to meet Mr. Jason Bourne and Mr. Ethan Hunt).
That’s not to take anything away from the superb entertainment Skyfall is, or the sentimentally treasured place the Bonds hold. It’s only to say that where there was once just the one, there are now many.
That’s not to take anything away from the superb entertainment Skyfall is, or the sentimentally treasured place the Bonds hold. It’s only to say that where there was once just the one, there are now many.
- 10/26/2015
- by Bill Mesce
- SoundOnSight
All week long our writers will debate: Which was the greatest film year of the past half century. Click here for a complete list of our essays. I was one of the first to select years for this particular exercise, which probably allowed me to select the correct year. The answer is, of course, 1974 and all other answers are wrong. No matter what your criteria happens to be, 1974 is going to come out on top. Again, this is not ambiguous or open to debate. We have to start, of course, with the best of the best. "Chinatown" is one of the greatest movies ever made. You can't structure a thriller better than Robert Towne and Roman Polanski do, nor shoot a Los Angeles movie better than John Alonzo has done. Jack Nicholson and Faye Dunaway give the best performances of their careers, which is no small achievement. If you ask...
- 4/29/2015
- by Daniel Fienberg
- Hitfix
Oscar-winning British cinematographer who worked on a wide range of film classics
The Oscar-winning British cinematographer Oswald Morris, who has died aged 98, will be remembered for many classics, including Moulin Rouge, Fiddler on the Roof, Moby Dick and Lolita. He worked with some of the great directors, John Huston, Sidney Lumet, Carol Reed, Stanley Kubrick and Franco Zeffirelli. Many of Morris's films are landmarks in the history of colour cinematography. For Moulin Rouge (1952) he used filters to create a style reminiscent of paintings by Toulouse-Lautrec. For Fiddler on the Roof (1971), which won him an Oscar, he filmed with a silk stocking over the lens to give a sepia effect.
Morris also shot popular favourites such as The Guns of Navarone (1961), Oliver! (1968), The Spy Who Came in from the Cold (1965) and The Man Who Would Be King (1975), and photographed acting luminaries: Elizabeth Taylor, Richard Burton, Gregory Peck and Humphrey Bogart.
The Oscar-winning British cinematographer Oswald Morris, who has died aged 98, will be remembered for many classics, including Moulin Rouge, Fiddler on the Roof, Moby Dick and Lolita. He worked with some of the great directors, John Huston, Sidney Lumet, Carol Reed, Stanley Kubrick and Franco Zeffirelli. Many of Morris's films are landmarks in the history of colour cinematography. For Moulin Rouge (1952) he used filters to create a style reminiscent of paintings by Toulouse-Lautrec. For Fiddler on the Roof (1971), which won him an Oscar, he filmed with a silk stocking over the lens to give a sepia effect.
Morris also shot popular favourites such as The Guns of Navarone (1961), Oliver! (1968), The Spy Who Came in from the Cold (1965) and The Man Who Would Be King (1975), and photographed acting luminaries: Elizabeth Taylor, Richard Burton, Gregory Peck and Humphrey Bogart.
- 3/20/2014
- by Brian Baxter
- The Guardian - Film News
Actor and director who brought dark good looks and a commanding presence to his roles
Austrian by birth, Swiss by circumstance and international by reputation, Maximilian Schell, who has died aged 83, was a distinguished actor, director, writer and producer. However, he will be best remembered as an actor, especially for his Oscar-winning performance in Stanley Kramer's Judgment at Nuremberg (1961) – an early highlight among scores of television and movie appearances. He also directed opera, worked tirelessly in the theatre and made six feature films, including Marlene (1984) - a tantalising portrait of Dietrich, his co-star in Judgment, who is heard being interviewed but not seen, except in movie extracts.
Schell courted controversy and much of his work, including The Pedestrian (1973), dealt with the second world war, its attendant crimes and the notion of collective guilt. In 1990, when he was offered a special award for his contributions to German film, he refused to accept it.
Austrian by birth, Swiss by circumstance and international by reputation, Maximilian Schell, who has died aged 83, was a distinguished actor, director, writer and producer. However, he will be best remembered as an actor, especially for his Oscar-winning performance in Stanley Kramer's Judgment at Nuremberg (1961) – an early highlight among scores of television and movie appearances. He also directed opera, worked tirelessly in the theatre and made six feature films, including Marlene (1984) - a tantalising portrait of Dietrich, his co-star in Judgment, who is heard being interviewed but not seen, except in movie extracts.
Schell courted controversy and much of his work, including The Pedestrian (1973), dealt with the second world war, its attendant crimes and the notion of collective guilt. In 1990, when he was offered a special award for his contributions to German film, he refused to accept it.
- 2/3/2014
- by Brian Baxter
- The Guardian - Film News
Schell with Brando in The Young Lions.
Oscar-winning Austrian actor Maximillian Schell has passed away at the age of 83. Schell made his English language screen debut opposite Marlon Brando in the WWII film The Young Lions in 1958. Three years later he won the Best Actor Oscar for his performance in Stanley Kramer's Judgment at Nuremberg. Schell played an attorney burdened with the thankless task of defending Nazi war criminals. The character, while repelled by the acts some individuals committed, offered a spirited defense that brought nuance to the circumstances in which National Socialism had arisen. The intelligent depiction of this sensitive subject- and Schell's impassioned performance- was praised internationally. Schell continued to be a leading man in high profile film productions including Tokapi, Counterpoint, Krakatoa: East of Java, The Odessa File, A Bridge Too Far, The Freshman, The Chosen and Deep Impact. He was nominated for Oscars two other...
- 2/2/2014
- by [email protected] (Cinema Retro)
- Cinemaretro.com
Maximilian Schell movie director (photo: Maximilian Schell and Maria Schell) (See previous post: “Maximilian Schell Dies: Best Actor Oscar Winner for ‘Judgment at Nuremberg.’”) Maximilian Schell’s first film as a director was the 1970 (dubbed) German-language release First Love / Erste Liebe, adapted from Igor Turgenev’s novella, and starring Englishman John Moulder-Brown, Frenchwoman Dominique Sanda, and Schell in this tale about a doomed love affair in Czarist Russia. Italian Valentina Cortese and British Marius Goring provided support. Directed by a former Best Actor Oscar winner, First Love, a movie that could just as easily have been dubbed into Swedish or Swahili (or English), ended up nominated for the Best Foreign Language Film Academy Award. Three years later, nominated in that same category was Schell’s second feature film as a director, The Pedestrian / Der Fußgänger, in which a car accident forces a German businessman to delve deep into his past.
- 2/2/2014
- by Andre Soares
- Alt Film Guide
Hollywood has lost a legend today, with Austrian-born actor Maximilian Schell passing away at 83 years old. While the actor's film debut came opposite Marlon Brando and Montgomery Clift in "The Young Lions," it would be his performance in his second movie that would bring him worldwide attention. As the only actor brought over from the Playhouse 90 TV production of "Judgment At Nuremberg" to the feature film version directed by Stanley Kramer, Schell's turn in the iconic film as the defense attorney landed him an Oscar win (he would be nominated twice more for "The Man In The Glass Booth" in 1975 and "Julia" in 1977) and from there, he didn't look back. The actor's work, which spanned both feature films and television, found him appearing in a wide range of roles, including everything from "The Odessa File" and "Topkapi," to "John Carpenter's Vampires" and "Deep Impact," to working with newer auteurs...
- 2/1/2014
- by Kevin Jagernauth
- The Playlist
Veteran screenwriter Lem Dobbs ("Dark City," "The Limey," "The Company You Keep") has been hired to pen the script for the film adaptation of Frederick Forsyth's latest thriller novel "The Kill List".
"Snow White and the Hunstman" director Rupert Sanders is still onboard to helm the project which Nick Wechsler, Steve Schwartz and Paula Mae Schwartz ("The Counselor") are set to produce.
The story follows a U.S. Special Forces agent tasked with tracking down a powerful terrorist in a high-stakes cat-and-mouse game.
Forsyth penned such legendary works as "The Day of the Jackal," "The Odessa File" and "The Dogs of War" which all saw film adaptations. 'Kill List' though would mark the first adaptation of a Forsyth novel since 1987's "The Fourth Protocol" starring Michael Caine and a young Pierce Brosnan.
Source: The Los Angeles Times...
"Snow White and the Hunstman" director Rupert Sanders is still onboard to helm the project which Nick Wechsler, Steve Schwartz and Paula Mae Schwartz ("The Counselor") are set to produce.
The story follows a U.S. Special Forces agent tasked with tracking down a powerful terrorist in a high-stakes cat-and-mouse game.
Forsyth penned such legendary works as "The Day of the Jackal," "The Odessa File" and "The Dogs of War" which all saw film adaptations. 'Kill List' though would mark the first adaptation of a Forsyth novel since 1987's "The Fourth Protocol" starring Michael Caine and a young Pierce Brosnan.
Source: The Los Angeles Times...
- 10/1/2013
- by Garth Franklin
- Dark Horizons
Producers Steve Schwartz, Paula Mae Schwartz and Nick Wechsler have acquired film rights to author Frederick Forsyth's new espionage novel "The Kill List".
The story deals with an intricate chess game between a brilliant Marine, an Israeli agent, a teenage hacker and a mysterious psychopathic cleric.
Writers will be met with soon to package the movie ahead of it being sold to a studio.
The producing team are the same ones behind Ridley Scott's upcoming "The Counselor".
Forsyth penned classics such as "The Day of the Jackal," "The Fourth Protocol" and "The Odessa File".
Source: Deadline...
The story deals with an intricate chess game between a brilliant Marine, an Israeli agent, a teenage hacker and a mysterious psychopathic cleric.
Writers will be met with soon to package the movie ahead of it being sold to a studio.
The producing team are the same ones behind Ridley Scott's upcoming "The Counselor".
Forsyth penned classics such as "The Day of the Jackal," "The Fourth Protocol" and "The Odessa File".
Source: Deadline...
- 5/16/2013
- by Garth Franklin
- Dark Horizons
Exclusive: In a six-figure deal, producers Steve Schwartz, Paula Mae Schwartz and Nick Wechsler have preemptively acquired rights to The Kill List, the new novel by Day Of The Jackal author Frederick Forsyth. The contemporary espionage tale is described as an intricate chess game between a brilliant Marine, an Israeli agent, a teenage hacker and a mysterious psychopathic cleric. The novel will be published in September by Penguin. Forsyth also wrote The Fourth Protocol and The Odessa File. Schwartz, Schwartz and Wechsler will produce and Roger Schwartz is co-producer. They bought this preemptively as they did The Counselor, which went from a Cormac McCarthy spec to a green lit movie at lightning speed. Matching the gritty intensity that McCarthy has poured into books like No Country For Old Men, the script quickly drew director Ridley Scott and a cast that includes Michael Fassbender, Cameron Diaz, Penelope Cruz and Javier Bardem.
- 5/15/2013
- by MIKE FLEMING JR
- Deadline
(*My apologies for this coming so long after Sound on Sight’s celebration of 50 years of James Bond, but I’ve been swamped with end-of-semester work and only just now managed to finish this. Hope you all still find this of interest.)
As a coda to the Sos’s James Bond salute, there’s still a point I think deserves to be made.
The Bond franchise which has been with us so long, has become so deeply entrenched in popular culture, that we often forget what it was that first distinguished the Bonds a half-century ago. Skyfall might be one of the best of the Bonds, and even, arguably, one of the best big-budget big-action flicks to come along in quite a while, but it’s not alone. The annual box office is – and has been, for quite some time – dominated by big, action-packed blockbusters of one sort of another.
As a coda to the Sos’s James Bond salute, there’s still a point I think deserves to be made.
The Bond franchise which has been with us so long, has become so deeply entrenched in popular culture, that we often forget what it was that first distinguished the Bonds a half-century ago. Skyfall might be one of the best of the Bonds, and even, arguably, one of the best big-budget big-action flicks to come along in quite a while, but it’s not alone. The annual box office is – and has been, for quite some time – dominated by big, action-packed blockbusters of one sort of another.
- 12/20/2012
- by Bill Mesce
- SoundOnSight
British actress Mary Tamm, known for playing the first incarnation of Romana during Doctor Who’s “Key To Time” season in 1978 and 1979, has died of cancer. She was 62. The child of Estonian refugees, Tamm graduated from the Royal Academy of Dramatic Art in London, starting her career in the early 1970s with appearances in British TV shows like Coronation Street, as well as the films The Odessa File and The Likely Lads. She joined Doctor Who in the sci-fi series’ sixteenth-season opener “The Ribos Operation” as the haughty but inexperienced Time Lady Romanadvotrelundar—"Romana" for short—who ...
- 7/27/2012
- avclub.com
Tributes have been paid to Doctor Who actress Mary Tamm, who died in a London hospital today at the age of 62 after an 18-month battle with cancer.
She played Romana (pictured above and below), a Time Lady who was companion to Tom Baker's fourth Doctor from 1978 to 1979. Tamm opted not to return for another series and the role was recast with Lalla Ward.
The daughter of Estonian refugees, Bradford-born Tamm trained at Rada. Her first professional job was at the new Birmingham Repertory theatre where she spent nine months working alongside Derek Jacobi, Joan Sims and Ronnie Barker.
She also appeared on the big screen in The Odessa File and The Likely Lads and after leaving Doctor Who was in numerous other TV shows including EastEnders, Brookside and Wire in the Blood.
Doctor Who returns to our living rooms for a seventh series in August, with guest stars including Stratford-upon-Avon actor David Bradley,...
She played Romana (pictured above and below), a Time Lady who was companion to Tom Baker's fourth Doctor from 1978 to 1979. Tamm opted not to return for another series and the role was recast with Lalla Ward.
The daughter of Estonian refugees, Bradford-born Tamm trained at Rada. Her first professional job was at the new Birmingham Repertory theatre where she spent nine months working alongside Derek Jacobi, Joan Sims and Ronnie Barker.
She also appeared on the big screen in The Odessa File and The Likely Lads and after leaving Doctor Who was in numerous other TV shows including EastEnders, Brookside and Wire in the Blood.
Doctor Who returns to our living rooms for a seventh series in August, with guest stars including Stratford-upon-Avon actor David Bradley,...
- 7/26/2012
- by David Bentley
- The Geek Files
Mary Tamm has died at the age of 62. The former Doctor Who star lost her 18-month battle with cancer in London this morning (July 26), her agent confirmed. Tamm was perhaps best known for her role as Romana, the companion of Tom Baker's Doctor in the 1978-79 Key to Time series. "She had a great zest for life. She was a fantastic actress - she played stage parts of such range, parts that would take your breath away. She could play any role, and do so wonderfully," her longtime agent Barry Langford told Pa. The stage and screen actress starred in a number of films including The Odessa File and The Likely Lads. Following Tamm's role in Doctor (more)...
- 7/26/2012
- by By Tom Eames
- Digital Spy
Actor played Doctor's companion Romana opposite Tom Baker and also starred in The Odessa File and The Likely Lads
The Doctor Who actor Mary Tamm has died aged 62, her agent has said.
Tamm, who played the Doctor's companion Romana alongside Tom Baker, died at a hospital in London on Thursday morning. She had been suffering from cancer for 18 months.
The actress was born in Bradford, West Yorkshire, the daughter of Estonian refugees, and had a long career on stage and screen. She starred in the films The Odessa File and The Likely Lads and had recurring roles in the soaps Brookside and EastEnders.
Tamm leaves her husband Marcus Ringrose, daughter Lauren and seven-year-old son Max.
Barry Langford, her agent of 22 years, said: "She had a great zest for life. She was a fantastic actress – she played stage parts of such range, parts that would take your breath away. She could play any role,...
The Doctor Who actor Mary Tamm has died aged 62, her agent has said.
Tamm, who played the Doctor's companion Romana alongside Tom Baker, died at a hospital in London on Thursday morning. She had been suffering from cancer for 18 months.
The actress was born in Bradford, West Yorkshire, the daughter of Estonian refugees, and had a long career on stage and screen. She starred in the films The Odessa File and The Likely Lads and had recurring roles in the soaps Brookside and EastEnders.
Tamm leaves her husband Marcus Ringrose, daughter Lauren and seven-year-old son Max.
Barry Langford, her agent of 22 years, said: "She had a great zest for life. She was a fantastic actress – she played stage parts of such range, parts that would take your breath away. She could play any role,...
- 7/26/2012
- The Guardian - Film News
Moviefone's New Release of the Week "Chronicle" What's It About? Teens gain superpowers and struggle between becoming heroes or villains. See It Because: A "found footage" superhero movie sounds like a gimmick on top of a gimmick, one trying to capitalize on the success of "Paranormal Activity." But the young talent in front of -- and behind -- the camera imbue the format with real, dynamic youthful energy; be warned it's a short movie, clocking in at 84 minutes. (Also Available on Amazon Instant Video) Moviefone's Blu-ray Pick of the Week "Being John Malkovich" (Criterion Collection) What's It About? John Cusack stars as a sad-sack file clerk by day, amateur puppeteer by night, who finds a secret tunnel that places him in the mind of actor John Malkovich. He uses the strange phenomena to change his (and the actor's) life around. See It Because: The film was one of the most...
- 5/14/2012
- by Eric Larnick
- Moviefone
This week: Liam Neeson protects a pack of plane-crash survivors in remote Alaska from a pack of territorial wolves in the survival thriller "The Grey."
Also new this week is the teen sci-fi hit "Chronicle," Glenn Close in male drag in "Albert Nobbs," the exorcism horror flick "The Devil Inside," and the Blu-ray debut of the comedy "Road Trip."
'The Grey'
Box Office: $52 million
Rotten Tomatoes: 78% Fresh
Storyline: Liam Neeson plays a hunter who protects a rugged group of workers in a remote oil field in this man-vs.-beast thriller. After the group's transport plane crashes in the Alaskan wilderness, the handful of survivors look to Neeson to help them avoid being torn apart by a vicious wolf pack that is hunting them.
Extras! There are six deleted, extended or alternative scenes included on the DVD and Blu-ray, including one not shown in the movie in which Neeson...
Also new this week is the teen sci-fi hit "Chronicle," Glenn Close in male drag in "Albert Nobbs," the exorcism horror flick "The Devil Inside," and the Blu-ray debut of the comedy "Road Trip."
'The Grey'
Box Office: $52 million
Rotten Tomatoes: 78% Fresh
Storyline: Liam Neeson plays a hunter who protects a rugged group of workers in a remote oil field in this man-vs.-beast thriller. After the group's transport plane crashes in the Alaskan wilderness, the handful of survivors look to Neeson to help them avoid being torn apart by a vicious wolf pack that is hunting them.
Extras! There are six deleted, extended or alternative scenes included on the DVD and Blu-ray, including one not shown in the movie in which Neeson...
- 5/14/2012
- by Robert DeSalvo
- NextMovie
It doesn't have the immediacy of Page One: Inside The New York Times, Andrew Rossi's compelling documentary that opened in limited U.S. release recently, nor the political relevance of All the President's Men, Alan J. Pakula's drama that served as a journalistic call to arms for thousands of young people in 1976. But The Odessa File has something that those other films do not: Nazis. Directed by Ronald Neame and released in October 1974, The Odessa File is adapted from a best-selling 1972 novel by Frederick Forsyth that is based, according to the author, on O.D.E.S.S.A., the name of a real-life organization that began smuggling members of the SS out of Germany during the final days of World War II. The story is set...
- 7/9/2011
- Screen Anarchy
The Itch of The Golden Nit, Falling Skies, The Killing and Teen Wolf all turn up in the UK this week. Plus, there are some top films, too...
A healthy start for a week of new programming begins tomorrow, with a 30 minute animated film that could serve as strong inspiration to encourage children's budding creativity and interest in film and animation. A joint project of Tate galleries and Aardman Animations, the film involved thousands of children and a few million pounds to produce.
Entitled The Itch Of The Golden Nit, the story surrounds superheroes and other fantastical characters, drawing on the original ideas, illustrations and sound effects of contributing children, and the vocal talents of comedians and performers, including David Walliams, Miranda Hart, Harry Enfield, Catherine Tate, Vic Reeves, Rick Mayall, Sanjeev Bhaskar, Ralf Little, Miriam Margolyes, Lucy Montgomery, and Alexei Sayle.
It's all part of the Cultural Olympiad, a...
A healthy start for a week of new programming begins tomorrow, with a 30 minute animated film that could serve as strong inspiration to encourage children's budding creativity and interest in film and animation. A joint project of Tate galleries and Aardman Animations, the film involved thousands of children and a few million pounds to produce.
Entitled The Itch Of The Golden Nit, the story surrounds superheroes and other fantastical characters, drawing on the original ideas, illustrations and sound effects of contributing children, and the vocal talents of comedians and performers, including David Walliams, Miranda Hart, Harry Enfield, Catherine Tate, Vic Reeves, Rick Mayall, Sanjeev Bhaskar, Ralf Little, Miriam Margolyes, Lucy Montgomery, and Alexei Sayle.
It's all part of the Cultural Olympiad, a...
- 7/1/2011
- Den of Geek
This attempt to create a pre-history for the X-Men achieves mixed results, but Michael Fassbender's Nazi revenge storyline gets the highest marks
Two years ago, Jj Abrams imagined the meeting of young Kirk and young Spock in his rebooted Star Trek; a brilliant piece of movie pre-history. Now producer Bryan Singer and director Matthew Vaughn make their attempt to revitalise the X-Men movie series by doing the same thing with the mutants' warring, schismatic leaders Professor Xavier and Magneto.
We see how they first met in the cold war 1960s as flashy, headstrong mutant-youngsters. The result is baggy and chaotic and over-long, but watchable, often enjoyably bizarre, and with the occasional flash of cold steel. These flashes come from the formidable Michael Fassbender, as the young Magneto. The film sets out to explain the origin of the X-Men, and even has a slightly strained rationale for Magneto's famous pointy mask/helmet,...
Two years ago, Jj Abrams imagined the meeting of young Kirk and young Spock in his rebooted Star Trek; a brilliant piece of movie pre-history. Now producer Bryan Singer and director Matthew Vaughn make their attempt to revitalise the X-Men movie series by doing the same thing with the mutants' warring, schismatic leaders Professor Xavier and Magneto.
We see how they first met in the cold war 1960s as flashy, headstrong mutant-youngsters. The result is baggy and chaotic and over-long, but watchable, often enjoyably bizarre, and with the occasional flash of cold steel. These flashes come from the formidable Michael Fassbender, as the young Magneto. The film sets out to explain the origin of the X-Men, and even has a slightly strained rationale for Magneto's famous pointy mask/helmet,...
- 6/2/2011
- by Peter Bradshaw
- The Guardian - Film News
Peep Show, Robert's Web, the end of Merlin, a repeat for Sherlock, and the conclusion of The Trip. Meet our UK TV round-up of what's coming...
After a couple weeks' break, we play catch-up this week with new programme starts, say goodbye with series finales, and hello once more to a very welcome return visit. All coming up in the next seven days on UK telly.
Last week, the excellent Peep Show, starring David Mitchell and Robert Webb, aired the first episode of its seventh series. Mark is now a dad, although a reluctant one initially, and there's evidence of plenty left in the tank for the show, even at this great running distance, as you can see in our review of the premiere here. The series continues on Channel 4 tonight, Friday, December 3rd at 10:00pm and if you want to catch up, you can watch episode 1 here.
After a couple weeks' break, we play catch-up this week with new programme starts, say goodbye with series finales, and hello once more to a very welcome return visit. All coming up in the next seven days on UK telly.
Last week, the excellent Peep Show, starring David Mitchell and Robert Webb, aired the first episode of its seventh series. Mark is now a dad, although a reluctant one initially, and there's evidence of plenty left in the tank for the show, even at this great running distance, as you can see in our review of the premiere here. The series continues on Channel 4 tonight, Friday, December 3rd at 10:00pm and if you want to catch up, you can watch episode 1 here.
- 12/3/2010
- Den of Geek
Producer, director and cinematographer of many well-loved British film classics, including Oliver Twist, Tunes of Glory and The Prime of Miss Jean Brodie
The producer, director, writer and cinematographer Ronald Neame, who has died aged 99, played an important role in British cinema for more than half a century. The critic Matthew Sweet once called him "a living embodiment of cinema, a sort of one-man world heritage site". Neame was assistant director to Alfred Hitchcock on Blackmail (1929), the first British talkie; he was the cinematographer on In Which We Serve (1942), Noël Coward's moving tribute to the Royal Navy during the second world war; he co-produced and co-wrote David Lean's Brief Encounter (1945) and Great Expectations (1946); and he directed Alec Guinness in two of his best roles, in The Horse's Mouth (1958) and Tunes of Glory (1960). As if this wasn't enough, Neame also conquered Hollywoo d with one of the first and most successful disaster movies,...
The producer, director, writer and cinematographer Ronald Neame, who has died aged 99, played an important role in British cinema for more than half a century. The critic Matthew Sweet once called him "a living embodiment of cinema, a sort of one-man world heritage site". Neame was assistant director to Alfred Hitchcock on Blackmail (1929), the first British talkie; he was the cinematographer on In Which We Serve (1942), Noël Coward's moving tribute to the Royal Navy during the second world war; he co-produced and co-wrote David Lean's Brief Encounter (1945) and Great Expectations (1946); and he directed Alec Guinness in two of his best roles, in The Horse's Mouth (1958) and Tunes of Glory (1960). As if this wasn't enough, Neame also conquered Hollywoo d with one of the first and most successful disaster movies,...
- 6/20/2010
- by Ronald Bergan
- The Guardian - Film News
By Lee Pfeiffer
Ronald Neame, the legendary cinematographer-turned-screenwriter-turned producer-turned director, has died from complications from a fall. He was 99 years old. Neame's impressive resume goes back to the early days of sound films, having worked on on Alfred Hitchcock's Blackmail. The multi-talented Neame also took up screenwriting and earned Oscar nominations for co-writing the scripts for the classics Brief Encounter and Great Expectations. He was considered a pioneer in the use of Technicolor and was so revered in the British film industry that he was made a Commander of the British Empire. Neame represented the by-gone era of gentleman directors who generally dressed nattily on film sets and brought a wealth of culture to their productions. He directed such high profile films as Tunes of Glory, The Prime of Miss Jean Brodie, The Chalk Garden, Gambit, Scrooge, The Odessa File and the blockbuster 1972 hit The Poseidon Adventure. For more...
Ronald Neame, the legendary cinematographer-turned-screenwriter-turned producer-turned director, has died from complications from a fall. He was 99 years old. Neame's impressive resume goes back to the early days of sound films, having worked on on Alfred Hitchcock's Blackmail. The multi-talented Neame also took up screenwriting and earned Oscar nominations for co-writing the scripts for the classics Brief Encounter and Great Expectations. He was considered a pioneer in the use of Technicolor and was so revered in the British film industry that he was made a Commander of the British Empire. Neame represented the by-gone era of gentleman directors who generally dressed nattily on film sets and brought a wealth of culture to their productions. He directed such high profile films as Tunes of Glory, The Prime of Miss Jean Brodie, The Chalk Garden, Gambit, Scrooge, The Odessa File and the blockbuster 1972 hit The Poseidon Adventure. For more...
- 6/19/2010
- by [email protected] (Cinema Retro)
- Cinemaretro.com
British filmmaker Ronald Neame, whose career dates back to serving as assistant cameraman on the first feature film made with sound in Great Britain, Alfred Hitchcock's "Blackmail," has died, according to reports. He was 99.
No details were available.
His directing credits ranged from "The Poseidon Adventure" (1972) to "The Prime of Miss Jean Brodie" (1969), for which Maggie Smith won the Oscar for best actress.
As a producer, Neame was involved with three British classics: "Brief Encounter" (1945), "Great Expectations" (1946) and "Oliver Twist" (1948). "Brief Encounter" and "Great Expectations" were the fruition of a production partnership called Cineguild that Neame had formed with David Lean and Anthony Havelock-Allan.
As a screenwriter, Neame earned Oscar nominations for the screenplays of "Brief," adapted from a Noel Coward play, and "Expectations," from Charles Dickens' novel. He shared those distinctions with Lean and Havelock-Allan.
Cineguild broke up in 1947 with a fall-out between Neame and Lean when...
No details were available.
His directing credits ranged from "The Poseidon Adventure" (1972) to "The Prime of Miss Jean Brodie" (1969), for which Maggie Smith won the Oscar for best actress.
As a producer, Neame was involved with three British classics: "Brief Encounter" (1945), "Great Expectations" (1946) and "Oliver Twist" (1948). "Brief Encounter" and "Great Expectations" were the fruition of a production partnership called Cineguild that Neame had formed with David Lean and Anthony Havelock-Allan.
As a screenwriter, Neame earned Oscar nominations for the screenplays of "Brief," adapted from a Noel Coward play, and "Expectations," from Charles Dickens' novel. He shared those distinctions with Lean and Havelock-Allan.
Cineguild broke up in 1947 with a fall-out between Neame and Lean when...
- 6/18/2010
- by By Duane Byrge
- The Hollywood Reporter - Movie News
Actor best known for his role in The Sweeney
For decades a versatile figure in regional theatre, both behind and in front of the footlights, the actor Garfield Morgan, who has died aged 78, achieved national recognition as Frank Haskins in the mould-breaking action series The Sweeney (Thames, 1975-78), having spent years playing police officers on screen. He brought narrow eyes and a habitually rueful expression to the role of Haskins, who was continually beset by ulcers and colds and whose somewhat puritanical nature distanced him from his charges, played by John Thaw and Dennis Waterman.
Born and raised in Birmingham, Morgan was initially apprenticed to a dental mechanic. His professional debut was in July 1953, in Cannon Hill Park, Birmingham, as part of the Arena Theatre Company, for the city's sixth summer theatre festival. Also in the company was the future director Clifford Williams.
The following month, Morgan was a founder member of the Marlowe Players,...
For decades a versatile figure in regional theatre, both behind and in front of the footlights, the actor Garfield Morgan, who has died aged 78, achieved national recognition as Frank Haskins in the mould-breaking action series The Sweeney (Thames, 1975-78), having spent years playing police officers on screen. He brought narrow eyes and a habitually rueful expression to the role of Haskins, who was continually beset by ulcers and colds and whose somewhat puritanical nature distanced him from his charges, played by John Thaw and Dennis Waterman.
Born and raised in Birmingham, Morgan was initially apprenticed to a dental mechanic. His professional debut was in July 1953, in Cannon Hill Park, Birmingham, as part of the Arena Theatre Company, for the city's sixth summer theatre festival. Also in the company was the future director Clifford Williams.
The following month, Morgan was a founder member of the Marlowe Players,...
- 2/16/2010
- by Gavin Gaughan
- The Guardian - Film News
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